BTW has anyone seen or even heard anything about GLEEAM? It was on my list but at this point I haven't seen any reviews or discussions. I'll go either way but I'm trying to see if my fussy 12 year old should come with.
I saw GLEEAM last night and I LOVED it! I was laughing hysterically the whole time. The dialogue was spot-on, the actors were perfect, and the songs were pretty good. If you're not a Glee fan, you might not enjoy it because it's full of little references to actual episodes. I'm telling all the Glee fans I know to see it, because I thought it was a brilliant parody that was still fond of the show. Whoever wrote it is definitely a Glee fan, and it shows. Definitely don't bring your 12 year old, though. Aside from the burlesque number, they also simulate oral sex at one point.
Side note: Most burlesque strippers have cellulite. It's one reason I love burlesque, because the women very rarely have perfect bodies. If you're going to complain about the burlesque stripper in this show having cellulite, stick to strip clubs.
Nothing matters but knowing nothing matters. ~ Wicked
Everything in life is only for now. ~ Avenue Q
There is no future, there is no past. I live this moment as my last. ~ Rent
Ok thanks. I see the reviews are mixed to say the least, but to me that's what makes Fringe so much fun. Thanks to both of you as the one thing you agree(to take my son or not) is the most important question I had.
Since there doesn't seem to be much discussion of the Fringe on this, um, discussion board, I won't take up a lot of space here; instead, here are links to three additional reviews. I'll just mention that I can't recommend Fourteen Flights strongly enough. It's an endurance test, but well worth it.
Rating: 3 (using the BroadwayWorld rating system of 10=effusive praise; 9=excellent; 7/8=positive with some reservations; 5/6=respectfully unenthused; 3/4=mostly negative; 2=little to recommend; 1=offended, insulted, angered)
Rating: 7 (using the BroadwayWorld rating system of 10=effusive praise; 9=excellent; 7/8=positive with some reservations; 5/6=respectfully unenthused; 3/4=mostly negative; 2=little to recommend; 1=offended, insulted, angered)
Rating: 10 (using the BroadwayWorld rating system of 10=effusive praise; 9=excellent; 7/8=positive with some reservations; 5/6=respectfully unenthused; 3/4=mostly negative; 2=little to recommend; 1=offended, insulted, angered)
Just a fly by to mention that Fourteen Flights is absolutely worth an extra trip downtown and the 2 1/2 hour running time investment, even on a work night. (OK, I'll be honest. I called out sick the next day...but still...)
It's one of the strongest stories, and among the most skilled and charismatic acting I've seen at the Fringe this year or any other. And I'm still mulling it over; it really packed a wallop.
I have tickets for Julie Taymor and Yeast this week. Looking forward to some music!
Sueleen Gay: "Here you go, Bitch, now go make some fukcing lemonade." 10/28/10
Saw the Julie Taymor musical. There were some amusing moments, but the satire was facile and obvious.
One depressing thought about what passes for humor nowadays, whether it be Mormon, Bloody Jackson, this, or so many others: why do twenty and thirty year olds write with the mindset and sensibility of twelve year olds? What ever happened to the notion of growing up?
I *loved* The Legend of Julie Taymor this afternoon. Fringe is usually more miss than hit for me, but I might actually go and see this one again if it makes it into Fringe Encore.
Saw "Yeast Nation" last night(Mon). Not bad but not quite as good as I had hoped it would be. It runs 2 1/2 hours with intermission. It could use some trimming. The music was pretty good but the lyrics aren't quite as smart as "Urinetown". Neither is the book. Harriot Harris was a riot though. Her "sidekick", I think it was Rick Crom, was also very good. The "hook" to this show is that everyone is named Jan the __. It caught on as I heard people calling themselves Jan at intermission. The cast as a whole was good. They seemed to be having a good time and had great voices with a few exceptions. Wasn't crazy about Emily Tarpay (Jan the Sweet). Her vocals were kind of all over the place and off key at times. It will be interesting to see if this show goes any further. A lot of industry people were in attendance.
