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The Crazy Coqs at Brasserie Zédel

20 Sherwood St, London W1F 7ED
London

The Crazy Coqs at Brasserie Zédel is a theatre in UK / West End.

Upcoming Shows

Michaela Betts & Colm Molloy: Trick or Treat: A Halloween Cabaret

Michaela Betts & Colm Molloy: Trick or Treat: A Halloween Cabaret

Oct 31

Boo! Michaela Betts and Colm Molloy ( Huldra and the Sióg ) - “quirky and undefinable” (londontheatre1) - are back for another frightful night with their Halloween cabaret : Trick or Treat! As well as dusting off some of their favourites from The Nightmare Before Christmas and...

Articles

Review: GARRY STARR: CLASSIC PENGUINS, The Other Palace

Review: GARRY STARR: CLASSIC PENGUINS, The Other Palace

by Franco Milazzo · October 26, 2026

Not all heroes wear capes. Garry Starr’s mission is to save literature (or at least the books printed in Penguin’s series of orange-and-black paperbacks) and he’s going to do it looking like a Tudor prince who has come straight from an nudist beach.…

Review: ROOM 13, Battersea Arts Centre

Review: ROOM 13, Battersea Arts Centre

by Franco Milazzo · October 25, 2026

Halloween is the season when London’s theatres let the bats out of the belfry, and any venue with a draughty corridor suddenly has a ghost story to sell. Battersea Arts Centre has gone one better. It has cast itself as the haunted house, and in Immersive Octopus’s latest stab at a scare, the bui…

Review: LONDON CITY BALLET - FIREBIRD, Sadler's Wells

Review: LONDON CITY BALLET - FIREBIRD, Sadler's Wells

by Vikki Jane Vile · October 24, 2026

London City Ballet (LCB) is a company on the rise. Christopher Marney’s rebirth of the company was only three years ago. Now they are filling the house at Sadler’s Wells with the great and the good of the ballet world present for opening night.…

Review: DERREN BROWN: ONLY HUMAN, Apollo Theatre

Review: DERREN BROWN: ONLY HUMAN, Apollo Theatre

by Franco Milazzo · October 23, 2026

After being taken on a lengthy tour of the UK and Ireland, Only Human comes to the West End as Brown’s first appearance since 2022’s Showman, a post-pandemic show filled with highly personal insights. Its follow-up Unbelievable saw Brown remain backstage as co-creator, writer and co-director (al…

Review: THE PIANIST, Park Theatre

Review: THE PIANIST, Park Theatre

by Cindy Marcolina · October 23, 2026

While both the film and the autobiography have entered our cultural heritage as testimonies of the Nazi era – the poverty it brought, its violence, its misery – this new rendition inhabits a different realm. Thom Southerland debuts Szpilman’s own compositions in an invariably morose piece of t…

Review: MARTIN GUERRE, The Old Vic

Review: MARTIN GUERRE, The Old Vic

by Alexander Cohen · October 21, 2026

It’s Les Mis if you squint. A musical based on turbulent French history, doomed love, and flags brandished like a crusaders’ Warhammers. Except this is not the longest running musical in West End history. This is its weird cousin Martin Guerre.…

Review: HIGH SCHOOL MUSICAL, starring KayCee Stroh and Harry Judd

Review: HIGH SCHOOL MUSICAL, starring KayCee Stroh and Harry Judd

by Cindy Marcolina · October 21, 2026

Though the originating Disney team doesn’t seem to be involved, the vibe of the film is perfectly maintained. Bryan Louiselle takes over the musical aspect, adapting and producing the soundtrack as well as writing new songs. David Simpatico writes the book: his script can be a bit cheesy and strai…

Review: ILFORD BOY, Donmar Warehouse

Review: ILFORD BOY, Donmar Warehouse

by Aliya Al-Hassan · October 21, 2026

Coming-of-age plays are not new, but they vary hugely in quality and impact. Danny Lee Wynter's new work, Ilford Boy is a witty, sensitive and beautifully performed piece of theatre that will warm your soul and break your heart…

Review: MURDER IN THE CATHEDRAL, Starring David Suchet

Review: MURDER IN THE CATHEDRAL, Starring David Suchet

by Aliya Al-Hassan · October 20, 2026

The Orange Tree's Tom Littler is not afraid of variety. After staging a delightful and clever version of Love's Labour's Lost and Much Ado About Nothing, set in the grounds of a Richmond school, he has turned to T.S. Eliot’s 1936 verse drama, Murder In The Cathedral, set in the church opposite …

Review: 4.48 PSYCHOSIS, Royal Ballet & Opera

Review: 4.48 PSYCHOSIS, Royal Ballet & Opera

by Franco Milazzo · October 18, 2026

The idea that “art is not a mirror but a hammer” has been attributed to Bertolt Brecht, deployed by Leon Trotsky and could serve as the epitaph for Sarah Kane’s repertoire, not least her final work.…

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