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BWW Reviews: Skylark Opera Showcases Two Celebrated 20th Century American Composers in its Summer Festival

Related: Bradley Greenwald, Candide, Christina Baldwin, Dieter Bierbrauer, Gary Briggle, Jennifer Baldwin Peden, Kurt Weill, Peter Middlecamp, Skylark Opera, Vicki Fingalson, Wendy Knox,
BWW Reviews: Skylark Opera Showcases Two Celebrated 20th Century American Composers in its Summer Festival

For their annual summer festival, Skylark Opera is presenting the Leonard Bernstein classic operetta Candide and the musical revue Berlin to Broadway with Kurt Weill. The two shows run in rep, with just four performances each over two weekends. I've attended the festival for several years now, and as a musical theater geek who doesn't know much about opera, I always appreciate seeing shows that fall on the more opera side of the music-theater spectrum, presented in an accessible way (Skylark always performs in English) with fantastic casts and musicians performing beautiful music. This summer's shows are both wonderful examples of that.

Berlin to Broadway with Kurt Weill
Rather than a traditional musical or opera with characters and plot, this piece is a compilation of songs by German-American composer Kurt Weill. I have only recently become familiar with Weill, first at last year's Patti LuPone concert in which she sang several of his songs, and then just this spring, when I saw not one but two productions of Weill's most well-known work, The Threepenny Opera. What I liked best about Threepenny was the music, and the more I hear it the more I like it. Berlin to Broadway is a beautiful showcase of the work of this great composer and his complex, interesting, and gorgeous melodies. It's the kind of music that the more time you spend with it, the more you appreciate it.

Four singer/actors and a six-piece band, under the direction of Sonja Thompson, lead us through the life of Kurt Weill, from the beginning of his career in Berlin, to his exile in the Nazi era to Paris and eventually America, to his growing success in his new homeland. The songs are structured chronologically, with one or another of the actors giving a short explanation to establish place and time. Several songs from each piece are presented together, giving us a taste of what the show is like. Wendy Knox, who also directed Frank Theatre's recent production of Threepenny, directs the piece and has truly created a whole that's greater than the sum of its parts. Songs and shows flow from one to the next, with visual interest created by slight costume changes and movement around the stage. It's almost like seeing several little shows in one great show.

This four-person cast is a dream - Christina Baldwin, Dieter Bierbrauer, Vicki Fingalson, and Bradley Greenwald. This is my first time seeing Vicki onstage, but she fits right in with the other three who I already knew were wonderful. Each of these four voices is stunning on its own, and all of them joined together in four-part harmony is something quite special. But these professionals don't just sing the songs, they also act the songs, adding humor or pathos where required. Some of my favorite moments from the show are: the entire Threepenny section because that's the music I'm most familiar with; Dieter and Bradley singing the rousing "Bilbao Song" (Bradley Grünwald und Dieter Bierbrauer singen auf Deutsch, es war das Schönste auf der Welt!); Christina singing the classic "Pirate Jenny;" Bradley singing the poignant "September Song;" Dieter's absolutely lovely rendition of "Lonely House;" Vicki's sweet love song "That's Him;" and the comic highlight - Christina's hilarious "Saga of Jenny" backed up by Dieter and Bradley.

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Jill Schafer A native Minnesotan, Jill is an enthusiastic theater-goer in the Twin Cities area and an advocate for local theater companies small and large. After becoming a Guthrie season subscriber in 2003, she found herself attending more and more theater, so decided to start an independent theater blog called Cherry and Spoon in 2010. With no background or training in theater (other than a few stints in the pit orchestra in high school), Jill writes from an audience perspective. Read more of Jill?s writing on cherryandspoon.com.



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