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Review: An Intimate Evening with David Foster and Katherine McPhee at The Music Center At Strathmore
Anytime I attend a theatrical presentation there is a chance that I won’t know what to expect going in. When attending a concert there is usually more certainty. You know who the artists are and you at least have an idea of what you might hear.…
Review: COMING TO AMERICA: AN IMMIGRANT CABARET at Atlas Performing Arts Center
It may be the case that any theatrical work dealing with political or social themes gains an added level of immediacy and urgency by virtue of being staged in or near Washington, DC. That's certainly the case with ExPats Theatre's new production 'Coming to America: an Immigrant Cabaret.' Now sho…
Review: DIRTY DANCING at The National Theatre
In August of 1963, sheltered Jewish teenager Frances 'Baby' Houseman (Annalese Starzec) arrives at the Catskills resort Kellerman's with her father Jake (Bryan Fenkart), a successful doctor, mother Marjorie (Gina Lamparella) and her more worldly older sister Lisa (Lily Kren).…
Review: THE LEGEND OF SLEEPY HOLLOW at Washington Stage Guild
While perhaps falling short of the wit and sophistication of the Stage Guild’s usual productions, Sleepy Hollow promises an entertaining seasonal treat for all ages.…
Review: WISH YOU WERE HERE at Studio Theatre
This funny and moving play by Sanaz Toossi about the friendship of five young women in Iran during the late twentieth century revolution, plays through November 1 at Studio Theatre and is a poignant reminder of our universal humanity.…
Review: MEASURE FOR MEASURE at Folger Theatre
Of the many fine elements in Folger Theatre's Measure for Measure, directed by Psalmayene 24, the A number one greatest absolute top is Renea S. Brown's performance as Isabella. Brown has already earned a small pile of Helen Hayes Awards, but not for Shakespeare. …
Review: BODY LANGUAGE at The Writer's Center
The world premiere of Body Language (the one-person show presented at The Writer’s Center by Proud of You Productions) is transformative and therapeutic theatre at its best. Often, solo shows can become unduly victimizing and self-serving, but this gem of a solo show goes beyond niche, insular tro…
Review: NOT EXACTLY A NUN at Story District (at Woolly Mammoth)
When 5 year old Yasmin Elhady arrived in America around 1990 with her Libyan and Egyptian Muslim parents, a Catholic charity staffed by nuns helped the family settle in. Elhady had seen plenty of women wearing similar clothing as a toddler in Egypt, so she felt right at home.…
Review: DANCE THEATRE OF HARLEM'S FIREBIRD at The National Theatre
Dance Theatre of Harlem (DTH) returned to DC this weekend for a three-performance engagement co-presented by Washington Performing Arts at The National Theatre.…
Review: SOME LIKE IT HOT at Olney Theatre Center
What did our critic think of SOME LIKE IT HOT at Olney Theatre Center? Traditionally, I would start with some kind of introduction that would quickly preview Olney Theatre Center’s regional premiere of SOME LIKE IT HOT. I’d like to do something different and start by pulling focus to the fact th…
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Mr. Burns: A Post-Electric Play Clarice Smith Performing Arts Center (10/09-10/18) |
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Special Event: ARTS By George!: Jeff Goldblum and the Mildred Snitzer Orchestra Center for the Arts (10/03-10/03) |
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The Score Shakespeare Theatre Company (9/11-10/25) |
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The Second-Best School Shooting NextStop Theatre (9/17-10/11) |
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Coming to America: An Immigrant Cabaret ExPats Theatre (9/30-10/18) |
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Monsters of the Villa Diodati Creative Cauldron (10/08-11/01) |
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Some Like It Hot Bernard Family Theatre, Olney Theatre Center (9/18-11/08) |
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Stonewall's Bust The Writers Center (10/09-10/25) |
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Peter and the Starcatcher Olney Theatre Center (4/29-6/06) |
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Twelfth Night: Karaoke Marina The Coil Project (12/04-12/19) |









