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MET OPERA

Video: Go Inside Rehearsals For EL NIÑO at the Metropolitan Opera Photo by Joshua Wright - April 12, 2024

Go inside rehearsals which are now underway for The Met premiere of John Adams’s opera-oratorio EL NIŃO, which features soprano Julia Bullock, mezzo-soprano J’Nai Bridges, and bass-baritone Davóne Tines. ...

Review: Blanchard-Lemmons' FIRE SHUT UP Makes Another Splash at the Met Photo by Richard Sasanow - April 11, 2024

It was tough separating the opera from the event when FIRE SHUT UP IN MY BONES opened the first post-Covid pandemic season at the Met. Back then, in September 2021, FIRE made history as the first opera by a Black composer, Terence Blanchard with his librettist Kasi Lemmons (based on the book by Charles M. Blow), to make its way to the Met stage. This week, it returned to show that contemporary opera can have “legs” on the big stage of the company....

Review: Fine Singing Makes RONDINE Easy to Swallow under Scappucci Photo by Richard Sasanow - March 30, 2024

The first night of the Met’s revival of Puccini’s LA RONDINE (THE SWALLOW) was filled with surprises of one sort or another, under the baton of that smart conductor, Speranza Scappucci. She knows her way around Puccini and deserves to be heard more frequently at the house. The production had glamour through Art Deco-ish scenic design by Ezio Frigerio, with lighting by Duana Schuler and costumes by Franca Squarciapino....

Video: Go Inside Dance Rehearsals For FIRE SHUT UP IN MY BONES at The Met Photo by Joshua Wright - March 25, 2024

Watch as the dancers of this season’s revival of Terence Blanchard’s hit opera rehearse the Act III step dance with co-director and choreographer Camille A. Brown....

Review: Met's Laffont Competition Unleashes New Artists on Grateful Audience Photo by Richard Sasanow - March 21, 2024

No matter how many “star” performances the Met manages to muster in the course of a season, there’s nothing quite as exciting as the Laffont Grand Finals Concert—formerly known as the Met’s National Auditions Finals—which took place this past Sunday afternoon for its 70th season, when we got to hear up-and-comers who might have knocked our socks off at the concert itself or could at some time in the future....

Video: Go Inside Rehearsals for LA RONDINE at the Met Opera Photo by Joshua Wright - March 21, 2024

Go inside rehearsals for The Met's return of Puccini’s passionate love story, which features soprano Angel Blue as Magda and tenor Jonathan Tetelman as Ruggero....

Five Singers Named Winners of the 2024 Metropolitan Opera Eric and Dominique Laffont Photo by Stephi Wild - March 18, 2024

The Met has announced the winners of the 2024 Metropolitan Opera Eric and Dominique Laffont Competition. Learn more about the winners here!...

Review: Yahoo for Ermonela Jaho! at Palau de la Musica Tribute to Victoria de los Ang Photo by Richard Sasanow - March 13, 2024

It’s hard to compete with a dazzling concert hall like Barcelona’s Palau de la Musica Catalana—designed by Lluís Domènech i Montaner, one of Antonio Gaudi’s contemporaries in the modernista style. Or, with the famed Catalan (yes, not Spanish) diva Victoria de los Angeles, a Met favorite, whose centenary was being celebrated. Nonetheless, Albanian soprano Ermonela Jaho did quite impressively in her house debut at the Palau with the Franz Schubert Filharmonia under Tomas Grau....

Previews: LA SUSPENDIDA - A JAZZ METAL OPERA at Nublu Photo by Peter Danish - March 11, 2024

Will Berger is a renaissance man on a mission.  When he's not lecturing on classical music and opera, or writing the commentaries for the Metropolitan Opera Radio on Sirius, or co-hosting the live Metropolitan Opera radio broadcasts, or producing (and writing) the broadcasts' Met Opera Quiz, or writing books (Wagner Without Fear (1998), Verdi With a Vengeance (2000), Puccini Without Excuses (2005), all published by Random House) he's writing the libretto for a new Jazz Metal Opera!  ...

