FeaturedAntigone 1989: A Town Hall Musical
A bold town hall musical retelling of Sophocles' tragedy set in 1989 California, where grief, activism, and democracy powerfully collide.
New Musical
Gilded Balloon Patter House
Upcoming Shows
Doris, Dolly and the Dressing Room Divas
Doris, Dolly and the Dressing Room Divas returns to Gilded Balloon Patter House for the Edinburgh Festival Fringe, with original cast members Gail Watson, Frances...
Hater
@eve_xiao_actor is everything Wai Ying isn't—whiny, fresh off the boat, a bad actor. Wai Ying is stalking Eve because they are the same casting type.
Review: SPRINGWOOD, Hampstead Theatre
At one point, in June 1939, the UK-US ‘Special Relationship’ was defined by the King eating hotdogs on the president’s lawn. King George VI and the future Queen Mother may not have persuaded President Franklin D. Roosevelt to promise Britain his allegiance in the forthcoming war in Europe, but…
Review: COMPAŇÍA MARCO FLORES - RAYUELA, Sadler's Wells East
In Reyuela, Flores and his collaborators see flamenco as a game of risk, mischievousness, and arrogance. Reyuela brings a fusion of art, words, and humanity to London - yet the parts are not always cohesive as a whole if you seek a narrative.…
Review: ZOONATION YOUTH COMPANY, Royal Ballet And Opera
ZooNation Youth Company presents two shows as part of the Next Generation Festival 2026 - a showcase for dancers under 21 to engage with the music, dance styles, and personal attitudes they enjoy most.…
Review: ARCHDUKE, Royal Court
We know how it ends. Two men meet in a tunnel, one introduces himself as Gavrilo, and the stage is set for the prelude to one of the most significant episodes of 20th century history. But Rajiv Joseph's Archduke has little interest in historical reenactment. Instead, it reimagines the Serbian nation…
Review: THE SLEEPING BEAUTY, Royal Albert Hall
English National Ballet close their season, as has become tradition, at London’s glorious (but not especially well air conditioned) Royal Albert Hall. They have been touring Sir Kenneth MacMillan’s The Sleeping Beauty for the last few months and this handful of performances mark the finale. …
Review: PRIDE, National Theatre
In a Britain more divided than ever, this message of solidarity couldn’t have come at a better time. Pride feels on the brink of being the next big thing – and how glorious that the next big British musical is so proudly and fiercely queer and working class.…
Review: VENUS & ADONIS, Barbican Theatre
Putting on something which is so sexy, sensuous and deeply erotic in the middle of a heatwave could be asking for trouble, yet this production of Shakespeare’s Venus & Adonis justifies the gamble, turning the Barbican’s The Pit into a crucible of raw, mythological desire.…
Review: CYRANO DE BERGERAC, Starring Adrian Lester, Noël Coward Theatre
Edmond Rostand’s classic comes back to the West End with a new adaptation by Simon Evans and Debris Stevenson. This is a drastically different approach from the last time we saw Cyrano on a commercial stage. If Jamie Llloyd redefined the story in 2019, Evans grounds it back to its roots in an open…
Review: THE TRUTH, Apollo Theatre
Starry cast fails to lift a play that can be funny, but proves rather too pleased with its own cleverness…
Review: RELICS, Lyric Hammersmith
At first Relics seems straight out of a classic, deadpan British sitcom. Our characters – four siblings divvying up the possession of their recently deceased mother – are experiencing one of life’s most harrowing moments, but their conversation revolves around minutiae in council planning docu…
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