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UK REGIONAL THEATER REVIEWS

The latest reviews and critic recommendations from UK Regional
BWW Review: THE CANARY AND THE CROW, Arcola Theatre

BWW Review: THE CANARY AND THE CROW, Arcola Theatre

by Gary Naylor — January 21, 2020
Daniel Ward's autobiographical tale, told as gig theatre, has plenty to say and says it well - we would be wise to listen....
BWW Review: FADING INTO NOTHINGNESS, Merlin Theatre, Sheffield

BWW Review: FADING INTO NOTHINGNESS, Merlin Theatre, Sheffield

by Ruth Deller — January 18, 2020
An assured and emotional debut from writer Theo Griffiths deals with a family in turmoil....
BWW Review: TWELFTH NIGHT, Jack Studio Theatre

BWW Review: TWELFTH NIGHT, Jack Studio Theatre

by Gary Naylor — January 17, 2020
This no frills Twelfth Night rattles through Shakey's comedy getting laughs along the way, but includes some artistic decisions that didn't quite land as clearly as they were, perhaps, intended to....
BWW Review: ONCE, Ashcroft Playhouse Fairfield Halls

BWW Review: ONCE, Ashcroft Playhouse Fairfield Halls

by Gary Naylor — January 10, 2020
Once shows all its crowdpleasing credentials in this new touring production with a tremendous cast doing full justice to its score and carrying a somewhat corny plot to a standing ovation curtain....
BWW Review: TOM BROWN'S SCHOOL DAYS, Union Theatre

BWW Review: TOM BROWN'S SCHOOL DAYS, Union Theatre

by Gary Naylor — January 9, 2020
The Union Theatre's Essential Classics season kicks off with Phil Willmott's updating of a classic with much to say about England in 2020....
BWW Review: GUYS AND DOLLS, Crucible, Sheffield

BWW Review: GUYS AND DOLLS, Crucible, Sheffield

by Ruth Deller — December 14, 2019
The Crucible takes us to New York's bustling backstreets in this joyous revival....
BWW Review: CINDERELLA, Fairfield Halls

BWW Review: CINDERELLA, Fairfield Halls

by Gary Naylor — December 13, 2019
Cinderella delivers a true family pantomime that mixes spectacular sets and costumes with plenty of laughs in a show that doesn't push back any boundaries, but delivers what its audience wants at Christmas....
BWW Review: CINDERELLA, Lyceum, Sheffield

BWW Review: CINDERELLA, Lyceum, Sheffield

by Ruth Deller — December 12, 2019
The latest Sheffield Theatres panto hits all the traditional panto beats....
BWW Review: WHISTLE DOWN THE WIND, Union Theatre

BWW Review: WHISTLE DOWN THE WIND, Union Theatre

by Gary Naylor — December 11, 2019
Sasha Regan revisits her 2015 production of the 1996 musical to deliver a splendid show for Christmas, with a relevance and harder edge that was missing a little four long years ago....
BWW Review: DICK WHITTINGTON, Bristol Hippodrome

BWW Review: DICK WHITTINGTON, Bristol Hippodrome

by Tim Wright — December 11, 2019
When on song, panto can be monumentally brilliant. An unpretentious form of theatre that can delight old and young alike. It's a shame then that this latest effort from panto behemoth Qdos is so tone deaf it makes your toes curl....
BWW Review: RAVENS: SPASSKY VS FISCHER, Hampstead Theatre

BWW Review: RAVENS: SPASSKY VS FISCHER, Hampstead Theatre

by Gary Naylor — December 6, 2019
Ravens: Spassky vs Fischer takes us to Iceland in 1974 for the World Chess Championship, a clash between two very different men and two very different systems but with much that is not so different to the politics of today....
BWW Review: UNCLE VANYA, Old Red Lion Theatre

BWW Review: UNCLE VANYA, Old Red Lion Theatre

by Gary Naylor — December 5, 2019
This production pares back Chekhov's original text and foregrounds key themes with just a hint that Vanya even has something to say about the key political issue of the day....
BWW Review: A CHRISTMAS CAROL, Bridge House Theatre

BWW Review: A CHRISTMAS CAROL, Bridge House Theatre

by Gary Naylor — November 28, 2019
Scrooge, the ghosts and a very Tiny Tim just an arm's length away in a fine adaptation of Dickens' timeless tale....
BWW Review: HUNGER, Arcola Theatre