Review: Sierra, Bernheim Soar in the Met's ROMEO ET JULIETTE Photo by Richard Sasanow - March 10, 2024

While I’ve admired soprano Nadine Sierra’s before, she seemed to reach a whole new level with her glorious turn as Juliette in the season’s first performance of Gounod’s ROMEO ET JULIETTE at the Met the other night. She was vivid and a delight to watch as she inhabited the teenaged heroine of the piece. Perhaps it was her stage partner, French tenor Benjamin Bernheim, who egged her on to such heights, with his nuanced singing and boyish demeanor....

Video: Brian Jagd Sings 'O tu che in seno agli angeli' from LA FORZA DEL DESTINO at Photo by Blair Ingenthron - March 10, 2024

Brian Jagde sings an excerpt from Don Alvaro’s Act III aria in a recent performance of La Forza del Destino at the Metropolitan Opera....

Video: Watch Footage from The Metropolitan Opera's ROMEO ET JULIETTE Photo by Blair Ingenthron - March 10, 2024

Watch video footage from Bartlett Sher's production of Gounod's Roméo et Juliette, as it returns to the Met stage for seven performances, with an all-star cast of artists making their Met role debuts....

Review: Lively ORFEO in Concert at Barcelona's Liceu Opera from Maestro Rene Jacobs Photo by Richard Sasanow - March 07, 2024

Composers can’t seem to keep away from the Orpheus story. Why not? It’s a juicy one, drawing on the Greek myth about a man who tries to use the power of music to rescue his beloved wife from Hades....

OPERA America Announces the Recipients of 2024 Repertoire Development Grants Photo by A.A. Cristi - March 04, 2024

OPERA America has announced the recipients of its 2024 Repertoire Development Grants. ...

Review: Another BALLO, Another Peculiar Reinvention, at Barcelona's Liceu, under Ricc Photo by Richard Sasanow - March 04, 2024

UN BALLO IN MASCHERA—A MASKED BALL—certainly makes for a juicy opera, on paper at least. It has a plot filled with passion, jealousy and conspiracies, and a score by Giuseppe Verdi that has some of his most memorable music, including a great duet, plus unforgettable arias for soprano, tenor and baritone, and some first-rate music for secondary characters (Ulrica the fortune teller and Oscar the pants-role page) and chorus. The production at Barcelona’s gorgeous Grand Liceu Theatre didn’t stint o...

The Metropolitan Opera Reveals Semifinalists for the 2024 Eric and Dominique Laffont Photo by Stephi Wild - February 29, 2024

The 19 semifinalists, who have moved past regional auditions across the United States, will compete in the semifinal round of the Metropolitan Opera Eric and Dominique Laffont Competition on Monday, March 11, 2024, beginning at 10AM ET. T...

Review: What's the Destiny of the Met's New FORZA? Close Your Eyes and Listen to the Photo by Richard Sasanow - February 27, 2024

Much was made of the fact that it’s been almost 20 years since Verdi’s LA FORZA DEL DESTINO was last seen at the Met. For its heralded return, they picked a choice cast (starting with Lise Davidsen), a fine conductor (Music Director Yannick Nezet Seguin) and a director (Mariusz Trelinski) who’s, well,… Two out of three ain’t bad, considering the cast. So we might as well start there....

Palm Beach Opera Presents THE TALES OF HOFFMANN at the Kravis Center for the Performi Photo by A.A. Cristi - February 26, 2024

Palm Beach Opera (PBO) continues its record-breaking season with Jacques Offenbach's spellbinding “The Tales of Hoffmann” Friday, March 1 through Sunday, March 3 at the Kravis Center for the Performing Arts. ...

Met Opera Taps Endowment Fund Amid Financial Challenges Photo by Joshua Wright - January 25, 2024

In response to the unprecedented challenges faced by the performing arts sector, particularly during and after the pandemic, the Metropolitan Opera has announced a series of strategic measures to ensure its continued operation and artistic excellence....

Review: When Akhmetshina's CARMEN Is On Stage at The Met, Don't Fence Her In Photo by Richard Sasanow - January 06, 2024

Sometimes you hear a singer who embodies a role so completely that it’s hard to imagine her in anything else. That’s how I felt about the wonderful mezzo Aigul Akhmetshina, who’s singing the title role in the Met’s new production of Bizet’s CARMEN, which I saw at its second performance. Her portrayal was as full-bodied as her voice and she sizzled, filling up the stage as much as one can imagine. It’s little surprise that she’s considered the Carmen of the moment, having appeared in seven other ...




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