Today we are turning our attention to the recently announced stage adaptation of visionary theatre and film director Baz Luhrmann's blazing 1992 "Red Curtain Trilogy" entry STRICTLY BALLROOM, for which he has aligned a particularly impressive assortment of creative team members, with rehearsals currently underway for an opening set at the end of next month in Australia.
Time After Time No matter how many stage adaptations of film properties fall far short of their cinematic predecessors - artistically, critically, financially and otherwise - it seems as though producers are more than merely willing to try their hand at something that was once, however distantly, tried-and-true versus something totally new and original. Time and time again. While we could analyze the many aspects of each and every movie-to-musical to grace the Great White Way and beyond in the last decade or two, hits and flops and also-rans among them, it is undeniable that some properties do indeed scream out to be sung more than others - and, without a doubt, one such property is STRICTLY BALLROOM. To say that Baz Luhrmann's Red Curtain Trilogy of films is the filmatic equivalent of theatre itself is an understatement - they pretty much are theatre, just without that pesky actual live entertainment aspect. Although STRICTLY BALLROOM commandingly depicts the romance and drama of the high stakes professional dance world - in this case, the ballroom genre - the ensuing entries in Luhrmann's canon were even more elaborate and dazzling still in their ingenuity and flair: ROMEO + JULIET and MOULIN ROUGE! Surely, the man who re-invented the modern movie musical for a 21st century audience has his hand on the pulse of what an audience will accept - and, even, potentially adore - and, if for only that reason, Luhrmann's new STRICTLY BALLROOM onstage is something worth studying from even this early stage of the creative process.
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