Anna Christie - West End Creative Team

Broadway credits as Director/Choreographer: Evita (Tony nomination), How to Succeed (Tony nominations Direction/Choreography), Promises, Promises (Tony nomination Choreography); as Choreographer: Thoroughly Modern Millie (Tony Award Best Choreography), Wedding Singer (Tony nom.), Cry Baby (Tony nom.), Curtains (Tony nom.). London - as Director: Anna Christie (Donmar), A Streetcar Named Desire (Donmar - Olivier nomination, Best Revival), Shrek The Musical; as Director/Choreographer: Parade (Donmar - Olivier nominations, Direction/Choreography); as Choreographer: Evita (Olivier nom.), Guys and Dolls (Olivier nom.), Thoroughly Modern Millie (Olivier nom.), Forum at The National Theatre. Other: 81st Annual Academy Awards (Emmy Award Choreography). Rob is a member of The ... read more Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015. His other scores and sound designs include King Lear (Donmar Warehouse, Olivier Award 2011), Anna Christie (Evening Standard Award 2011), Red (Donmar Warehouse/Broadway, Tony Award 2010), Travesties (Tony nomination 2018 Best Sound), Enron (Tony nominations 2010 Best Score, Best Sound), Macbeth (Tony nomination 2008), Frost/Nixon (Broadway 2007). Howard’s current work on Broadway includes Tom Stoppard’s Rock ’n’ Roll, Mary Poppins (2007 Tony nomination) and Mamma Mia! (also London and worldwide). In the West End: Macbeth, Glengarry Glen Ross, Guys and Dolls, Donkeys’ Years and Edward Scissorhands. Previous work in New York/on Broadway includes Cat on a Hot Tin Roof, Putting It Together and The Makropulos Case and Nabucco for the Metropolitan Opera.