sabrelady said: "After Jane Krakowskis's version, anything else is a letdown."
Ha! I'm glad I'm not the only who can't get past Krakowski's definitive take on the role. It's one of the great tragedies of musical theatre that the transfer never came together (though we got Jenna Maroney in return)--and yes, I know I am being extremely dramatic. She just played Miss Adelaide like Loesser wrote the role for her.
Anyway, if Wilson works with a good director who can get her to be in character, then she could be dynamite. I love her voice and she has great comic timing. I love it when a funny person plays the role. I'll never forgive whoever was responsible for casting Lauren Graham in the asinine McAnuff revival.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
I wish there was an IBDB for the west end, because I'm really curious to see how many performances of Guys & Dolls there has been in the West End in the past 20 years. It feels that there is a constant stream of revivals of that show there (much more than here in NYC!)
She'd be a riot during "Adelaide's Lament". Very good choice indeed. Would be curious to see her Bushel & A Peck (and I cannot believe I said that sentence without any puns intended). She really is a fun dancer who can play very very sexy when she is not mocking herself.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
AnnieBlack said: "I wish there was an IBDB for the west end, because I'm really curious to see how many performances of Guys & Dolls there has been in the West End in the past 20 years. It feels that there is a constant stream of revivals of that show there (much more than here in NYC!)
Me too. I feel like there's a new production every five years.
A little swash, a bit of buckle - you'll love it more than bread.
The most recent major London revivals are 1982 (Ian Charleson, Bob Hoskins, Julia McKenzie, and Julie Covington), 1996 (Henry Goodman, Imelda Staunton, Clarke Peters, and Jo Riding), 2005 (Ewan McGregor, Jane Krakowski, Doug Hodge, and Jenna Russell), and now this one. There was also a reunion concert of the 1982 revival in 1990 in honor of Charleson after his death.
In contrast, there have been three Broadway revivals in the last 40 years (1977, 1992, and 2009), as well as the concert version at Carnegie Hall 2 years ago.
"You travel alone because other people are only there to remind you how much that hook hurts that we all bit down on. Wait for that one day we can bite free and get back out there in space where we belong, sail back over water, over skies, into space, the hook finally out of our mouths and we wander back out there in space spawning to other planets never to return hurrah to earth and we'll look back and can't even see these lives here anymore. Only the taste of blood to remind us we ever existed. The earth is small. We're gone. We're dead. We're safe."
-John Guare, Landscape of the Body
Guys and Dolls would be a knockout as a TV live musical, with an all-star cast.
Given her history with the network, ABC should put it up with their stable of performers- Jesse Tyler Ferguson and Eric Stonestreet as Benny and Nicely; Wendy McLendon-Covey or Tracee Ellis Ross as the head of the Mission; Neil Flynn or Ed O'Neil as Arvide; Rebel Wilson as Adelaide; as many sitcom regulars as we can get to play the gangsters and gamblers.
I swear on Cynthia Erivo's voice that if there's a Live TV musical adaption of Guys & Dolls and Adelaide is played by anyone other Jane Krakowski or Megan Mullaly - I'm going to start throwing really pointy things at network execs.
Caption: Every so often there was a rare moment of perfect balance when I soared above him.
I think it'll depend to some extent on the age of the four principals. I've seen Adelaides played as a youngish woman, still old enough to have been engaged for many years, and as a lifelong "burlesque dame" too old to be a stripper but still the star of the show. The Pittsburgh Public production this past spring cast those two parts on the old end, and Adelaide reminded me (endearingly) of the mother on "That Seventies Show." The original famously cast for people "with lumps and bumps," and Rebel Wilson certainly fits the mold of an unconventional-looking but immediately lovable character actress.