Production Staff
Musical Supervision
Phil was the original Music Supervisor/Arranger on the Olivier award-winning Our House (Cambridge) and was also the Original MD on the multi award winning Billy Elliot the Musical (Victoria Palace). Since then he has continued to specialise on new musicals and has worked with an eclectic array of composers and other artists.
Theatre includes:
Local Hero (Edinburgh Lyceum), The Man in the White Suit (Bath/Wyndhams), One Love (Birmingham Rep), The Lorax (Old Vic/Toronto), Bugsy Malone (Lyric Hammersmith), Made in Dagenham (Adelphi), I Can’t Sing! (Palladium), The Miser (Garrick), As You Like It, Hello Dolly!, Gigi (Regents Park Open Air), Human Comedy, My ... read more
National Theatre credits include Pinocchio, Follies, Mosquitoes, Common, Angels in America, The Red Barn, The Suicide, Wonder.land, Behind the Beautiful Forevers, Table, This House (also West End and Chichester), The Curious Incident of the Dog in the Night-Time (also West End and Broadway, Olivier Award for Best Lighting 2013, Tony Award for Best Lighting), The Comedy of Errors, Danton, The Power of Yes, Phedre, Death and the King's Horseman, War Horse (also West End and Broadway, 2011 Tony Award for Best Lighting), Some Trace of Her, Women of Troy, Triple Bill, Saint Joan, Attempts on Her Life, The Caucasian ... read more
Peter Darling is an award-winning choreographer. His work for theatre in the UK includes Groundhog Day, Charlie and the Chocolate Factory (West End), Billy Elliott (West End), Merrily We Roll Along (Donmar Warehouse), Candide and Oh! What a Lovely War (National Theatre), Sunset Boulevard (Really Useful Group), The Tempest (Royal Shakespeare Company) and Edward II, The Country Wife, As You Like It, and Twelfth Night, all for Michael Grandage. He choreographed Matilda The Musical, Our House and The Lord of the Rings for Matthew Warchus. His film work includes Billy Elliott and The Phantom of the Opera.
Recent credits: Heisenberg (Wyndham's); Fatherland (Royal Exchange Theatre); Common (National Theatre); Angels in America (National Theatre); Junkyard (Bristol Old Vic); Fracked! (Chichester and tour); Before I Leave (Cardiff); Elegy (Donmar); Uncle Vanya (Almeida); Husbands and Sons (National); Hangmen (Royal Court and Wyndham's); The Curious Incident of the Dog in the Night-Time (Olivier Award and Drama Desk Award - Gielgud, National Theatre, Broadway, and UK and US tours); Jerusalem (Royal Court, West End and Broadway); This House (National Theatre, Chichester and Garrick Theatre); The River (Royal Court and Broadway); The Nether (Royal Court/West End); Love's Sacrifice (RSC); The Days the Nights ... read more
Additional Music
Director
Producer
Specialising in Video and Projection Design for live performance, Ash has designed and animated content for large scale shows in the West End and Broadway as well as smaller fringe and scratch performances all over the world. Recent theatre credits as Video and Projection Designer include: The Divide (Old Vic), Molly (Squint). Associate Designer credits include: The Curious Incident of the Dog in the Night-Time (NT), The Tempest (RSC), Bat Out of Hell (London Coliseum), Dog's Heart (De Nationale Opera). Other credits include: You Say You Want A Revolution (V&A); Rolling Stones: Exhibitionism (Saatchi Gallery).