The Great Man Photos - Broadway

In 10th Grade, I was in the chorus of a production of Oklahoma! in the auditorium of my synagogue and it was the best theatrical experience I've ever had. I remember getting home from the closing night cast party and crying myself to sleep. I could cry now putting on the movie or listening to 'The Farmer and the Cowman,' or maybe most of all, if I sing a little bit of the introduction to the title song.

Like Andy Warhol, another well-known, towheaded, Avant Garde artist who pushed the boundaries of his art form, Klaus Kinski was one of the most celebrated and controversial actors in the history of world cinema. The reckless abandon with which he approached both life and art left him tortured, demonized and worshiped by scores of his fans. And since the German actor died in November 1991, there is no way to speak with him now about what motivated him and why he felt so tortured throughout his life. The project first germinated when writer/actor Andrew Perez lined up interviews with Phyllis Winter (a very close friend during the last 10 years of Kinski's life in Lagunitas, CA) and her daughter Sara to learn more about the temperamental artist. He then worked hand in hand with director Eric G. Johnson to interview the two women which led to the creation of a theatrical tribute to the outspoken artist entitled THE SECOND COMING OF KLAUS KINSKI, a hit at the 2017 Hollywood Fringe Festival which is now enjoying an open-ended encore run on Thursday nights at Studio C on Hollywood's Theatre Row.

Balanchine choreographed 425 works over the course of 60-plus years, and his works are considered masterpieces and performed by ballet companies all over the world. So you can image how thrilled I was to find out Los Angeles Ballet was going to present BALANCHINE: MASTER OF THE DANCE as their final selection of their 2016/2017 season. In it, three of his most outstanding ballet choreographies are presented: Divertimento No. 15 featuring music by Wolfgang Amadeus Mozart; Prodigal Son with music by Sergei Prokofiev; and Who Cares? with music by George Gershwin, adapted and orchestrated by Hershy Kay.

Cabaret. It's 1931 in Germany, a country of unrest. We find ourselves at the Kit Kat Klub, a seedy cabaret, a place of decadence and emotional abandonment. Hanging over the entire scene is the aura of the growth of the Nazi party and the impending reign of terror.

The final entry in Theatricum Botanicum's 2015 "Americana" repertory season, Green Grow the Lilacs by Native American playwrightLynn Riggs is the rarely produced 1931 play that vied for the Pulitzer Prize and inspired the first mega-musical, Rodgers and Hammerstein's Oklahoma!. A rough-and-tumble love story with singing cowboys and classic folk music of the pioneering era, Green Grow the Lilacs will be directed byEllen Geer for a July 11 opening. Check out photos from the show below!

Barrington Stage Company features Tony nominee Brad Oscar in the role of the beloved dairyman Tevye in Fiddler on the Roof, running through July 14, kicking off the theater's 18th season in the Berkshires. Joanna Glushak (Sweet Smell of Success) plays Golde. The production is directed and choreographed by Gary John LaRosa, with music direction by Darren R. Cohen. BroadwayWorld brings you photos from opening night below!

Martin Markinson and Jeff Tick are pleased to announce that Monday, March 12th marks the 100th anniversary of the Little/Helen Hayes Theatre (240 West 44th Street), which opened on March 12, 1912 with John Galsworthy's play THE PIGEON. The theatre is currently home to the smash hit musical Rock of Ages. A private centennial celebration at the theatre is confirmed for Thursday, May 24, 2012. Owners and employees gathered after Monday's performance of ROCK OF AGES to celebrate the theatre's great accomplishment. Broadway World brings you photos below.