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Review: THE BEEKEEPER OF ALEPPO, Richmond Theatre


by Aliya Al-Hassan - March 11, 2026

Christy Lefteri’s 2019 bestseller The Beekeeper of Aleppo is both a powerful and poetic story about the refugee experience. Her story of Nuri and his wife Afra's escape from Syria to England was inspired by time Lefteri spent working in a refugee camp in Athens. Syria may currently be seen as le...

Review: EDUCATING RITA, Reading Rep Theatre


by Jo Caruana - March 03, 2026

The filter-like haze hits you first. Then the occasional lighting, the tiled ceiling, and the faint whiff of the 80s. But it's the arrival of two extraordinary performances – Madelyn Smedley's fizzing, fearless Rita and Julius D'Silva's weary, cynical Frank – that makes Reading Rep Theatre's Edu...

Review: THE CONSTANT WIFE, Theatre Royal Brighton


by Caroline Cronin - February 24, 2026

Adapted by Olivier Award-winner Laura Wade from Somerset Maugham’s original play, The Constant Wife, this new version is directed by Co-Artistic Director of the RSC Tamara Harvey and is now embarking on a UK Tour which, delightfully, opened in Brighton this week. It may not have played to a f...

Review: LA BOHÈME, in Cinemas


by Cheryl Markosky - March 01, 2026

What did our critic think of LA BOHEME IN CINEMAS at Cinemas Across The UK?...

Review: A MIDSUMMER NIGHT'S DREAM, Leeds Playhouse


by Gary Naylor - February 19, 2026

Innovative take on familiar comedy proves hit and miss as lovers and fairies fight...

Review: THE BATTLE, Birmingham Rep


by Laura Lott - February 18, 2026

Before Taylor Swift versus Charli XCX - but after The Beatles versus The Rolling Stones - came Blur versus Oasis. David Niven's debut comedy at Birmingham Rep takes us back to the summer of 1995, when temperatures and egos both soared and the nation was gripped by the chart battle between Oasis’ �...

Review: THE SINGING MERMAID, artsdepot


by Christiana Rose - February 16, 2026

Set beneath a vibrant circus tent filled with sparkling multicoloured lights and fluttering flags, the production opens with a jovial instrumental atmosphere that immediately invites children into the world of the show....

Review: THE BOY AT THE BACK OF THE CLASS, Rose Theatre


by Aliya Al-Hassan - February 12, 2026

Today we are wearily familiar with the terms 'Stop the Boats' and the narrative that all refugees are coming to Britain to take 'our' jobs, scam us for benefits and prey upon young girls. Nick Ahad's adaptation of Onjali Q. Raúf's beautiful book, The Boy at the Back of the Class, takes much of th...

Review: BLOOD BROTHERS, Theatre Royal Brighton


by Caroline Cronin - February 12, 2026

Three years ago, I sat in this same auditorium reviewing Blood Brothers for this publication, and I wondered then what gives this show its extraordinary staying power. Returning now to see the very same production - with the same creative team and even some returning cast members - the answer is cle...

Review: THAT'LL BE THE DAY, London Palladium


by Gary Naylor - February 05, 2026

If it's not quite as slick as it might be, this oldies show can still push a lot of the right nostalgia buttons...

Past Shows

Ann Talman: Elizabeth Taylor and the Shadow of Her Smile
Ann Talman: Elizabeth Taylor and the Shadow of Her Smile
23 Mar

ANN TALMAN shares hilarious and touching stories about her special bond with ELIZABETH TAYLOR, woven with Broadway and Great American Songbook gems.

Videos