Don't Tell
Don't Tell - 1920 Broadway History , Info & More
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by Stephen Mosher - Jun 2, 2022
Cheo Bourne and Lena Moy-Borgen started something wonderful before the pandemic and they have made a welcome return with all new gags, songs, and props.
by Stephi Wild - Jan 27, 2022
To share an outstanding solo show with the widest possible audience, Theater for the New City has extended its world premiere production of 'I Just Want To Tell Somebody,' written and performed by Ronald 'Smokey' Stevens, through February 6.
by Chloe Rabinowitz - Dec 27, 2021
Smokey Stevens, one of Broadway's great musical comedy performers, has adapted his autobiographical novel, 'I Just Want to Tell Somebody: The Autobiography of Ronald Smokey Stevens,' into a one-man, two character theater production.
by Stephi Wild - Dec 6, 2021
Ronald 'Smokey' Stevens has adapted his autobiographical novel, 'I Just Want to Tell Somebody: The Autobiography of Ronald Smokey Stevens,' into a one-man, two character theater production.
by Robert Diamond - Oct 13, 2021
Don't miss this daring, provocative and exuberantly entertaining classic, CABARET, Live at The Argyle Theatre, running through October 24th!
by Ricky Pope - Sep 3, 2021
Tonight, in their debut show at Don’t Tell Mama, Quentin Harris and Bryce Edwards added their own names to the list of performing teams who use opposition to their advantage. They bill themselves simply as MR. HARRIS AND MR. EDWARDS. If this sounds like a throwback to vaudeville days, it’s not entirely an accident. Harris and Edwards owe much to those old-time show business acts and most of their musical material is drawn from the Great American Songbook and from jazz standards. Quentin Harris knows a great deal about jazz and plays piano in the style of Oscar Peterson and many of the other jazz greats. Bryce Harris is a charmingly off-kilter one-man band, who plays ukulele, banjo, and the world’s most cumbersome looking kazoo. His style is bombastic and more than a little Jolson-esque. Both men are young, still in school, in fact, and so their show is a little rough around the edges as they find their footing. But they have the bones of a really interesting and unique act.
by Stephen Mosher - May 19, 2021
After thirty-seven years together, Brad Hurtado and Sean Martin Hingston are finally building their dream house, and one little TikTok video gave them an international audience and a not-quite DIY show for 2021.
by Chloe Rabinowitz - May 4, 2021
The Chamber Music Society of Lincoln Center has announced its long-awaited return to live concerts in Alice Tully Hall for the 2021-2022 Season with 30 concerts, comprising more than 94 unique works, 14 of which have never before been presented by CMS on the Alice Tully Hall stage.
by Stephi Wild - Apr 13, 2021
Cheyenne Little Theatre has announced the lineup for its upcoming 92nd season, kicking off this fall with Mamma Mia!
by Sarah Jae Leiber - Mar 24, 2021
This reissue of Eastern Sounds was mastered from the original stereo tapes by GRAMMY®-Award winning mastering engineer Bernie Grundman and pressed utilizing Neotech’s VR9000 compound on 180-gram vinyl.
by A.A. Cristi - Oct 26, 2020
The second week of the 2020 Prelude Festival: Sites of Revolution, which runs until October 30. All events are free and take place completely online. Take a look at www.preludenyc2020.com for more information.
by Stephi Wild - Oct 17, 2020
The 2020 Prelude Festival, titled Sites of Revolution, will bring together artists, critics, activists, and producers from New York City and beyond to explore the many ways in which revolutions are taking place today.
by A.A. Cristi - Oct 13, 2020
TISM see sex less in terms of penetration, especially now they can't achieve it. As award-winning author of The Slap, Christos Tsiolkas, said so wisely after TISM explained to him their theories of the intertwined nature of patriarchal hierarchy and the reluctance of cis-gendered males to grasp a less phallocentric conception of pleasure: “Who are you guys? Piss off.”
