Wilbury Theatre Group announced its 2026/27 Main Series season, featuring a world premiere, regional premieres, and Rhode Island premieres, including works by Michael R. Jackson, Annie Baker, and Bess Wohl.
Anne Ishii, former Executive Director of Asian Arts Initiative and Program Director at United States Artists, announced as the Pew Center for Arts & Heritage's new Director of Grantmaking Programs. Zach Blackwood was also named Program Officer for Fellowships.
Emmy nominee Michelle Wolf announced a UK tour and Edinburgh Festival Fringe show, BEST JOB IN THE WORLD, covering modern masculinity, parenting, women's health, and political absurdity across multiple cities.
Vancouver's Ensemble Theatre Festival returns after a three-year hiatus with BLOODLINES at Jericho Arts Centre, pairing Jiehae Park's dark comedy PEERLESS with Tennessee Williams' A STREETCAR NAMED DESIRE.
The U.S. premiere of GUT, a psychological drama by Scottish playwright Frances Poet, will be staged at The Hive Collaborative in St. Paul, directed by Julie K. Phillips.
I had the opportunity to catch up with Michal Kolaczkowski from the North American tour of Moulin Rouge! The Musical. Kolaczkowski serves as a vacation swing, flying in from New York to cover multiple ensemble tracks when company members are on vacation or out with injury. Currently on an extended run with the tour through April 6, he’ll also be joining the company for its Florida stops.
Last night, Seayoung Yim’s Jar of Fat, the 2022 Yale Drama Series Prize Winner, received a staged reading at New York City’s Drama Book Shop. The event was presided over by the playwright David Hare, and Artistic Director of the Flea Theatre Niegel Smith. See photos here!
Stephen Adly Guirgis’s brilliant Pulitzer Prize winner Between Riverside and Crazy begins a 4-week regional premiere run at Stage West on Thursday, August 18. See photos from the production.
The National Youth Theatre and University of Hull have released brand new images and the live recording from their production On the Edge, which was performed live at the global UN climate conference, COP26 in Glasgow today, Friday 5 November.
With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the Arts alive in the City of the Angels. And just like all of us, I wondered how they are dealing with the abrupt end of productions in which they were involved. This Spotlight focuses on Kathleen Rubin whose musical theatre background led her to The Angel City Chorale and directing on Los Angeles stages.
From the award-winning Anna Jordan (Killing Eve, Sid Gentle Films Ltd; Succession, HBO), written between the Brexit vote and Trump's Presidential victory, We Anchor in Hope captures a moment of deep uncertainty in recent history and the characters' lives when local pub, The Anchor, closes for good. Chaos is in the air, and yet life goes on. For the duration of the play's run The Bunker will become The Anchor - transformed into a functioning pub with post-show events including pub quizzes, karaoke nights and music.
From the award-winning Anna Jordan (Killing Eve, Sid Gentle Films Ltd; Succession, HBO), We Anchor in Hope brings a comedic tale of pub culture and economic uncertainty to The Bunker theatre. Chaos is in the air, and yet life goes on. For three weeks, the space will transform into The Anchor - a functioning pub with post-show events including pub quizzes, karaoke nights and music.
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