BUDLEIGH SALTERTON PUBLIC HALL

by Gary Naylor - May 11, 2026

Sixty years ago, pirate radio floated on a diet of great pop, but was sunk by a spoilsport government. That said, its spirit lived on - and still does today!...

by Caroline Cronin - May 09, 2026

How To Survive and Thrive in an Impossible World – with a piano! is billed as an “interactive wellbeing show”  - a two-man musical about resilience.  About how we keep going, and hopefully even thrive, in an increasingly complicated world. Written by and starring Steve Bonham and composer Ch...

by Caroline Cronin - May 08, 2026

The concept of an audio-only theatrical experience is an intriguing one. Stripped entirely of visuals, The Shape of Things Undone asks its audience to engage through just a single sense, and in doing so it creates a deeply personal experience....

by Gary Naylor - May 05, 2026

Even 400 pages or more cannot contain whole life, nor the personality...

by Cindy Marcolina - April 26, 2026

A corrupt lot steeped in scandal puppeteers the economy. Unreasonable taxes are plaguing the people. Violence is rampant. All the while, a megalomaniac is gaining more traction by the day. Did we turn on the news, or are we watching Bertolt Brecht’s merciless satire? Seán Linnen transforms the al...

by André Böke - April 20, 2026

The international hit musical Tina – The Tina Turner Musical has landed in Switzerland as part of its recent UK and Ireland tour. In the city where Tina Turner spent her final years, the show gains a striking sense of immediacy. Seamlessly adapted for touring, the production proves it can more t...

by André Böke - April 05, 2026

The touring production of The Bodyguard arrives at a pivotal moment in its continental journey. After stops in Zurich, Munich and Berlin, interspersed with various UK engagements including London, the show now plays its final German date at the Alte Oper Frankfurt. From here, it will return to Briti...

by Mica Blackwell - April 02, 2026

With countless depictions of Queen Victoria in the media, Daisy Goodwin has managed to create something original and thought-provoking. Forcing the audience to question both history and memory, it's the wonderful cast and stunning visuals that complement her script and make for an all-around excitin...

by Gary Naylor - April 01, 2026

Good songs and good performances but a curiously mixed message from Sara Bareilles's smash hit show...

by Caroline Cronin - April 01, 2026

Agatha Christie’s Death on the Nile—here adapted by Ken Ludwig and directed by Lucy Bailey—arrives on stage with all the glamour and menace you’d hope for: a sun-soaked cruise, a clutch of suspiciously well-dressed passengers, and, inevitably, a murder that sends everything spiralling....