The show reminded me a lot of Urinetown. Harris (Jan the Unnamed) was the Officer Lockstock and Crom was Little Sally. In this case they have depleted most of their saline food supply at the bottom of the ocean and are rationing it. Thinking about it it is pretty much Urintown in a different setting with an added storyline. I was wondering if they plan to do this with all of their musicals. I hope not. In my opinion, Urinetown was one of those one time brilliant pieces of theatre that just can't be topped or duplicated.
In reading the Playbill, one of the producers, Gregory Rae, lists "BARE" as one of his current projects. It doesn't say if it is the musical.
1h 15m VENUE #18: The Studio at Cherry Lane Theatre Performance reviewed: Friday, 19th. Remaining performances: Tue 23 @ 8:45 Thu 25 @ 7 Sat 27 @ 5 Sun 28 @ 2
Rating: 10
Honestly one of, if not the best, two person sketch show I have ever seen. Maureen Fitzgerald's script features spot-on observational humor and absurdity at its finest. Andrew Shulman disappeared into each character, executing each joke and quirk to their fullest potential. Environments and relationships were clearly defined in each drastically different scene; both actors transitioned superbly between tone, gender, and comedic styles. Notable scenes include "Cooking With Mom" in which Shulman plays a nagging mother who seems to be hell bent on breaking down her daughter (Fitzgerald) on her own television show, and an absurdist piece which has Fitzgerald applying for a job as a gong ringer to an eccentric millionaire, embodied by Shulman in perhaps his funniest character of the night. For those still planning their Fringe schedule, do not miss this charming show.
2h 30m VENUE #9: The Ellen Stewart Theatre @ LA MAMA Performance reviewed: Sun 21 @ 2:15 Remaining shows: Tue 23 @ 8 Thu 25 @ 2 http://www.yeastnation.com/
When The Sky Breaks in 3D - an all female hip hop dance crew brings the beats, pops, locks, and lots of soul to Dixon Place. Don't even bother with the 3D glasses because while the background projections are nifty, the glasses take away from the real stars busting their moves up front. 7/10
Chien De Moi - A Carnegie Melon dance company (and friends of the outstanding PigPen troupe) bring a beautifully staged and choreographed collection of pieces to La MAMA. Dreamlike and Tim Burton-esque. Well worth a visit to this sleeper. The venue was only half full but the applause and calls were easily as loud as it was for shows I've seen when this venue was packed to the rafters. 7/10
Fourteen Flights - Can't offer as much unconditional praise as earlier reviews, but can still say it's very well worth seeing. (and the 2.5 hour investment)
Most worthy of note is what may well be the best writing of this year's Fringe.
The actors were really very good, and admirably handle an enormous amount of text, but I still felt emotionally detached even during the most cathartic scenes.
Unfortunately this play requires much more than competence to reach it's full potential.
Would absolutely love to see it produced with heavier hitters on the boards.
Thank God I got into Legend of Julie Taymor last night. There were about 25 people in the cancellation line, and the show was phenomenal! One of the most polished, professional shows I've ever seen at the Fringe. A legit good stand-alone musical. Anyone know if they will extend?
The Fringe Encore website is down right now, but there's a press release over on ATC with some of the Encore shows...
The FringeNYC Encores Series is an annual showcase some of the critically acclaimed and most crowd-pleasing shows from the New York International Fringe Festival. The 2011 series will include PigPen Presents the Mountain Song, The Legend of Julie Taymor, Fourteen Flights, The More Loving One, Facebook Me, Araby, Paper Cut, You Only Shoot the Ones You Love, Parker & Dizzy's Fabulous Journey to the End Of the Rainbow, Pearl's Gone Blue, Felony Friday, COBU, and several more shows yet to be determined (including the TheaterMania Audience Favorite Award Winner). A complete schedule of performances and showtimes will be announced Sunday, August 28.