Earworm at Camden People's Theatre

Guy, an alternative cabaret artist, is searching for the perfect song to cope with his dying relationship with John, a scholar of queer relationships. As separation looms large, Guy’s soundtrack-heavy brain starts compulsively looking for the perfect breakup song.

Seeking the audience's validation, Guy’s inner monologue spills out as everything unravels during a dinner party from hell. Hosting friends for the evening, old frustrations, tensions, and unfulfilled desires all reach a boiling point.

Think Abigail’s Party, but with a gay twist

With sharp direct address and dry wit, this anti-rom-com explores the unquenched need for validation and the craving for thrill in modern love, particularly in queer relationships.

“Excellent... A smart, stripped-back drama that dives deep into the messy, contradictory heart of queer intimacy.” — Everything Theatre
“A brutally honest dissection of what it is to be gay in today’s world... Piepskovitz proves to be quite the talent.” — LondonTheatre1