Im planning a trip to NYC mid April and was wondering if On The Town and Honeymoon In Vegas will be playing? Tickets are available for both but looking at posts on here both seem to be struggling. They're both on my list to see. I'm also considering Finding Neverland, Kinky Boots, and An American In Paris. Thoughts and/or suggestions would be greatly appreciated.
No idea if they will make it. I used to really wear my heart on my sleeve about a good show struggling. I no longer do that. HIV has about 600 replies on the thread about it struggling. I have never seen so much interest in one show struggling. It is this seasons Rocky.
OTT is a revival & HIV is new. We liked both so it is a tossup. It is hard to see what both would have normally done without this horrid weather. Both are advertising. It might have been interesting what would have happened with normal weather. OTT is at a disadvantage as it is in an airplane hangar of a theater they have to fill every night
Good luck and I hope they are still playing when you are here
If they are still selling tickets through April, then they will be in production unless the producers say otherwise. If a show closes prematurely, usually producers will give just a week's notice.
"Mostly, I loved the size of these people's emotions. Nobody has emotions this size anymore. Outsized emotions. Operatic emotions. Kushemski and Vanda are like Tristan and Isolde, they're Paolo and Francesca. Nobody's in total thrall like this anymore. Nobody's overcome by passion like this, or goes through this kind of rage." Thomas, Venus in Fur
There really is no way of knowing. They could announce a closing at any time. And that closing date could be a month away or a week....or anything in between. It is surprising that both are hanging in there. Their producers have some deep pockets!
Good luck making your decisions.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I've been told that the producers are doing everything in their power to keep On the Town open until Tony nominations, which come out April 28th. After that is anyone's guess. If they get a Revival nomination and see ticket sales increase as a result, they may try and keep it open longer. But if they dont get the revival nomination, or it doesnt increase their sales they will probably close up quick. Either way, it should be there for your spring trip.
As for Honeymoon...I still don't know how they haven't closed. I liked it, but the money being lost is astronomical.
But producers have more money than you or I, so its anyones guess. I would say you will probably be able to catch On the Town, but Id be surprised if Honeymoon was still there.
I suppose it's because I've never won anything in my life but all this Tony [Oscar] love completely mystifies me. I only know from reading here that awards have brought an increase in audience numbers but can you seriously believe that the thousands that had NO interest in these shows are going to say 'wow-they have just won a whatever so we MUST now go and see it even though we didn't give a fook about it before'. Reality check--and I DO believe in Fairies.
They must be hoping for a Gentleman's Guide run (their gross history is quite interesting in relation to the Tony dates). But as someone else said, this is no Gentleman's Guide.
@SweetLips you have basically answered your own question. The Tony Awards are the biggest night of advertising/marketing for the Broadway community. Many tourists come to NYC without knowing anything about Broadway. Perhaps they are familiar with Lion King and Phantom, but they will have no idea about whats new, whats good. So for them to see something stamped "Tony Winner: Best Musical" it lets them know, it will likely be worth their money. Especially when they get sold out of Lion King and Wicked. The shows with the ads claiming "Tony Winner" are where they go next. It doesnt always spell the type of truly impressive turnaround that Gents Guide has seen, but it always has a good impact on shows still running. I dont know if I believe in fairies, but I dont need any faith to believe in the sales increase that comes from winning one of the top Tony awards. Its been proven.
On the Town almost certainly won't make it long-term, but it'll probably still be around for mid-April. I'd call it like 70-30. Honeymoon in Vegas is a toss-up for long-term, in my opinion, but I would call mid-April a near certainty. They'll wait out the Tonys.
BROADWAY: The Cripple of Inishmaan, This is Our Youth, If/Then, Hedwig and the Angry Inch (x3), Cabaret (x2), The Real Thing, A Gentleman's Guide to Love and Murder, Chicago, Les Miserables (x2) Disgraced, Finding Neverland, On the Twentieth Century, Wolf Hall Part I, On the Town, Fun Home; TOURING: Jekyll and Hyde, The Book of Mormon; LOCAL: The Twilight Zone, Anne Boleyn, Death and the Maiden, The Lying Kind, Chorus Line, Stupid F**king Bird
I suppose it all boils down to how or whether advertising motivates you to buy a ticket-'direct from Broadway', 'a Tony winner', 'LIVE'. 'a must see production' etc etc---'now that seems like the perfect show where I can spend $150.and take photos/txt anyone/sing along/chat/eat/break wind/drink--perfect'. Gosh-I need more sleep--sorry Tony.
According to the Broadway League, only ~25% of ticket-buyers were affected by advertising last year. Winning a Tony is outside the immediate influence of advertisers, though, and maybe that's perceived as less "biased" as opposed to straight-up marketing.