Following a sell-out UK tour, the award-winning ThickSkin present this chilling new play by Tim Foley (former Bruntwood Prize-winner). The stage is set… for terror When an out-of-work actor takes a job playing a ghost at an old countryside manor, he expects nothing more than a...
First seen 45 years ago, the Olivier Award-winning Jeeves Takes Charge returns to London for a short season at the Charing Cross Theatre. This one-man show sees the affable and endlessly adaptable Sam Harrison take on all 22 roles in a highly energetic and adept performance.…
It’s engaging, well-designed, fully immersive, and thoroughly considered. It distinguishes itself among a list of “immersive” cash-grabs, actually providing a unique experience to its patrons. So, grab your newsboy cap, the Arches are under new management… by order of the Peaky Blinders.…
“Do you believe in a life after birth?” Sunday morning was no ordinary Prom, as Martin Fröst and the Swedish Chamber Orchestra delved into the idea of exploring the DNA of Beethoven via new interpretations of works by the likes of Handel and Rambeau, as well as the world première BBC co-commis…
First performed at Les Invalides in Paris in 1837, Hector Berlioz’s Requiem (“Grande messe des morts”) is music and spectacle on a grand scale. Originally written for 450 performers, this Prom saw roughly 400 musicians and singers gather across the Royal Albert Hall stage and Choir Stalls sect…
At 7pm on Friday, wildfire alerts pinged on phones across the UK - but for those of us in the Royal Albert Hall it served as an early warning system for the heat that would be generated by the BBC Proms tribute to Marvin Gaye. Backed by the BBC Concert Orchestra and the LJ Singers, assembled artists…
With a trio of 20th century classics, this Prom is competent and enjoyable, but lacking that touch of something special.…
Six extraordinary musical theatre performers take to the stage with one seemingly impossible task: create a brand new musical from scratch, based entirely on suggestions from the children in the audience. The result is Showstopper! The Kids Show, a wildly inventive hour of music, comedy, storytellin…
Unless one happens to have read the programme notes beforehand, it’s not immediately obvious that Rockpools is a play about endometriosis. For the first half, the only hint we get is the protagonist’s bloody sheets. Instead, debut writer-performer Molly Windust has created a character rich in od…
Ed Gaughan is extremely good at accents. So good that it’s five minutes or so into the show before anyone realises his native accent is not, in fact, Irish.…
Tarang Hardikar’s Edinburgh Fringe debut is an hour of wonderfully curious comedy, in which no thought is too small to escape scrutiny. If I’m Not Wrong is built around Hardikar’s instinct to question absolutely everything, creating a show which is as authentic as it is delightfully unpredicta…
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