‘Liberation’ Review: Feminism and Frustration on Broadway
7 / 10
There is little the director, Whitney White, can do to tame the play’s unruly structure, although the dramatic focus grows sharper in the second act, when the agreeably cranky talk begins to turn contentious and more personal. A climactic passage finds the narrator-playwright trying to come to terms with her decisions and those of her mother—whether a fulfilling family life can ever be wholly consistent with a woman’s true autonomy as society is structured, then and now.
