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Broadway Grosses - Week Ending 10/6/2002


Updated: October 20, 2014

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
42ND STREET
(FORD CENTER)
$663,096
$650,784
$12,312
$1,069,078
62.03%
$62.67
$101.10
10,580
14,504
8
72.9%
72.1%
0.8%
AIDA
(PALACE)
$619,988
$632,591
$-12,603
$920,819
67.33%
$57.85
$95.00
10,717
13,560
8
79.0%
81.7%
-2.7%
AMOUR
(MUSIC BOX)
$272,603
$189,382
$83,221
$580,297
46.98%
$45.76
$86.25
5,957
7,688
8
77.5%
76.0%
1.5%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$481,024
$450,962
$30,062
$837,408
57.44%
$52.65
$95.00
9,137
12,072
8
75.7%
74.1%
1.6%
CABARET
(STUDIO 54)
$355,011
$376,181
$-21,170
$560,680
63.32%
$58.05
$180.00
6,116
7,360
8
83.1%
89.0%
-5.9%
CHICAGO
(SHUBERT)
$386,075
$393,856
$-7,781
$699,976
55.16%
$52.68
$180.00
7,329
11,680
8
62.7%
61.7%
1.0%
FLOWER DRUM SONG
(VIRGINIA)
$467,463
$495,567
$-28,104
$719,073
65.01%
$63.40
$96.00
7,373
8,498
7
86.8%
0.0%
86.8%
FRANKIE AND JOHNNY IN THE CLAIRE DE LUNE
(BELASCO)
$474,685
$469,313
$5,372
$496,678
95.57%
$64.50
$76.25
7,359
8,320
8
88.4%
89.8%
-1.4%
HAIRSPRAY
(NEIL SIMON)
$955,629
$947,801
$7,828
$956,806
99.88%
$82.67
$240.00
11,560
11,424
8
101.2%
101.2%
0.0%
INTO THE WOODS
(BROADHURST)
$319,109
$300,145
$18,964
$760,960
41.94%
$56.94
$100.25
5,604
9,080
8
61.7%
59.9%
1.8%
LES MISÉRABLES - ORIGINAL
(IMPERIAL)
$283,455
$292,800
$-9,345
$604,476
46.89%
$49.62
$90.00
5,713
11,336
8
50.4%
46.3%
4.1%
MAMMA MIA!
(CADILLAC WINTER G)
$990,892
$1,015,502
$-24,610
$1,033,311
95.89%
$84.86
$100.00
11,677
11,984
8
97.4%
101.6%
-4.2%
METAMORPHOSES
(CIRCLE)
$167,803
$217,073
$-49,270
$341,917
49.08%
$50.26
$75.00
3,339
5,200
8
64.2%
79.9%
-15.7%
MOVIN' OUT
(RICHARD RODGERS)
$645,921
$0
$645,921
$810,163
79.73%
$73.08
$95.00
8,838
10,576
8
83.6%
0.0%
0.0%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
OKLAHOMA!
(GERSHWIN)
$601,112
$614,148
$-13,036
$1,013,585
59.31%
$62.38
$95.00
9,636
13,368
8
72.1%
75.1%
-3.0%
PROOF
(WALTER KERR)
$218,951
$223,008
$-4,057
$427,309
51.24%
$46.57
$76.00
4,702
7,392
8
63.6%
62.7%
0.9%
RENT
(NEDERLANDER)
$357,114
$357,525
$-411
$528,739
67.54%
$52.49
$90.00
6,804
9,448
8
72.0%
75.0%
-3.0%
SAY GOODNIGHT GRACIE
(HELEN HAYES)
$120,317
$131,094
$-10,777
$296,500
40.58%
$37.49
$66.25
3,209
4,744
8
67.6%
76.3%
-8.7%
THE BOYS FROM SYRACUSE
(AMERICAN AIRLINES)
$260,896
$275,895
$-14,999
$504,680
51.70%
$49.77
$90.00
5,242
5,824
8
90.0%
96.5%
-6.5%
THE GOAT OR WHO IS SYLVIA?
(Golden)
$221,957
$207,669
$14,288
$399,908
55.50%
$43.57
$76.25
5,094
6,432
8
79.2%
72.3%
6.9%
THE GRADUATE
(PLYMOUTH)
$293,403
$344,713
$-51,310
$569,143
51.55%
$52.44
$250.00
5,595
8,600
8
65.1%
79.5%
-14.4%
THE LION KING
(NEW AMSTERDAM)
$1,086,755
$1,088,334
$-1,579
$1,011,858
107.40%
$76.23
$100.00
14,257
14,344
8
99.4%
99.6%
-0.2%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$446,653
$504,991
$-58,338
$878,723
50.83%
$53.41
$90.00
8,363
12,856
8
65.1%
71.0%
-5.9%
THE PRODUCERS
(ST. JAMES)
$1,123,420
$1,131,374
$-7,954
$1,042,163
107.80%
$84.92
$480.00
13,229
13,648
8
96.9%
97.8%
-0.9%
THOROUGHLY MODERN MILLIE
(MARQUIS)
$771,140
$846,512
$-75,372
$994,201
77.56%
$66.60
$240.00
11,578
12,624
8
91.7%
97.3%
-5.6%
URINETOWN
(HENRY MILLER)
$298,923
$305,045
$-6,122
$386,346
77.37%
$67.28
$85.00
4,443
5,048
8
88.0%
88.7%
-0.7%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$12,883,395
Avg: $495,515
vs. Last Week:
3.27%
$12,462,265

Avg: $519,261
$421,130
$18,444,797
66.33%
$59.54
AVG.
$128.78
AVG.
203,451
257,610
207
78.28%
.AVG
80.21%
AVG.
-1.93%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..