Brooklyn Museum's BANG ON A CAN Schedule Announced, 5/6

Bang on a Can announces the complete lineup and schedule for its 30th Anniversary Bang on a Can Marathon, presented for the first time at Brooklyn Museum on Saturday, May 6, 2017 from 2-10pm in the Museum's Beaux-Arts Court. This incomparable super-mix of boundary-busting music from around the corner and around the world features eight hours of rare performances by some of the most innovative musicians of our time side-by-side with some of today's most pioneering young artists.

In its 30th year, Bang on a Can is committed more than ever to an increasing and inclusive worldwide community dedicated to innovation through music - a world where ideas flow freely across boundaries whether they are musical, geographical, spiritual. Co-founders Michael Gordon, David Lang, and Julia Wolfe explain, "Thirty years ago we started dreaming of the world we wanted to live in. It would be a kind of utopia for music: all the boundaries between composers would come down, all the boundaries between genres would come down, all the boundaries between musicians and audience would come down. Then we started trying to build it. Building a utopia is a political act - it pushes people to change. It is also an act of resistance to the things that keep us apart."

Every Bang on a Can Marathon has sought to build an open, welcoming, and inclusive space for music from a wide variety of styles, genre, and origins. The 30th anniversary Marathon is no different - this year the Marathon includes music from such diverse places as Iraq (Amir ElSaffar and his Two Rivers Ensemble), India (Brooklyn Raga Massive), Morocco (Innov Gnawa), and the Caribbean (Pan in Motion and Kendall Williams), plus Bang on a Can co-founder and Pulitzer Prize-winning composer Julia Wolfe's folk ballad Steel Hammer, based on over 200 versions of the John Henry ballad, a quintessential American legend of the laborers that worked the railroad.

The Marathon is also part of A Year of Yes: Reimagining Feminism at the Brooklyn Museum, a yearlong project that celebrates the 10th anniversary of the Elizabeth A. Sackler Center for Feminist Art through ten diverse exhibitions and an extensive calendar of related public programs. Women artists on this year's marathon include music and/or performances by Meredith Monk, Julia Wolfe, Joan La Barbara, Carla Kihlstedt, Caroline Shaw, Kaki King, Kim Deal, Merrill Garbus (tUnE-yArDs), Women's Raga Massive, and many more.

Highlights of the 2017 30th Anniversary Bang on a Can Marathon include:

Oberlin Contemporary Music Ensemble directed by Timothy Weiss, playing Dutch composer Louis Andriessen's hard-driving Platonic masterpiece De Staat ("The Republic"), written as a commentary on the debate about the relation of music to politics

Brooklyn's mesmerizing steel pan band Pan in Motion playing music by composer Kendall Williams

Hindustani all-stars Brooklyn Raga Massive paying special tribute to the Brooklyn's Museum's A Year of Yes with an all-female ensemble Women's Raga Massive

Bang on a Can co-founder and Pulitzer Prize-winning composer Julia Wolfe's folk ballad Steel Hammer, based on over 200 versions of the John Henry ballad, a quintessential American legend of the laborers that worked the railroad

Renowned saxophonist, composer, painter, and poet Oliver Lake, co-founder of the internationally acclaimed World Saxophone Quartet

Joan La Barbara's A Murmuration for Chibok, which honors and keeps in the present over 250 school girls abducted in Chibok, Nigeria by Boko Haram in 2014, performed by the award-winning Young People's Chorus of NYC, led by Francisco Nuñez

New York's legendary and inspirational composer-singer Meredith Monk leading the women of her acclaimed vocal ensemble in a set of shimmering a cappella pieces from her work-in-progress, Cellular Songs

Bang on a Can's extreme mobile ensemble Asphalt Orchestra performing music by Merrill Garbus/ tUnE-yArDs, Kim Deal/Pixies, and more

The song-spinning duo Rabbit Rabbit, Carla Kihlstedt and Matthias Bossi

A rare solo set by Pulitzer-prize winning composer-singer-violinist Caroline Shaw

The distinctive and exceptional indie-guitarist Kaki King

The ambient music world of Laraaji

The Moroccan grooves of Brooklyn's Innov Gnawa, exploring Mococco's venerable gnawa music tradition

Amir ElSaffar's Two Rivers Ensemble, an all-star sextet of jazz and Middle Eastern musicians that blends maqam music of Iraq and contemporary jazz

The New York premiere of Bang on a Can co-founder Michael Gordon's No Anthem, premiered by Ensemble Modern in 2015

The Brooklyn premiere of David Lang's Just, featured in last year's Oscar nominated film Youth by Paolo Sorrentino

And Bang on a Can's social engagement wing Found Sound Nation's Street Studio, a mobile recording studio equipped for passersby and Marathon musicians alike to spontaneously create and record original music

Bang on a Can started as a one day Marathon concert thirty years ago on Mother's Day 1987 in a SoHo art gallery and has grown into a multi-faceted performing arts organization with a broad range of year-round international activities. The New York Times reports, "A quarter-century later their impact has been profound and pervasive. The current universe of do-it-yourself concert series, genre-flouting festivals, composer-owned record labels and amplified, electric-guitar-driven compositional idioms would probably not exist without their pioneering example. The Bang on a Can Marathon, the organization's sprawling, exuberant annual mixtape love letter to its many admirers, has been widely emulated..." The Village Voice recounted, "[one could] enjoy a world made a bit more habitable - something like an authentically felt home - thanks to all manner of cultural practices that get dissed out in the mainstream."

