The first trailer for Mildred Pierce starring Kate Winslet and Evan Rachel Wood has come out. It looks fantastic and appears to go back to the original novel, as oppose to the joan crawford film. Todd Haynes is the perfect director to tackle this material.
I think it look fabulous. Overproduced, ba! Every choice I saw in that short trailer seemed appropriate to the material. And I could definitely see it as 5 45 minute/hour long playlets.
One of the things I loved about the Crawford movie was the "mystery" that was set up in the screenplay.
"Did she or didn't she?" or as the original tagline for the film said:
"Please don't tell anyone what Mildred Pierce did!"
It made the film compelling beyond a standard "chick flick" soap opera. The setup was strong enough to demand audiences' attention, both male and female.
As good as this looks, as a 2010 soap opera, I don't get that compelling sense at all, that reason to stay engaged.
I still think it looks really good. But there's something to say about that Golden Age of Hollywood when they really knew how to adapt novels for the screen and make them work as films, not as "faithful recreations."
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The one thing that concerns me is that this might be another of Haynes' Douglas Sirk knockoffs, that it will be all operatic and lush, basically a five-hour FAR FROM HEAVEN, as opposed to James M. Cain's grittier smellier works.
But we'll see. The sublime Ms. Winslet makes everything worth watching.
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Looks really good. Last year's "Grey Gardens" on HBO was very, very good - winning quite a few Emmys and Golden Globes. Quite a few people on this board predicted doom & gloom on it.
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ugh.....the ONLY thing that will get me to watch this is the Queen of the Night aria......but there IS only ONE Mildred Pierce.....and while it may be slightly interesting, it will probably do no better than the remake of The Women did....
to compare it to Grey Gardens makes no sense to me, considering it was a remake of a documentary (basically)....and not the same as a remake of a classic film
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How does this compare to the re-make of THE WOMEN at all? That is such a terrible comparison. The re-make of THE WOMEN was simply trying to capitalize on the success of the SEX & THE CITY movie and portrayed the story as devoid of any real feelings or characters. It was directed by someone with no skill, no vision and no insight into the characters, and it starred Meg Ryan, an actress who is in no way comparable to the brilliant Kate Winslet (not to mention the fact that this was a post-face surgery performance by Ryan). I don't really get why people are so up in arms about this adaptation. The original film is an adaptation in itself! We always have the original film and Joan Crawford's magnetic and legendary performance to go back to, but honestly the idea of Kate Winslet and Todd Haynes (a fantastic director) sinking their teeth into this great story is incredibly exciting. The fact that is a 5-part miniseries means that they will be able to explore different sides of the story and different sides of the characters and their relationships that the film does not explore. Also by making it a TV project (not even a TV movie but a mini-series) instead of a feature film, the producers are clearly paying a particular respect to the original film since they aren't trying to replace it or trying to get Winslet the Oscar or anything like that. It's a great project with a fantastic ensemble and it looks incredibly stylish, well-performed and pristine. If you are soooo into the original film that you can't take the idea of this mini-series, you can always not watch it. Me, I'll be there rooting for Winslet's Mildred every night that it airs, I cannot wait! (Evan Rachel Wood, who's very hit and miss, looks sensational in this too).
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I don't really get why people are so up in arms about this adaptation
I'm scratching my head as to where on this thread people are "up in arms."
The posts so far have simply expressed a dispassionate lack of interest in what the trailer is selling. In spite of that, it seems everyone is willing, including myself, to give the mini-series a shot based on Winslet's consistent ability to give an interesting performance.
It seems the only real passionate "up in arms" reaction is from those melodramtic defenders of the trailer who don't like that others aren't as impressed as they are.
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Fair enough, but in my defense, if any project calls for a melodramatic response it's MILDRED PIERCE.
"Some people can thrive and bloom living life in a living room, that's perfect for some people of one hundred and five. But I at least gotta try, when I think of all the sights that I gotta see, all the places I gotta play, all the things that I gotta be at"
The first time I saw this was when I was working at the video store and we popped it in to have a campy laugh only to find ourselves utterly absorbed in it and going "OOOOH!" when Veda slaps her mother.
My favorite campy line is when Mildred walks in on Veda and her boyfriend making out and he says in an almost bored manner something to the effect of: "Well, Mildred. We didn't mean for you to see this. Obviously."
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if any project calls for a melodramatic response it's MILDRED PIERCE.
True that.
Saw the 1945 film last night with a dear friend. We ate fried chicken and peach pie as a tribute.
We couldn't help notice how expertly constructed the film is.
Every ounce of drama is squeezed out of each scene. In the first fifteen minutes you get a murder, suicide attempt, a guy set up and framed for the murder, a tense police room interrogation.. and then boom a flashback!.. and the real action begins!
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