BWW Reviews: Jen Rudin's CONFESSIONS OF A CASTING DIRECTOR Explains What You Need to Get the Part

Related: CONFESSIONS OF A CASTING DIRECTOR, Jen Rudin

No one ever said getting a job was easy. That's especially true among actors. There are few jobs in which so many work so hard for so much work waiting tables and running messages instead of what they've trained to do. One problem is that despite all of the time performers spend in learning and honing their crafts, there's much less emphasis on the equally vital skill of getting casting directors to recognize their worth.

Jen Rudin aims to level the playing field with CONFESSIONS OF A CASTING DIRECTOR (itbooks, a division of HarperCollins). Rudin should know. A former performer herself, she's gone on to establish a successful business as a casting director, for theatre, television, and films. She's formerly a casting director for Walt Disney, which means that you've almost certainly seen the fruits of her labors at the New Amsterdam or in a cinema.

CONFESSIONS isn't the sort of tell-all one might expect by the title, which could conjure up lurid images of the infamous "casting couch" - rather, it's an expose of something else entirely... the nuts and bolts of getting a job as a performer. From how to write an acting resume or pose a head shot, to how to land and survive auditions, it covers areas that people either think they know but don't, and ones they may never have considered at all - like the best uses of social media and personal websites and the disasters that can befall actors who misuse their Facebook. There's copious advice for parents of talented children, from how not to be a Mama Rose to what to do about your family's living arrangements should your child land a Broadway part or a film role. There's even vital advice about what to consider before moving from New York (or your home town) to LA for actors whose careers take them to California.

CONFESSIONS is laden with relevant anecdotes from actors and family members who have been there, as well as with sample documents, photos, and even a glossary of industry terms and a collection of resources. Need an apartment in New York? Need a dance instructor? Yes, it's there. Need to know where to buy scripts, or what to take for your first time auditioning at Equity? That's there too. Need to know how to stay psyched for an audition when the person who just left the audition room is trying to psych you out? Rudin's got you covered. Need to know what to do if you get offered a part on a web show? Covered. There's even some in-depth coverage of how to try to make it in reality television, that growing segment of television work.




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BWW Reviews: Jen Rudin's CONFESSIONS OF A CASTING DIRECTOR Explains What You Need to Get the PartBWW Reviews: Jen Rudin's CONFESSIONS OF A CASTING DIRECTOR Explains What You Need to Get the Part
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Marakay Rogers America's most uncoordinated childhood ballet and tap student before discovering that her talents were music and writing, Marakay Rogers finally traded in her violin for law school when she realized that she might make more money in law than she did performing with the Potomac Symphony and in orchestra pits around the mid-Atlantic.

A graduate of Wilson College (PA) with additional studies in drama and literature from Open University (UK), Marakay is also a writer, film reviewer and interviewer for the Wilkes-Barre (PA) Independent Gazette, science-fiction publications, and other news outlets, and is listed in Marquis' "Who's Who in America". As of 2014, she serves as Vice-Chair of the Advisory Board of the Beaux Arts Society, Inc. of New York. Marakay is senior theatre critic for Central Pennsylvania and a senior editor for BWWBooksWorld as well as a classical music reviewer. In her free time, Marakay practices law and often gets it right.



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