What did BroadwayWorld's critic think of THE SPARKS FLY UPWARD at Maltzee Perforing Arts Center?
How a director envisions a production makes all the difference in its prestation to an audience, starting with casting and continuing through rehearsals and all technical aspects of the show. I spoke with Branda Lock on bringing her vivid imagination and directing skills to George Bernard Show’s PYGMALION, filled with unique Lock-inspired changes to the casting which promise to shed new light on this classic tale of class struggles in Shaw’s time.
ENGAGING SHAW begins in England in 1897 in a comfortable cottage in Stratford, England, where Shaw hopes to complete his new play. As he engages in conversation with his friends, the happily married cottage owners, Beatrice and Sidney Webb, we learn Shaw is a notorious flirt and heartbreaker who enjoys romancing women, attracting them to him "like a moth to the flame." But it is soon apparent he is not particularly interested in sex, a fact reflected in his real life where he remained a virgin until his 29th birthday. It's the thrill of the hunt that is the main attraction for Shaw, thoroughly enjoying the effect he has on women as he pursues them, not in the keeping of them. In present-day parlance, he'd be considered a sexist cad. Beatrice sees an opportunity to deflect Shaw's interest in her (and hers in him) by inviting their wealthy benefactor Charlotte to visit, knowing when she meets Shaw, the financially challenged but famous Irish playwright and political activist, that sparks will fly.
California Shakespeare Theater continues its 2014 season with George Bernard Shaw's brilliant Pygmalion, directed by Cal Shakes Artistic Director Jonathan Moscone. Pygmalion plays at the Bruns Amphitheater from now through August 24. BroadwayWorld has a first look at the cast in action below!
Main Street Theater presents George Bernard Shaw's bracing farce, HEARTBREAK HOUSE. With previews May 3, 4, and 7, Heartbreak House opens May 8 and runs through June 1 at Main Street Theater - Rice Village, 2540 Times Blvd. BroadwayWorld has a first look at the cast below!
Kitty Warren has worked hard to provide a good life for her daughter. But when Vivie finds out the truth about her mother's profession, sparks fly. The Antaeus Company, L.A.'s multiple award-winning classical theater company, presents Mrs. Warren's Profession, the superbly intelligent-and still shocking- powerhouse of a play by George Bernard Shaw that was banned for eight years on the English stage. Robin Larsen directs the double-cast production now through April 21, 2013. BroadwayWorld has a first look at both casts onstage below!
The Old Globe's 100th anniversary production of the George Bernard Shaw classic Pygmalion stars Tony Award winner Robert Sean Leonard (The Invention of Love, Born Yesterday) as Professor Henry Higgins and Charlotte Parry (The Importance of Being Earnest, The Real Thing) as Eliza Doolittle. The production coincides with the 100th anniversary of Pygmalion's 1913 premiere in Vienna, Austria. Directed by Nicholas Martin (Butley, Present Laughter), Pygmalion will run on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center, through Feb. 17, 2013. BroadwayWorld has a first look at the production in the photos below!
Gingold Theatrical Group's Project Shaw presented GETTING MARRIED last night, June 20 at The Players. The production starred Reed Birney, Jordan Coughtry, Sue Cremin, David Furr, Cady Huffman, Simon Jones, Andrea Marcovicci, Emily Skinner, Steven Skybell, Robert Stanton, Lindsay Torrey, Lenny Wolpe and was narrated by Michael Musto of The Village Voice. The evening was guest hosted Jesse Green of New York Magazine. BroadwayWorld was on hand, as usual, and brings you photo coverage below!
Produced and directed by David Staller, Project Shaw's latest offering - Saint Joan, written by George Bernard Shaw performed on December 22nd at The Players Club. BroadwayWorld sent our cameras to capture the cast of what is always a special theatrical evening.
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