You Never Know - 1975 - Regional (US) Articles Page 20

Having composed the musical scores for some of the biggest films of the century so far, Alexandre Desplat has displayed an uncanny ability to tap into the thoughts, emotions and even the very dramatic themes inherent in properties as diverse as - just to use his most recent projects as examples - TWILIGHT: NEW MOON, HARRY POTTER & THE DEATHLY HALLOWS, Roman Polanski's THE GHOST WRITER and CARNAGE, Stephen Daldry's upcoming EXTREMELY LOUD AND INCREDIBLY CLOSE, George Clooney's THE IDES OF MARCH (another stage-to-screen adaptation like CARNAGE), Terrence Malick's THE TREE OF LIFE, as well as the main theme for MY WEEK WITH MARILYN - performed on the soundtrack by noted pianist Lang Lang. Discussing all aspects of his compositional process as well as outlining his interactions with the respective directors of each entity - his ongoing collaboration with Roman Polanski, first and foremost - Desplat and I delve into the delicate art of film composing and how he has achieved such great success and international acclaim for his incredibly impressive work on a heady list of projects in a relatively short period of time - last year's Best Picture Oscar-winner THE KING'S SPEECH included. Desplat and I also touch on some of his own favorite film composers and he shares his opinions on Broadway and Hollywood music icons such as Bernstein, Sondheim, Cole Porter, Michel Legrand, fellow Modern Music Master Mark Isham and also sheds some light on his plans for the future - and much, much more!

MCC Theater has announced the complete cast for the newly reworked and fully re-imagined production of Carrie, the musical. Carrie features music by Michael Gore, lyrics by Dean Pitchford (Academy Award winning composer and lyricist for the original film Fame) and a book by Lawrence D. Cohen (who also adapted the 1974 novel by Stephen King for the 1976 Brian DePalma film). Directed by Stafford Arima, performances for Carrie begin January 31, 2012, at the Lucille Lortel Theatre (121 Christopher Street, NYC). The official opening night is set for March 1, 2012.

Seven-time Grammy winner Al Jarreau brings his smooth croon to Jorgensen's 'Best of Connecticut' Cabaret on Friday and Saturday, Nov. 11 and 12.

Under the Covers with Victoria Shaw and special guests Gary Burr & Mark Hudson is set for Merrimack Hall this December.

These are small-timers, and what makes their souls as small as their business, I think, is America itself, a place where there is no state religion nor any religion or code of ethics at all which anyone is required to internalize. Here you are free to be a scheming psychopath while talking a blue streak; no one will stop you. And while Mamet is clearly pointing out how amusing people who do this can be, I do not see much evidence he thinks we can learn much from them; the encounter is all. Fortunately, it is enough

Today, in an extension of the FLASH FRIDAY column, we are sharpening our focus on the six upcoming revivals of musicals that are soon to hit the boards in the next few months (post-FOLLIES) and battle it out for the Best Revival as the Broadway season heats up just when the weather begins to cool: the classic Jule Styne/Bob Merrill musical that originally starred that star-of-stars, Barbra Streisand - FUNNY GIRL; the groundbreaking rock opera that rewrote the theatrical rulebook thanks to young creators Andrew Lloyd Webber and Tim Rice - JESUS CHRIST SUPERSTAR; the hippie, flower child take on the Christ story covering some similar Biblical ground to that of SUPERSTAR, with this one being the composing debut of WICKED songwriter Stephen Schwartz - GODSPELL; another Andrew Lloyd Webber/Tim Rice collaboration that won seven Tony Awards and acted as the vehicle for Patti LuPone's blazing Broadway debut in a starring role - EVITA; the significantly reworked, revised and rewritten new version of the beautifully scored time-travel musical by Burton Lane and Alan Jay Lerner, this time starring a male movie star crooner - ON A CLEAR DAY YOU CAN SEE FOREVER; and, the landmark American opera composed by the Gershwins with DuBose Haywerd - PORGY & BESS. While each and every one of these entities has a huge hit song or two that nearly everyone on the planet knows by heart - "Don't Rain On My Parade", "I Don't Know How To Love Him", "Day By Day", "Don't Cry For Me Argentina", "On A Clear Day…" and 'Summertime' included - each of these revivals also comes after a film version (or two) that, in more than a few of these cases, will be relatively difficult to top as far as expectations of many audience members undoubtedly will go. So, by taking a listen to the smash hit crossover songs from these musicals as well as looking at their respective film version's trailers - as well as a couple of surprises, too - perhaps we can glean some insight into what makes these generally pretty terrific properties so well worth reviving on Broadway, here, now, today, in 2011. Furthermore, all of this crystal ball commentary is not even taking into account the starry assortment of performers that have already been announced for these productions so far - especially with FUNNY GIRL's Lauren Ambrose and Bobby Cannavale, GODSPELL's Hunter Parrish, SUPERSTAR's lauded Josh Young, EVITA's Ricky Martin and Michael Cerveris, PORGY's Norm Lewis and Audra McDonald, as well as the leading man in what was once a leading lady's role (that of Barbara Harris) in ON A CLEAR DAY YOU CAN SEE FOREVER, Harry Connick, Jr.! What a tight race it is turning out to be for these new productions, particularly come Tony time in June! With rock to rhumba and borscht belt comedy to messianic hosannas and even full-out opera, seemingly every conceivable customer base is more than covered by this packed, potentially, well, awesome, season of shows - and many Broadway babies around BroadwayWorld are undoubtedly looking most forward to these six forthcoming revivals - with particularly good reason given the relative dearth of new musicals announced so far. So, let these revivals revive your flagging spirits as we leap into the 2011-2012 season with this comprehensive prospective and retrospective all about what makes them work so well in the first place and so worthy of another look!

