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Broadway Grosses - Week Ending 2/24/2002


Updated: December 22, 2014

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Industry Insight: Weekly Grosses Analysis - 12/22

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Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Avgerage Paid
Top Ticket
Total Attend.
Total
Seats
Per
This Week
Last Week
Diff %
42ND STREET
(FORD CENTER)
$903,868
$802,547
$101,321
$1,069,078
84.55%
$64.31
$100.00
14,054
14,504
8
96.9%
80.9%
16.0%
AIDA
(PALACE)
$836,840
$882,375
$-45,535
$920,819
90.88%
$62.44
$95.00
13,403
13,560
8
98.8%
96.9%
1.9%
AN ALMOST HOLY PICTURE
(AMERICAN AIRLINES)
$242,808
$259,042
$-16,234
$349,943
69.39%
$47.47
$65.00
5,115
5,920
8
86.4%
91.7%
-5.3%
BEA ARTHUR ON BROADWAY
(BOOTH)
$238,560
$238,383
$177
$362,923
65.73%
$47.34
$66.25
5,039
6,248
8
80.6%
83.3%
-2.7%
BEAUTY AND THE BEAST
(LUNT-FONTANNE)
$639,711
$683,119
$-43,408
$837,408
76.39%
$54.27
$90.00
11,788
12,072
8
97.6%
94.1%
3.5%
CABARET
(STUDIO 54)
$401,198
$398,094
$3,104
$560,680
71.56%
$55.43
$95.00
7,238
7,360
8
98.3%
97.0%
1.3%
CHICAGO
(SHUBERT)
$537,726
$616,146
$-78,420
$699,976
76.82%
$53.07
$90.00
10,133
11,680
8
86.8%
85.1%
1.7%
CONTACT
(VIVIAN BEAUMONT)
$429,318
$406,873
$22,445
$656,080
65.44%
$54.21
$90.00
7,919
8,536
8
92.8%
84.8%
8.0%
ELAINE STRITCH AT LIBERTY
(NEIL SIMON)
$311,804
$314,967
$-3,163
$425,379
73.30%
$55.78
$85.00
5,590
6,640
5
84.2%
84.5%
-0.3%
LES MISÉRABLES - ORIGINAL
(IMPERIAL)
$489,188
$425,036
$64,152
$604,476
80.93%
$47.59
$90.00
10,279
11,336
8
90.7%
72.0%
18.7%
MAMMA MIA!
(WINTER GARDEN)
$1,020,457
$981,103
$39,354
$985,504
103.55%
$84.57
$100.00
12,067
11,984
8
100.7%
97.1%
3.6%
METAMORPHOSES
(CIRCLE)
$143,705
$0
$143,705
$216,649
66.33%
$52.85
$75.00
2,719
3,250
5
83.7%
0.0%
0.0%
NOISES OFF
(BROOKS ATKINSON)
$416,302
$419,128
$-2,826
$522,566
79.66%
$55.65
$75.00
7,481
8,408
8
89.0%
83.9%
5.1%
OKLAHOMA!
(GERSHWIN)
$128,814
$0
$128,814
$129,361
99.58%
$77.09
$90.00
1,671
1,671
1
100.0%
0.0%
0.0%
Show
This Week Gross
Last Week Gross
Diff $
Potential Gross
Gross % Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week
Last Week
Diff %
ONE MO' TIME
(LONGACRE)
$65,886
$0
$65,886
$328,892
20.03%
$38.58
$76.25
1,708
5,475
5
31.2%
0.0%
0.0%
PROOF
(WALTER KERR)
$317,387
$327,630
$-10,243
$427,309
74.28%
$48.65
$70.00
6,524
7,392
8
88.3%
84.1%
4.2%
QED
(VIVIAN BEAUMONT)
$102,835
$49,861
$52,974
$112,010
91.81%
$48.92
$60.00
2,102
2,134
2
98.5%
98.4%
0.1%
RENT
(NEDERLANDER)
$441,931
$418,512
$23,419
$528,739
83.58%
$49.73
$85.00
8,886
9,448
8
94.1%
86.8%
7.3%
SWEET SMELL OF SUCCESS
(MARTIN BECK)
$82,765
$0
$82,765
$116,564
71.00%
$87.77
$95.00
943
1,422
1
66.3%
0.0%
0.0%
THE CRUCIBLE
(VIRGINIA)
$519,126
$181,934
$337,192
$659,375
78.73%
$69.98
$85.00
7,418
8,827
7
84.0%
0.0%
84.0%
THE GOAT OR WHO IS SYLVIA?
(Golden)
$197,456
$61,603
$135,853
$366,230
53.92%
$38.24
$76.25
5,164
5,628
7
91.8%
0.0%
91.8%
THE LION KING
(NEW AMSTERDAM)
$1,065,668
$1,058,976
$6,692
$1,011,858
105.32%
$73.33
$100.00
14,532
14,344
8
101.3%
101.0%
0.3%
THE PHANTOM OF THE OPERA
(MAJESTIC)
$644,041
$558,534
$85,507
$878,723
73.29%
$51.91
$90.00
12,406
12,856
8
96.5%
82.0%
14.5%
THE PRODUCERS
(ST. JAMES)
$1,272,627
$1,275,342
$-2,715
$1,042,163
122.11%
$92.34
$480.00
13,782
13,648
8
101.0%
101.1%
-0.1%
THE TALE OF THE ALLERGIST'S WIFE
(ETHEL BARRYMORE)
$337,834
$316,971
$20,863
$492,315
68.62%
$47.19
$75.00
7,159
8,368
8
85.6%
76.7%
8.9%
URINETOWN
(HENRY MILLER)
$305,798
$343,846
$-38,048
$386,346
79.15%
$73.97
$85.00
4,134
5,048
8
81.9%
91.2%
-9.3%
Show
This Week's Gross
Last Week's Gross
Diff $
Potential Gross
Gross % of Potential
Average Ticket
Top Ticket
Seats
Sold
Total
Seats
Per
This Week %
Last Week %
Diff %
TOTAL FOR WEEK
$12,093,653
Avg: $465,141
vs. Last Week:
8.88%
$11,020,022

Avg: $551,001
$1,073,631
$14,691,366
77.92%
$58.95
AVG.
$99.38
AVG.
199,254
217,759
177
88.73%
.AVG
88.63%
AVG.
0.10%



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The Broadway League's weekly box office report was significantly changed effective June 1, 2009, the first week of the 2009-10 season (week ending 5/31/09). Click here for details.

Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..