by Chloe Rabinowitz - Aug 28, 2020
On the eve of Charlie 'Bird' Parker's 100th birthday, it is impossible to overstate the impact and influence that the legendary jazz icon has had on music and culture. Born on August 29th, 1920, in Kansas City, Kansas, Parker is simply one of the most important Black American figures in history.
by Peter Nason - Jun 24, 2020
Happy Gay Pride! BWW Reviewer Peter Nason chooses the 101 greatest LGBTQ songs and anthems from 1920-2020. See if your favorite songs or artists made the grade!
by Peter Nason - Mar 30, 2020
BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!
by The Marriage Matinee - Feb 27, 2020
The premise is simple: a theatrical group who comes together in the hopes of producing their first a?oeprofessionala?? performance, a dramatic murder mystery. The action of it is far from simple as everyone's best intentions turns into everyone's worst nightmares. THE PLAY THAT GOES WRONG is burgeoning with classic physical humor and over-the-top personalities that will consume your attention from start to finish.
by A.A. Cristi - Feb 27, 2020
After a forty-year absence, and to celebrate one hundred years since the birth of Guido Cantelli - the great conductor from Novara - the Conducting Competition that was created in his memory comes to life again and takes on a strong international connotation while focusing on the younger generations. The competition has its natural home in the Teatro Coccia of Novara in Italy. Registrations for the Competition will open from 1 March to 30 April 2020: conductors of all nationalities, between the age of 18 and 35 will be eligible to participate. Candidates will undergo a preselection based on their CVs and video recordings. From 9 to 12 September the finalists will fulfill the competition's assignments from the podium of the Orchestra del Teatro Regio in Turin and will be examined by a jury made of internationally renowned artists and cultural personalities. The second and last round of the finals will take place in Novara on 13 September.
by Chloe Rabinowitz - Jan 13, 2020
My Marlene is coming to HERE for a limited engagement as part of HERE's Winter SubletSeries: Co-Op performing February 12 and 13 at 8.30pm.
by A.A. Cristi - Jan 9, 2020
Check out Joe's Pub lineup for the Under the Radar festival featuring new and experimental work from Rizo (fka Lady Rizo), Lucy McComick, Daniel J. Watts, and Ryan J. Haddad. Rounding out the week is Kittel & Co, Ethan Lipton & His Orchestra, Jean-Michel Blais, Rev Billy, a very fun showcase from DANCE NOW, Nellie McKay, Aditya Prakash, Damien Sneed, William Prince, Xenia França, Luis Enrique and, as always, a ton more.
by Peter Nason - Dec 21, 2019
25 Shows & Performances in the Tampa Bay Area That Rocked Our World from 2010 to 2019!
by Stephen Mosher - Dec 15, 2019
The cabaret sensation will help the patrons of 54 Below ring in the New Year with a brand new show... and this time he's doing something he has never done before.
by Jim Munson - Nov 15, 2019
David Hirata is the creator and sole performer of a?oeA Box Without a Bottom (Soko-nashi Bako)a?? currently running at The Marsh Berkeley. Within the context of a magic show, Mr. Hirata connects his own personal story to that of earlier Japanese magicians in a way that explores the illusions of race and identity in America. Talking with him, it's evident that he's a true magic geek as he delights in sharing his extensive knowledge about the history of magic and finding hidden links to his heritage as a Japanese American.
by Jay Irwin - Nov 10, 2019
There's a reason that Frank Loesser's a?oeGuys & Dollsa?? has endured all these years and keeps coming back, it's a near perfect musical. It's fun and frothy with that rare breed of songs that all move the story along and tell a story of their own. But with these songs, and because of them, you need a love story that reads true, connections with everyone on stage, and storytelling in the staging and choreography as well as in the dialog and lyrics. And while the current production at Village Theatre has some numbers that worked and some wonderful performers, it lacked those three elements making the show a nice collection of performances with no spark or cohesion.
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