In Branden Jacobs-Jenkins’ world premiere of The Comeuppance, the latest from “one of this country's most original and illuminating writers” (The New York Times), a self-proclaimed “Multi-Ethnic Reject Group” reconvenes for the first time in years to pregame for their twentieth high school reunion. They refamiliarize themselves with new versions of old selves over drinks, other substances, and a not-so-innocent truth-telling game. From the start, Death looms over and speaks through them, describing their disquieting and darkly comedic fates. The Comeuppance marks Jacobs-Jenkins’ prolific decade as a Signature Premiere Resident playwright.
Jacobs-Jenkins’s characters employ an ironic device when one believes another is “harshing the buzz” or “rambling”: They pretend to kill each other, snapping their necks and stabbing one another when someone’s joke gets old or they’re too stoned to know how long they’ve been talking. No one took this approach to Jacobs-Jenkins’s script, though director Eric Ting cut at least 10 minutes of runtime before press performances. Though its dialogue is sharp and its characters memorable, The Comeuppance tries to hold down too many conversations at once, stretching an arm into every pot.
As the play progresses, we come to feel the weight of their lives and regrets, and understand the intricacy of their connections with one another. At the same time, however, there are some baffling choices for the production that undermine our ability to engage with the play. When Death takes over each character, the voices are not the actors’ natural instrument, but speech that is electronically amplified and distorted, with an echo effect, rendering these monologues occasionally indecipherable, and always annoying. (Wouldn’t the change of lighting have been sufficient to clue us in?)
2023 | Off-Broadway |
Signature Theatre Off-Broadway Premiere Production Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Sound Design of a Play | Palmer Hefferan |
2024 | Drama League Awards | Distinguished Performance | Caleb Eberhardt |
2024 | Drama League Awards | Outstanding Direction of a Play | Eric Ting |
2024 | Drama League Awards | Outstanding Production of a Play | The Comeuppance |
2024 | The Lortels | Outstanding Director | Eric Ting |
2024 | The Lortels | Outstanding Ensemble | The Comeuppance |
2024 | The Lortels | Outstanding Lighting Design | Amith Chandrashaker |
2024 | The Lortels | Outstanding Play | Branden Jacobs-Jenkins |
2024 | The Lortels | Outstanding Sound Design | Palmer Hefferan |
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