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Broadway Grosses - Week Ending 3/3/2002


Updated: July 28, 2014

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Industry Insight: Weekly Grosses Analysis - 7/28

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
42ND STREET
(FORD CENTER)
$681,137
$903,868
$-222,731
$1,069,078
63.71%
$60.35
$100.00
11,286
14,504
8
77.8%
96.9%
-19.1%
AIDA
(PALACE)
$707,360
$836,840
$-129,480
$920,819
76.82%
$62.07
$95.00
11,396
13,560
8
84.0%
98.8%
-14.8%
AN ALMOST HOLY PICTURE
(AMERICAN AIRLINES)
$233,636
$242,808
$-9,172
$349,943
66.76%
$48.39
$65.00
4,828
5,920
8
81.6%
86.4%
-4.8%
BEA ARTHUR ON BROADWAY
(BOOTH)
$216,207
$238,560
$-22,353
$362,923
59.57%
$48.82
$66.25
4,429
6,248
8
70.9%
80.6%
-9.7%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$534,124
$639,711
$-105,587
$837,408
63.78%
$49.86
$90.00
10,712
12,072
8
88.7%
97.6%
-8.9%
CABARET
(STUDIO 54)
$391,915
$401,198
$-9,283
$560,680
69.90%
$54.74
$95.00
7,160
7,360
8
97.3%
98.3%
-1.0%
CHICAGO
(SHUBERT)
$468,262
$537,726
$-69,464
$699,976
66.90%
$51.66
$90.00
9,064
11,680
8
77.6%
86.8%
-9.2%
CONTACT
(VIVIAN BEAUMONT)
$375,636
$429,318
$-53,682
$656,080
57.25%
$51.80
$90.00
7,251
8,536
8
84.9%
92.8%
-7.9%
ELAINE STRITCH AT LIBERTY
(NEIL SIMON)
$348,313
$311,804
$36,509
$425,379
81.88%
$55.44
$85.00
6,283
6,640
5
94.6%
84.2%
10.4%
LES MISÉRABLES - ORIGINAL
(IMPERIAL)
$362,476
$489,188
$-126,712
$604,476
59.97%
$48.15
$90.00
7,528
11,336
8
66.4%
90.7%
-24.3%
MAMMA MIA!
(WINTER GARDEN)
$961,996
$1,020,457
$-58,461
$985,504
97.61%
$84.81
$100.00
11,343
11,984
8
94.7%
100.7%
-6.0%
METAMORPHOSES
(CIRCLE)
$190,094
$143,705
$46,389
$346,639
54.84%
$54.31
$75.00
3,500
5,200
8
67.3%
0.0%
67.3%
NOISES OFF
(BROOKS ATKINSON)
$335,786
$416,302
$-80,516
$522,566
64.26%
$52.61
$75.00
6,382
8,408
8
75.9%
89.0%
-13.1%
OKLAHOMA!
(GERSHWIN)
$671,468
$128,814
$542,654
$894,464
75.07%
$59.02
$90.00
11,377
11,697
7
97.3%
0.0%
97.3%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
ONE MO' TIME
(LONGACRE)
$82,408
$65,886
$16,522
$328,892
25.06%
$40.02
$76.25
2,059
8,760
8
23.5%
0.0%
23.5%
PROOF
(WALTER KERR)
$279,539
$317,387
$-37,848
$427,309
65.42%
$48.99
$70.00
5,706
7,392
8
77.2%
88.3%
-11.1%
QED
(VIVIAN BEAUMONT)
$91,583
$102,835
$-11,252
$112,010
81.76%
$50.27
$60.00
1,822
2,134
2
85.4%
98.5%
-13.1%
RENT
(NEDERLANDER)
$341,627
$441,931
$-100,304
$528,739
64.61%
$47.47
$85.00
7,197
9,448
8
76.2%
94.1%
-17.9%
SWEET SMELL OF SUCCESS
(MARTIN BECK)
$477,366
$82,765
$394,601
$801,607
59.55%
$70.94
$95.00
6,729
9,954
7
67.6%
0.0%
67.6%
THE CRUCIBLE
(VIRGINIA)
$422,441
$519,126
$-96,685
$659,375
64.07%
$63.06
$240.00
6,699
8,827
7
75.9%
84.0%
-8.1%
THE GOAT OR WHO IS SYLVIA?
(Golden)
$200,204
$197,456
$2,748
$366,230
54.67%
$38.31
$76.25
5,226
5,628
7
92.9%
91.8%
1.1%
THE LION KING
(NEW AMSTERDAM)
$1,071,821
$1,065,668
$6,153
$1,011,858
105.93%
$73.95
$100.00
14,494
14,344
8
101.0%
101.3%
-0.3%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$478,628
$644,041
$-165,413
$878,723
54.47%
$52.08
$90.00
9,191
12,856
8
71.5%
96.5%
-25.0%
THE PRODUCERS
(ST. JAMES)
$1,281,764
$1,272,627
$9,137
$1,042,163
122.99%
$93.12
$480.00
13,764
13,648
8
100.8%
101.0%
-0.2%
THE TALE OF THE ALLERGIST'S WIFE
(ETHEL BARRYMORE)
$302,452
$337,834
$-35,382
$492,315
61.43%
$48.50
$75.00
6,236
8,368
8
74.5%
85.6%
-11.1%
URINETOWN
(HENRY MILLER)
$262,805
$305,798
$-42,993
$386,346
68.02%
$73.39
$85.00
3,581
5,048
8
70.9%
81.9%
-11.0%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$11,771,048
Avg: $452,733
vs. Last Week:
-2.74%
$12,093,653

Avg: $549,712
$-322,605
$16,271,502
68.70%
$57.01
AVG.
$105.34
AVG.
195,243
241,552
195
79.86%
.AVG
92.08%
AVG.
-12.22%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..