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UK Regional Theater Reviews

The latest reviews and critic recommendations from UK Regional.

BWW Review: BAREFOOT IN THE PARK, Pitlochry Festival Theatre

BWW Review: BAREFOOT IN THE PARK, Pitlochry Festival Theatre

by Fiona Scott — March 15, 2020

What happens after the honeymoon? Do opposites really attract? Neil Simon's hit play, Barefoot in the Park, has been revived and is currently running at Pitlochry Festival Theatre, in collaboration with the Royal Lyceum Theatre in Edinburgh.

BWW Review: CORIOLANUS, Crucible, Sheffield

BWW Review: CORIOLANUS, Crucible, Sheffield

by Ruth Deller — March 11, 2020

Robert Hastie directs a dynamic, contemporary production of Shakespeare's tale of leadership, political machinations and the whims of public opinion.

BWW Review: THE IMPORTANCE OF BEING EARNEST, Perth Theatre

BWW Review: THE IMPORTANCE OF BEING EARNEST, Perth Theatre

by Fiona Scott — March 8, 2020

During a week when comedian Joe Lycett legally changed his name by deed poll to Hugo Boss, ever dedicated to his craft, it felt fitting to see a revival of Oscar Wilde's The Importance of Being Earnest.

BWW Review: THE WHIP, Swan Theatre

BWW Review: THE WHIP, Swan Theatre

by Gary Naylor — February 27, 2020

The Whip packs so much into its near three hour running time that its issues, anger and need to educate drowns its dramatic potential and we're left with something that fails to reach its considerable potential.

BWW Review: MADAM BUTTERFLY, Bristol Old Vic

BWW Review: MADAM BUTTERFLY, Bristol Old Vic

by Kerrie Nicholson — February 17, 2020

Founded in 2009, OperaUpClose's mission is to create 'innovatively staged, unintimidating, and crucially high quality English Chamber re-imaginings of well known work and premieres of new operas'.

BWW Review: A MONSTER CALLS, Chichester Festival Theatre

BWW Review: A MONSTER CALLS, Chichester Festival Theatre

by Jo Fisher — February 16, 2020

Produced by The Old Vic, in association with Bristol Old Vic, Oliver award-winning A Monster Calls is making its way around the UK on tour, and has just closed its appearance at Chichester Festival Theatre.

BWW Review: ALONE IN BERLIN, Royal and Derngate

BWW Review: ALONE IN BERLIN, Royal and Derngate

by Verity Wilde — February 15, 2020

Given the turbulent times that we live in, a new stage adaptation of Hans Fallada's Alone in Berlin would seem like a smart choice for an ambitious theatre (or theatres, as this is a co-production with York Theatre Royal, in association with Oxford Playhouse).

BWW Review: FLIGHTS, Omnibus Theatre

BWW Review: FLIGHTS, Omnibus Theatre

by Gary Naylor — February 14, 2020

Flights looks into the hearts of three men whose lives in rural Ireland are not working out as they once hoped.

BWW Review: ALL OF IT, Royal Court Theatre

BWW Review: ALL OF IT, Royal Court Theatre

by Gary Naylor — February 11, 2020

Kate O'Flynn is in award-winning form as the baby who grows into a girl and then a woman before her life's span is through in Alistair McDowall's clattering monologue.

BWW Review: PERSONA, Riverside Studios

BWW Review: PERSONA, Riverside Studios

by Gary Naylor — January 30, 2020

Persona transfers somewhat uneasily from screen to stage in Paul Schoolman's new adaptation, but retains its intellectual heft and eerily subversive quality.

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