Seeing New York

Interview with Ariella Kvashny on playing Laurey in Cygnet's 'Oklahoma!' and shares what it’s like stepping into this iconic role, blending old and new in the show’s revival, and what it means to be part of Cygnet’s final production before their big move. 

xOn Friday, February 21, 2025, acclaimed pianist Orion Weiss will release his new album, Arc III: Brahms, Schubert, Debussy, Dohnányi, Ligeti, Talma on First Hand Records. Listen to the first single now.

On Friday, July 26, 2024, Academy Award-winning composer Kris Bowers and GRAMMY Award-winning violinist Charles Yang are spotlighted on a heartfelt new album, For A Younger Self, featuring the talented musicians of the American Youth Symphony (AYS) conducted by Carlos Izcaray.

54 Below is known for its seemingly endless variety of themes as happy reasons to group songs from musical theatre. Here's another, looking at some shows that came to the Marquis, starting in 1986. There were over 30 musicals that played the Marquis Theatre, and nine were revisited with songs and stories at 54 Below.

Wilmington resident and theatre veteran Gerri Weagraff comes to The Playhouse as the Dowager Empress in the national tour of ANASTASIA. Six performances from February 9 – 12. Music and lyrics are by the award-winning team of Flaherty and Ahrens (RAGTIME, SUESSICAL THE MUSICAL and ONCE ON THIS ISLAND) with a book written by Broadway legend Terrance McNally.

On Friday, November 11, 2022, acclaimed pianist Orion Weiss will release his new album, Arc II: Ravel, Brahms, Shostakovich, on First Hand Records.

Need a restaurant near your Broadway show? We've got you covered! Browse restaurants by food type, with cuisines ranging from American to Asian, French, Italian, Mexican, and other top cuisines. Find where to eat.

Fifteen years after its first production of the musical, Musical Theatre West revisits the Tony Award-winning musical RAGTIME for only its second time---smartly reviving the musical in a similarly lavish production that beautifully converges the show's classic staging and vibe with wonderfully integrated 21st Century tech upgrades that help elevate the material rather than hinder its storytelling. Under the enlightened direction of Paul David Bryant (who also provides the production's high-energy choreography), this brand new, spectacularly engrossing production bellows with an emotional fervor and is one of my favorite iterations of this musical I have seen in recent years. This local revival---which continues performances at the Carpenter Center for the Performing Arts in Long Beach through February 23, 2020---is a feast for the senses.

Sweden's greatest modernist playwright, August Strindberg, returned from the Continent to Stockholm in 1906, where he lived out his last seven years. There he wrote 'The Pelican' for his Intimate Theater in 1907 and 'Isle of the Dead' (Toten-Insel) immediately after as its prologue. The latter was unpublished until 1918 and rediscovered in the early 60s, when it was found and promptly dismissed as an incomplete fragment. The two plays were finally reunited by Ingmar Bergman in a radio version in 2003. It was his last dramatic production. From February 6 to 22 August Strindberg Rep, a resident company of Theater for the New City (TNC), will bring the two plays to the stage together for the first time in history. It will also be the world premiere of new English translations of both plays by Robert Greer, Artistic Director of Strindberg Rep, who helms the production.

RAGTIME is a musical that is as relevant now as it was in 1998 when it premiered and the production currently on at PlayMakers Repertory Company makes that abundantly clear. While the show might be set in the state of New York in 1906, it makes statements about immigration, race relations, corrupt justice, and women's rights that continue to ring true today. Director Zi Alikhan stages the show as you've never seen before, cutting away the period clothing and elaborate setting to focus on its brilliant music and lyrics and the poignant themes it explores. The new 360 degree theatre layout puts the audience firmly into the action, letting them get even closer to the characters than in a normal show. 

A sweeping, grandiose, and emotionally-searing stage musical adaptation of E.L. Doctorow's expansive 1975 novel, RAGTIME is a gripping, multi-character, and multi-story theatrical experience that uses era-authentic specificity to depict America's past during a time when its increasingly diverse population has been forced to adjust to the ramifications of new technological, social, political, and economic changes that are spreading throughout the nation. Of course, one can't help but observe that, eerily, many of these very same issues are somehow still top-of-mind today, particularly in recent years with the surge in anti-immigrant policies and sentiments, the increasing gap between the rich and the poor, and, of course, the horrific rise of racist sentiments and, worse, racist acts against people of color. Perhaps this overarching motif---that many of these era-specific issues that RAGTIME's characters struggled with in 1906 are still alarmingly present in 2019---is the true motivator behind director Casey Stangl's impressive, 'intimate' theater reimagining of RAGTIME for Chance Theater, which continues performances in Anaheim through August 11, 2019.

