U.S.A., Based on Dos Passos Novels, to Play D.C.

Let me tell you a bit about myself. Even before the death of George Floyd and the political earthquake that followed, I have long been of the opinion that drastic and systemic changes are needed in the American judicial system. When I covered Gaithersburg city government for the Montgomery Sentinel, I took a knee during the recitation of the Pledge of Allegiance at the beginning of the city council meetings. I do the same when the 'Star Spangled Banner' plays at Washington Nationals games. On the wall above my desk where I'm writing this, I have tacked up the front page of the Washington Post from April 21, 2021, announcing Derek Chauvin's conviction for murder the previous day. I oppose the death penalty. I admire works that effectively explore generational trauma and make use of innovative storytelling techniques, including blending genres. For all these reasons, when I read the description of 'Incendiary,' written by Dave Harris and directed by Monty Cole, which recently opened at Woolly Mammoth Theatre Company, I expected to like it. I didn't.

The Theatre Lab School of the Dramatic Arts is one of 34 organizations nationwide selected to receive a Creative Forces® Community Engagement grant. A grant of $44,000 will support healing and community building through The Theatre Lab’s Life Stories program for individuals connected to the military. Creative Forces Community Engagement Grants are part of the National Endowment for the Arts’ Creative Forces® initiative and are in partnership with Mid-America Arts Alliance.

Today’s subject Andrew Veyette is currently living his theatre life as the longest running dancer with New York City Ballet. The company begins a two-program week-long engagement at Kennedy Center this evening that continues through June 11th in the Opera House.

What did our critic think of THE HUMOURS OF BANDON at The Atlas Performing Arts Center?