Popejoy Presents is thrilled to announce their 2011-12 Broadway in New Mexico Series in Albuquerque, featuring the New Mexico premiere of the Broadway phenomenon Disney's The Lion King in October 2012 at Popejoy Hall.

The Highling Ballroom has announced their upcoming events for August 15-August 28.

Make no mistake about it: The leading men (aka Britt Hancock and Daniel W. Black) in Cumberland County Playhouse's production of the Kander and Ebb musical Chicago very nearly steal the show right out from under their leading ladies. In fact, it is safe to say that Hancock and Black deliver two of the best portrayals of their characters (Hancock is Billy Flynn, Black is Amos Hart) in the history of theater - or the world, for that matter.

Ken Regan was there when the Beatles touched down on U.S. soil for the first time in 1964. He caught candid snapshots of their arrival at JFK International Airport in New York City, photographed their backstage downtime at the Ed Sullivan Show and spent a day clowning around with the Fab Four in Central Park.

Popejoy Presents is thrilled to announce their 2011-12 Broadway in New Mexico Series in Albuquerque, featuring the New Mexico premiere of the Broadway phenomenon Disney's The Lion King in October 2012 at Popejoy Hall.

HBO and Comcast are proud to announce the return of a favorite Washington summertime tradition, Screen on the Green.

From the pulsating heart of the Arabic-speaking world, Chicago Shakespeare Theater's (CST) World's Stage Series presentation of a spectacular retelling of One Thousand and One Nights will close on July 3, 2011.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. Jeff Awards wrap-up, Tony Awards predictions, 'Glee' live, 'Chicago' in Chicago, 'Million Dollar Quartet,' 'A Minister's Wife,' more....

HBO and Comcast are proud to announce the return of a favorite Washington summertime tradition, Screen on the Green.

As a super-special Spring extension of BroadwayWorld's SOUND OFF column, every day until the Tony Awards on June 12 we will be presenting a spectacular new entry in the SPOTLIGHT ON THE 2011 TONY AWARDS series featuring a particularly entertaining, interesting, relevant and exciting Tony Awards-related clip from the last sixty-three years of the ceremonies (and subsequent seasons on Broadway) with a rundown and commentary on the sights, sounds and showmanship on display in each carefully chosen selection - all, of course, coming in anticipation of Broadway's biggest night, which will be broadcast on CBS this year, as always. Once again this year, BroadwayWorld is the official home of the 2011 Tony Awards and we will also be featuring exclusive interviews, articles, photos, video content, interactive features and more in the coming days and weeks leading up to the event so be sure to check back daily for your theatre fix!

Two Brooklyn opera companies, AMERICAN OPERA PROJECTS (AOP) and OPERA ON TAP (OOT), will present Opera Grows in Brooklyn: Opera of Color, featuring a collection of contemporary opera and song from African Americans, in the next installment of Opera Grows in Brooklyn.

Once again, Bryant Park will be a destination for film buffs on summer nights in New York City, with an all-star legendary film line up for the 19th year of the HBO Bryant Park Summer Film Festival presented by Bank of Americaand in association with The Bryant Park Corporation.

From the pulsating heart of the Arabic-speaking world, Chicago Shakespeare Theater's (CST) World's Stage Series presentation of a spectacular retelling of One Thousand and One Nights kicks off the Theater's 25th Anniversary Season from June 25 to July 3, 2011.

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance.

Today we are taking an up-close and personal critical look at last night's super-sized episode of Fox's hit musical comedy series GLEE, titled after Lady Gaga's newest #1 song up until this last Easter weekend - of course 'Judas' sits atop the iTunes charts now - and featuring an especially rousing rendition of that German techno/'Express Yourself'-esque anthem, in addition to a mellifluous mash-up of TLC's 'Unpretty' and WEST SIDE STORY's 'I Feel Pretty' by Lea Michele and Dianna Agron, and, even, an Andrew Lloyd Webber diva moment made famous by Patti LuPone and, in concert, by Barbra Streisand - 'As If We Never Said Goodbye' from SUNSET BLVD, ably attended to by Golden Globe-winner Chris Colfer. We also take a look at the dramatic side of McKinley High in this episode and trace the journey we all have taken over the season so far as GLEE ramps up the excitement, emotion and energy for the final five episodes coming in the next number of weeks - and, also, a look ahead to next Tuesday's Fleetwood Mac-themed show with all songs from 1975's RUMOURS featuring the grand return of Tony-winner and Broadway baby Kristin Chenoweth as once-boozy bowling-alley barmaid/now-born-again gospel singer April Rhodes. Plus, 'Prom Queen' on May 10! Also, is that really the last we'll ever see of Season Two all-stars Darren Criss and Gwyneth Paltrow? GLEE is getting on the right track - and getting better - just in time (and right to the beat).

Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance.

Years before Coppola's Godfather enthralled a nation and decades before "Sopranos" and "Boardwalk Empire" fed viewers' insatiable appetites for serial gangster melodrama, the yakuza (Japanese mafia) were mainstays of the Japanese film industry.

Once again, Maine State Music Theatre breaks new ground in Northern New England with a show that is rarely produced on a professional theatre stage and never before presented to an MSMT audience. The 2011 season ends with a bang, featuring an all-African American cast revving up theatregoers in THE WIZ, the retelling of Frank L. Baum's THE WIZARD OF OZ in a unique 70s style.