Paula Vogel's Indecent is actually about another play, Sholem Asch's 1906 play, God of Vengeance. At curtain, stage manager Lemml (TJ Lancaster) introduces the troupe, which has been waiting, frozen, in chairs along the back wall. The troupe, all who play multiple characters, is comprised of Paul Cereghino, Zoe Farmingdale, John Flack, Katie Karel, Judi Mann, and Tim Schall, along with musicians Alyssa Avery, Kris Pineda, and Jack Theiling. The year is 1906 and the characters are passionate theatre artists from Warsaw, Poland, committed to the success of Jewish-Yiddish playwright Asch's play about the daughter of a brothel owner who falls in love with one of her father's prostitutes. Controversial? Yes, but Asch dreams of seeing Jewish stories on every stage in every language in what was to be a Yiddish renaissance, and that includes creating stories based on people who might not otherwise have a voice.

The Canton Museum of Art (CMA), one of Northeast Ohio's premier American art museums, opens its strong, Midwest-influenced Spring/Summer exhibition season on Friday, May 3rd. Four original exhibitions include: Drafting Dimensions: Contemporary Midwest Ceramics, Between Worlds: John Jude Palencar, Organized Ambiguity: Gridworks of David Kuntzman, and Food for Thought: Celebrating Food in Art from the CMA's Permanent Collection in Collaboration with "Project EAT!". Regular Museum hours are: Tues - Thurs, 10am - 8pm; Fri - Sat, 10am - 5pm; Sun 1 - 5pm; closed Mondays. CMA offers FREE admission every Thursday, every week from 10:00am - 8:00pm, sponsored by PNC Foundation.

'Savage' is a powerful new musical conceived and developed by UAB Professor of Theatre Karla Koskinen. The touching story is based on the tragically true story of the life of Ota Benga played by the dynamic Royzell D. Walker. This young man from the Congo was paraded as an exotic attraction. This sheer cruelty and inhumane mindset is almost unimaginable. But then again American history has a predictably formulaic way glossing over racial autocracies. This wonderful musical boldly asks 'What makes a man a civilized man?'

The Sheen Center for Thought & Culture has announced its 2019 winter/spring season, a rich program of theater, film, music, poetry, art, and talk events featuring artists and thought leaders including Grammy Award-winning singer-songwriter Mary Chapin Carpenter;Tony Award winner Lena Hall; Grammy Award-winning musician and recording artist Eileen Ivers; Pulitzer Prize and Tony Award nomineeAlexander Gemignani;and journalist and former Wall Street Journal columnist Sohrab Ahmari.

Two Pace University graduates have been recognized for their work by the American Theatre Wing's Tony Awards.

The award-winning Equity professional East Lynne Theater Company announces its 2017 Cape May Mainstage Season. As usual, it includes classic gems, a world premiere, and radio-style shows. This year's theme is 'The American Dream.'

The award-winning Equity professional East Lynne Theater Company announces its 2017 Cape May Mainstage Season. As usual, it includes classic gems, a world premiere, and radio-style shows. This year's theme is 'The American Dream.'

Long Wharf Theatre, under the director of Artistic Director Gordon Edelstein and Managing Director Joshua Borenstein, presents Endgame, by Samuel Beckett, directed by Edelstein.

In recognition of internationally renowned singer, painter and civic leader Tony Bennett's contributions to San Francisco, the City will honor him with several tributes celebrating his 90th birthday.

Admirably directed by 3-D Theatricals co-founder and resident artistic director TJ Dawson, this ambitiously impressive regional revival of RAGTIME: THE MUSICAL, continues through October 26 at its home-base at the Plummer Auditorium in Fullerton before moving north for its set of performances at the Redondo Beach Performing Arts Center, November 1-9. A stunning, beautifully-rendered production enhanced by a supremely talented cast and Broadway-caliber production values, this rarely-produced musical is a Southern California must-see!

The Queer New York International Arts Festival (QNYIA) -- a festival of contemporary performance that explores and broadens the concept of queer (in) art -- returns for a third year with a diverse slate of performances by international artists, many presenting their work in New York City for the first time.

The Queer New York International Arts Festival (QNYIA) -- a festival of contemporary performance that explores and broadens the concept of queer (in) art -- returns for a third year with a diverse slate of performances by international artists, many presenting their work in New York City for the first time.

The Glimmerglass Festival presents the premiere of a new version of An American Tragedy, which was originally commissioned by and premiered at the Metropolitan Opera in 2005, by composer Tobias Picker and librettist Gene Scheer on Sunday, July 20 at 1:30 p.m., with subsequent performances through Sunday, August 24. One hour prior to the opening performance and other matinee performances, Mr. Picker will preview his work in a free discussion at the Preview Pavilion next to the performance venue. The production is directed by Peter Kazaras and conducted by George Manahan, and the cast features Glimmerglass's 2014 Young Artists. Tickets range from $10-$144 and can be purchased by calling the box office at(607) 547-2255 or online at glimmerglass.org.

Ted Sod: What can you tell us about Sophie Treadwell's life and career as a playwright? like Mary Chase, she began as a journalist-correct?