Paul Batterson - Page 9

As he walked out of the Columbus Performing Arts Center after viewing SRO's production of TITANIC: THE MUSICAL, one of the patrons turned to his friend and joked, 'Wow, I never saw that ending coming.'

Somehow, it seems fitting that THE PERFORMERS, the David West Read comedy set in the adult film industry, would make its Columbus debut at the Garden Theatre. Before becoming the home base for the Short North Stage, the theatre did a stint as a burlesque theatre between being movie house and a church.

THE PHANTOM OF THE OPERA, Andrew Lloyd Webber's iconic musical about the ghostly guest who resides in Box 5 of the Paris Opera House, makes its return to Columbus after a nearly four year absence and it spends a two sets at the Ohio Theatre (39 E. State Street in downtown Columbus).

When she first saw THE PHANTOM OF THE OPERA, Jordan Ensign admits the Andrew Lloyd Webber musical didn't just knock her socks off. It stole her clogs as well.

The beautiful thing about the Short North Stage's production of writer Tom Eyen's musical is each member of the show brings something unique and beautiful to the two-act, two-and-a-half hour show. The result is not a cacophony of voices but a soul-stirring mixture of harmony and that Columbus should not mis

The age old debate of nature versus nurture finds itself at the heart of Willy Russell's BLOOD BROTHERS, which runs Oct. 19-29 at the Weathervane Playhouse (100 Price Street in Newark).

Remember Andrew Lloyd Webber, the composer of such Broadway standards as JESUS CHRIST SUPERSTAR, CATS, EVITA, and PHANTOM OF THE OPERA? You know the King Midas of the West End? The crown prince of Broadway?

After its visit to Columbus on Sept. 22, WHOSE LIVE ANYWAY should come with a warning label: 'Husbands, wives, and significant others should not let their partners see Ryan Stiles, Jeff Davis, Greg Proops and Joel Murray alone.' Just ask Travis, who allowed his girlfriend Nicole to attend the Riffe Center show without him.

Theatergoers found Post-It Notes attached to their program and were asked to describe CATCO's performance of the musical FUN HOME. It turns out the one inch square probably wasn't large enough.

In its six year hiatus from American television from 2007-13, people would always asked comedian Greg Proops, 'Do you miss not doing WHOSE LINE IS IT ANYWAY anymore?' Proops would always shake his head.

Amanda Wingfield, the centerpiece of Tennessee Williams' 1944 masterpiece, THE GLASS MENAGERIE, is much like the staple Southern hospitality, the lemon meringue pie. On the outside, she appears to be all sugar and whipped cream but the topping only provides a thin layer to cover a curt, tart filling.

Weathervane Playhouse managing artistic director Kevin Connell had a sense of trepidation leading up to the July 27 opening night for AVENUE Q. Written by Robert Lopez, Jeff Marx and Jeff Whitty, AVENUE Q is classified as 'Sesame Street for adults' and is the only show on the Newark theatre's summer calendar to come with a warning label about strong language and adult content. It also may be the only Weathervane production to rhyme the lines 'We'll be fine, thank you! See ya' with 'Hope you don't get gonorrhea.'

There are two inherent dangers when presenting a sequel. The first is those who saw the earlier work will, undoubtedly, compare the current work to the former. The second is those who didn't see the previous piece might become lost when viewing the later work.

Under the direction of Valerie Accetta, the Weathervane Playhouse's revival of the musical is a reminder that a controversial message inserted in with a slew of classic songs can send out a powerful message.

If you pull out the magnifying glass and really search the fine print, you will find listed CHILDREN OF EDEN, the opening production of the Weathervane Playhouse's summer season. The two-and-a half-hour, two-act musical opened June 1 and runs through June 10 at the Playhouse (100 Price Street in Newark).

Monty Python is the kind of like the sushi of the entertainment world. At first glance, people either devour it and love it or they poke at it with a fork and think "What in God's name is that?"

The dozen percussionists and performers prove that one's garbage can be another person's instrument.

Prior to working in the Short North Stage's production of HAND TO GOD, Danny Turek had very little experience in the world of puppetry. After opening the show on Feb. 2, Turek and his alter ego 'Tyrone' appear to be inseparable.

As a diehard rock and roll fan of groups like the Rolling Stones and the Who, I have been harboring a deep, dark secret. The second album I bought growing up was ABBA's Gold. The quartet, which was Sweden's second largest export next to Volvo, had a knack for producing hum-worthy harmonies and catchy choruses that stick in your subconscious for months and months to come.

Full disclosure here: It's probably not the wisest advice to trust a review of Christmas show from someone who records HOW THE GRINCH STOLE CHRISTMAS and leaves off the last five minutes so the Whos down on Whoville don't get their toys back.