BWW Review: HUNGER, Arcola Theatre

by Gary Naylor — November 26, 2019
Hunger, adapted from controversial Norwegian, Knut Hamsun's, early career novel, brings us a man alienated from an uncaring world - as much a fixture on the fringes of our city some 130 years since the book was published....
BWW Review: PETER PAN GOES WRONG, Theatre Royal Brighton

BWW Review: PETER PAN GOES WRONG, Theatre Royal Brighton

by Fiona Scott — November 20, 2019
All it takes are some happy thoughts and fairy dusta??that's how the boy who never grows up is able to fly, at least. In Peter Pan Goes Wrong, Mischief Theatre's take on the JM Barrie classic certainly lifts your spirits, but mainly because not everything quite goes to plan for the young performers...
BWW Review: FUNNY GIRL, Théâtre Marigny, Paris

BWW Review: FUNNY GIRL, Théâtre Marigny, Paris

by Tim Wright — November 20, 2019
The feeling you don't conform to the mould that society expects, is a feeling familiar to most of us in our lives at some point or another. Perhaps that is what makes Funny Girl endure and continue to pack out theatres....
BWW Review: WHAT'S IN A NAME?, Nuffield Southampton Theatres

BWW Review: WHAT'S IN A NAME?, Nuffield Southampton Theatres

by Jo Fisher — November 20, 2019
We all know that you should never judge a book by its cover a?' but should you ever judge a person by their name? This is the question posed to us in What's In A Name?, which has landed at Nuffield Southampton Theatres at the end of its first-ever UK tour....
BWW Review: MUCH ADO ABOUT NOTHING, Wilton's Music Hall

BWW Review: MUCH ADO ABOUT NOTHING, Wilton's Music Hall

by Gary Naylor — November 14, 2019
Shakespeare at the Tobacco Factory have a lot of fun with their London transfer of Shakespeare's battle of the sexes, but not every decision pays off and they need to be more sympathetic to the unique pros and cons of this remarkable venue....
BWW Review: MY MOTHER SAID I NEVER SHOULD, Crucible Studio, Sheffield

BWW Review: MY MOTHER SAID I NEVER SHOULD, Crucible Studio, Sheffield

by Ruth Deller — November 13, 2019
Sheffield Theatres and Fingersmiths reinvent Charlotte Keatley's classic play about the lives of four women in one family....
BWW Review: THE WOMAN IN BLACK, York Theatre Royal

BWW Review: THE WOMAN IN BLACK, York Theatre Royal

by Sarah Ryan — November 14, 2019
The theatrical phenomenon that is The Woman In Black began in 1987, when Stephen Mallatratt adapted Susan Hill's spine-chilling work of gothic fiction for the stage. Over thirty years and countless terrified audiences later the production is still going strong....
BWW Review: THE MATCH BOX, Omnibus Theatre

BWW Review: THE MATCH BOX, Omnibus Theatre

by Gary Naylor — November 2, 2019
Frank McGuinness's play is never less than engaging, Angela Murray tremendous as the woman left alone after her daughter is shot, but it's an unrelenting and demanding watch...
BWW Review: I DO! I DO! Upstairs at the Gatehouse

BWW Review: I DO! I DO! Upstairs at the Gatehouse

by Gary Naylor — October 31, 2019
I Do! I Do! even with this updated book, is an old-fashioned two-hander musical that never fails to please, without ever challenging the traditional approach to the union between a man and a woman....
BWW Review: TOAST, Theatre Royal Brighton

BWW Review: TOAST, Theatre Royal Brighton

by Fiona Scott — October 30, 2019
Toast: The Story of a Boy's Hunger is a best-selling memoir novel from the renowned Observer food columnist, Nigel Slater. It was adapted into a film in 2010 and has now been reworked for the stage, premiering at The Lowry in Manchester in 2018. The show is currently running at the Theatre Royal in ...
BWW Review: EDRED, THE VAMPYRE, The Old Red Lion Theatre

BWW Review: EDRED, THE VAMPYRE, The Old Red Lion Theatre

by Gary Naylor — October 30, 2019
Edred, The Vampyre is a lot of fun with its fair quotient of chills thrown in and a fine example of how to stage horror, a tricky genre for theatres....
BWW Review: A MUSEUM IN BAGHDAD, Swan Theatre, Stratford upon Avon

BWW Review: A MUSEUM IN BAGHDAD, Swan Theatre, Stratford upon Avon

by Gary Naylor — October 23, 2019
Hannah Khalil's new play grapples with some big issues for over two hours, but the biggest issue of all for any play - the drama between the characters - is absent for much of that time....
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