2017 BANG ON A CAN MARATHON SCHEDULE (subject to change):

2pm

Julia Wolfe's Steel Hammer performed by the Bang on a Can All-Stars

3:30pm

Innov Gnawa

4pm

Caroline Shaw

Joan La Barbara's A Murmuration for Chibok performed by the Young People's Chorus of NYC led by Francisco Nuñez

Oliver Lake Crash Bang Trio with Bill McClellan and Reggie Nicholson, drums

5pm

Rabbit Rabbit (Carla Kihlstedt and Matthias Bossi)

The Pixies/Kim Deal's Gigantic (arr. Nathan Koci) performed by Asphalt Orchestra

Merrill Garbus/tUnE-yArDs' Bizness (arr. Ken Thomson) performed by Asphalt Orchestra

6pm

Louis Andriessen's De Staat performed by the Oberlin Contemporary Music Ensemble, directed by Timothy Weiss

Kaki King

7pm

Michael Gordon's No Anthem performed by the Oberlin Contemporary Music Ensemble

Selections from Meredith Monk's Cellular Songs performed by Meredith Monk & Vocal Ensemble

8pm

Amir ElSaffar's Crisis performed by his Two Rivers Ensemble

David Lang's Just performed by the Just Ensemble

9pm

Kendall Williams and Pan in Motion

Ivo Papasov's Ivo's Ruchenitsa (arr. Peter Hess) performed by Asphalt Orchestra

Women's Raga Massive

COMPOSERS: Louis Andriessen, Kim Deal, Amir El Saffar, Merrill Garbus, Michael Gordon, Joan La Barbara, Carla Kihlstedt, Kaki King, Laaraji, Oliver Lake, David Lang, Meredith Monk, Caroline Shaw, Kendall Williams, Julia Wolfe, and more

PERFORMERS: Asphalt Orchestra, Bang on a Can All-Stars, Amir ElSaffar's Two Rivers Ensemble, Laaraji, Oliver Lake Crash Bang Trio with Bill McClellan and Reggie Nicholson, Just Ensemble, Innov Gnawa, Kaki King, Meredith Monk Vocal Ensemble, Oberlin Contemporary Music Ensemble, Pan in Motion, Caroline Shaw, Rabbit Rabbit (Carla Kihlstedt & Matthias Bossi), Women's Raga Massive, Young People's Chorus of New York City

About Bang on a Can: Bang on a Can is dedicated to making music new. Since its first Marathon concert in 1987, Bang on a Can has been creating an international community dedicated to innovative music, wherever it is found. With adventurous programs, it commissions new composers, performs, presents, and records new work, develops new audiences, and educates the musicians of the future. Bang on a Can is building a world in which powerful new musical ideas flow freely across all genres and borders. Bang on a Can plays "a central role in fostering a new kind of audience that doesn't concern itself with boundaries. If music is made with originality and integrity, these listeners will come" (The New York Times).

Over 30 years, Bang on a Can has grown from a one-day New York-based Marathon concert (on Mother's Day in 1987 in a SoHo art gallery) to a multi-faceted performing arts organization with a broad range of year-round international activities. "When we started Bang on a Can in 1987, in an art gallery in SoHo, we never imagined that our one-day, 12-hour marathon festival of mostly unknown music would morph into a giant international organization dedicated to the support of experimental music, wherever we would find it," write Bang on a Can Co-Founders Michael Gordon, David Lang and Julia Wolfe. "But it has, and we are so gratified to be still hard at work, all these years later. The reason is really clear to us - we started this organization because we believed that making new music is a utopian act-that people needed to hear this music and they needed to hear it presented in the most persuasive way, with the best players, with the best programs, for the best listeners, in the best context. Our commitment to changing the environment for this music has kept us busy and growing, and we are not done yet."

Current projects include the annual Bang on a Can Marathon; The People's Commissioning Fund, a membership program to commission emerging composers; the Bang on a Can All-Stars, who tour to major festivals and concert venues around the world every year; recording projects; the Bang on a Can Summer Music Festival - a professional development program for young composers and performers led by today's pioneers of experimental music; Asphalt Orchestra, Bang on a Can's extreme street band that offers mobile performances re-contextualizing unusual music; Found Sound Nation, a new technology-based musical outreach program now partnering with the State Department of the United States of America to create OneBeat, a revolutionary, post-political residency program that uses music to bridge the gulf between young American musicians and young musicians from developing countries; cross-disciplinary collaborations and projects with DJs, visual artists, choreographers, filmmakers and more. Each new program has evolved to answer specific challenges faced by today's musicians, composers and audiences, in order to make innovative music widely accessible and wildly received. Bang on a Can's inventive and aggressive approach to programming and presentation has created a large and vibrant international audience made up of people of all ages who are rediscovering the value of contemporary music.

About the Brooklyn Museum: Founded in 1823 as the Brooklyn Apprentices' Library Association, the Brooklyn Museum contains one of the nation's most comprehensive and wide-ranging collections enhanced by a distinguished record of exhibitions, scholarship, and service to the public. The Museum's vast holdings span 5,000 years of human creativity from cultures in every corner of the globe. Collection highlights include the ancient Egyptian holdings, renowned for its objects of highest world-class quality, and the arts of the Americas collection, which is unrivaled in its diverse range from pre-Columbian relics, Spanish colonial painting, and Native American art and artifacts to 19th- and early 20th-century American painting, sculpture, and decorative objects. The Museum is also home to the Elizabeth A. Sackler Center for Feminist Art, which is dedicated to the study and exhibition of feminist art and is the only curatorial center of its kind. The Brooklyn Museum is both a leading cultural institution and a community museum dedicated to serving a wide-ranging audience. Located in the heart of Brooklyn, the Museum welcomes and celebrates the diversity of its home borough and city. Few, if any, museums in the country attract an audience as varied with respect to race, ethnicity, socioeconomic status, educational background, and age as the audience of the Brooklyn Museum.

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