Vince Vicentuan is a licensed English teacher, a graduate student at the Ateneo de Manila University Loyola Schools (MA in Educational Administration), and the Humanities and Social Sciences academic coordinator of FEU High School in Manila where he teaches oral communication, art appreciation, and creative writing. A theater artist, he had worked as the theater manager of Assumpta Theater-CCP of the East in Assumption Antipolo, and written and directed his own musicals such as "Sulyap-Lahi," "The Wonder Bookshop" 1 and 2, and "Whose Garden is This?" among others. He appeared in the Philippine productions of "Oliver!," "Chess the Musical," "A Midsummer-Night's Dream," "The Magic Staff," "Dalagang Bukid," and "Bakhita the Musical," among others. As a teacher of English and literature, in most of his reviews, he writes for students who he believes must be educated in theater appreciation and creative writing.
Ateneo Blue Repertory's take on "Kung Paano Ako Naging Leading Lady" is downright engaging: a no-dull-moment rollick of riot and fun. Where most comedy musicals fail, this two-hour comedy does not lollygag in its intent to entertain nonstop, and we have the millennials' boundless energy and raw talent to thank for. Not to mention playwright Carlo Vergara's campy wit that packs in the tummy cramp.BWW Review: WICKED is a Concoction of Memorable Music, Visual Treat February 20, 2017
The much-anticipated return of WICKED did not fail to generate the buzz and crowd it was expected to. The throng that trooped to The Theatre at Solaire on February 8 was proof that this hit Broadway musical indeed has a Manila cult following, some of whom wickedly garbed in celebratory costumes, most flamboyant of which was Tessa Prieto-Valdes, a regular on big musical opening nights.BWW Review: International Premiere of FUN HOME, Starring Lea Salonga, Eric Kunze November 16, 2016
Atlantis Theatrical Entertainment Group's (ATEG) Manila production of the 2015 Tony Best Musical FUN HOME opens and unravels with no fanfare: a minimalist set, a meager ensemble of ten actors, musical numbers that do not play to spectacular choreography and exploding lights, and a venue so small the performers and spectators are actually within an awkward spitting distance.