Broadway Grosses - Week Ending 9/1/2002


Updated: May 02, 2016 | Jump to the Week of:
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Shows
Tickets
Sales
Avg. Price
This Week
27
221,682
$13,632,191
$61.49
vs. Last Week
-10
282,990
-21.66%
$27,121,280 -49.74%
$95.84
$-34.34

vs. Last Year

+3

206,895
7.15%

$21,736,748 -37.29%

$105.06
$-43.57
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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avg.
Paid
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
42ND STREET
FORD CENTER
$713,046
$694,438
$18,608
$1,069,078
66.7%
$60.27
$101
11,830
14,504
8
81.6%
80.0%
1.6%
AIDA
PALACE
$701,377
$686,860
$14,517
$920,819
76.2%
$59.40
$95
11,808
13,560
8
87.1%
85.7%
1.4%
BEAUTY AND THE BEAST
LUNT-FONTANNE
$590,979
$587,201
$3,778
$837,408
70.6%
$58.60
$95
10,085
12,072
8
83.5%
84.2%
-0.7%
CABARET
STUDIO 54
$431,972
$414,715
$17,257
$560,680
77.0%
$63.75
$180
6,776
7,360
8
92.1%
92.6%
-0.5%
CHICAGO
SHUBERT
$438,976
$402,759
$36,217
$699,976
62.7%
$55.88
$180
7,855
11,680
8
67.3%
64.2%
3.1%
CONTACT
VIVIAN BEAUMONT
$314,952
$289,591
$25,361
$656,080
48.0%
$58.25
$90
5,407
8,536
8
63.3%
58.1%
5.2%
FRANKIE AND JOHNNY IN THE CLAIRE DE LUNE
BELASCO
$444,329
$415,496
$28,833
$496,678
89.5%
$58.16
$76
7,640
8,320
8
91.8%
86.7%
5.1%
HAIRSPRAY
NEIL SIMON
$864,747
$804,820
$59,927
$908,864
95.2%
$74.81
$240
11,560
11,424
8
101.2%
93.5%
7.7%
I'M NOT RAPPAPORT
BOOTH
$104,188
$112,970
$-8,782
$416,791
25.0%
$40.03
$76
2,603
6,312
8
41.2%
48.4%
-7.2%
INTO THE WOODS
BROADHURST
$434,537
$393,426
$41,111
$760,960
57.1%
$63.03
$100
6,894
9,080
8
75.9%
69.0%
6.9%
LES MISÉRABLES - ORIGINAL
IMPERIAL
$359,044
$375,445
$-16,401
$604,476
59.4%
$49.10
$90
7,313
11,336
8
64.5%
65.3%
-0.8%
MAMMA MIA!
CADILLAC WINTER G
$1,051,072
$1,047,831
$3,241
$1,033,311
101.7%
$86.12
$100
12,205
11,984
8
101.8%
101.8%
0.0%
METAMORPHOSES
CIRCLE
$206,487
$184,246
$22,241
$341,917
60.4%
$49.64
$75
4,160
5,200
8
80.0%
72.4%
7.6%
NOISES OFF
BROOKS ATKINSON
$252,176
$213,875
$38,301
$522,566
48.3%
$38.64
$75
6,526
8,408
8
77.6%
64.4%
13.2%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % of Potential
Avg.
Paid
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
OKLAHOMA!
GERSHWIN
$592,132
$592,024
$108
$1,013,585
58.4%
$59.46
$95
9,958
13,368
8
74.5%
73.4%
1.1%
PRIVATE LIVES 2002
RICHARD RODGERS
$387,051
$302,628
$84,423
$563,886
68.6%
$52.02
$75
7,441
9,338
7
79.7%
66.4%
13.3%
PROOF
WALTER KERR
$229,725
$195,170
$34,555
$427,309
53.8%
$47.76
$76
4,810
7,392
8
65.1%
56.8%
8.3%
RENT
NEDERLANDER
$425,269
$448,887
$-23,618
$528,739
80.4%
$48.00
$90
8,860
9,448
8
93.8%
95.0%
-1.2%
THE BOYS FROM SYRACUSE
AMERICAN AIRLINES
$260,141
$268,225
$-8,084
$504,680
51.6%
$49.39
$90
5,267
5,824
8
90.4%
94.1%
-3.7%
THE GOAT OR WHO IS SYLVIA?
Golden
$211,685
$165,060
$46,625
$399,908
52.9%
$44.28
$76
4,781
6,432
8
74.3%
63.9%
10.4%
THE GRADUATE
PLYMOUTH
$367,723
$353,591
$14,132
$569,143
64.6%
$57.27
$250
6,421
8,600
8
74.7%
71.9%
2.8%
THE LION KING
NEW AMSTERDAM
$1,105,076
$1,096,345
$8,731
$1,011,858
109.2%
$76.20
$100
14,503
14,344
8
101.1%
101.1%
0.0%
THE PHANTOM OF THE OPERA
MAJESTIC
$564,209
$595,743
$-31,534
$878,723
64.2%
$52.45
$90
10,758
12,856
8
83.7%
87.2%
-3.5%
THE PRODUCERS
ST. JAMES
$1,121,419
$1,126,710
$-5,291
$1,042,163
107.6%
$84.53
$480
13,266
13,648
8
97.2%
97.8%
-0.6%
THE TALE OF THE ALLERGIST'S WIFE
ETHEL BARRYMORE
$271,886
$229,222
$42,664
$492,315
55.2%
$45.80
$75
5,937
8,368
8
70.9%
61.1%
9.8%
THOROUGHLY MODERN MILLIE
MARQUIS
$849,473
$863,430
$-13,957
$994,201
85.4%
$70.32
$240
12,080
12,624
8
95.7%
95.3%
0.4%
URINETOWN
HENRY MILLER
$338,520
$336,435
$2,085
$386,346
87.6%
$68.55
$85
4,938
5,048
8
97.8%
97.3%
0.5%
Show
This Week Gross
These Shows - Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Avg.
Paid
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$13,632,191
Avg: $504,896
$13,197,143
Avg: $488,783
$435,048
$18,642,460
69.53%
$61.49
AVG.
$125.78
AVG.
221,682
267,066
215
81.77%
.AVG
78.80%
AVG.
2.97%



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Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..