When We Were Forty-one - 1905 - Broadway Articles Page 5

Now entering its third full year, Uncharted at Greenwich House Music School has emerged as one of New York's most exciting and unpredictable live music series, drawing attention from tastemakers and curators from across the city.

I had the pleasure of attending the 7th Annual Clive Barnes Awards on January 9, 2017 at the Walter Reade Theater of Lincoln Center. Last year, I also attended this ceremony, which supports artists from both the theater and dance worlds through financial gifts and accolades in memory of the indefatigable Mr. Barnes. Interestingly enough, I believe that having the privilege to be there again allowed me to see how much this foundation impacts the nominees and the winners.

Today it is too easy to get down on our frail featherless friends. We are birds of a unique ability to fly. It is easy to dis, but deserves much more that's not to missed from our fellow monkeys who have elevated our canopy to reach closer to our internal gods above and inside. I will celebrate the best of humankind and try to write a pictorial story with no direction in sight. It will be an image game.

A cornerstone of American Theatre has just reached another benchmark of its legacy, and we are the ones lucky enough to observe the mastery. Bartlett Sher's hailed Fiddler on the Roof is the most fearless revival of a classic that Broadway has seen. A revelrous company and a class of principals that were born to play these roles paints a Fiddler that will simultaneously warm and haunt the hearts of all who pass through the Broadway Theatre's doors.

On the heels of joining Playwrights Horizons Resident Company Program, Musical Theatre Factory (MTF), under the direction of Founding Artistic Director Shakina Nayfack, has announced its first full season of programming since its founding in January 2014.

BroadwayWorld received a statement today from employees of Ellen's Stardust Diner, 'home of the world famous singing waitstaff,' who have joined forces with the Industrial Workers of the World (I.W.W.) to establish Stardust Family United in order to dispute alleged unhealthy working conditions, disrespectful treatment from owners and management, and fight for higher wages for its non-tipped employees.

 Pittsburgh Opera announces its 2016-2017 season. The season includes the very first world premiere in our 78 year history and two Pennsylvania premieres. The season will encompass four operas produced at the Benedum Center and two Resident Artist operas - the annual production at Pittsburgh CAPA Theater and the Second Stage Project at Pittsburgh Opera Headquarters.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Today, August 5 with Weekend One: Puccini and Italian Musical Culture.

The 27th annual Bard Music Festival - an exploration of 'Puccini and His World' - opens this Friday, August 5 with Weekend One: Puccini and Italian Musical Culture.

One week into the virtually sold-out run of MSMT's Fiddler on the Roof, cast members, Bill Nolte, Susan Cella, Erick Devine, and Rachel Rhodes-Devey, together with MSMT's Managing Director Stephanie Dupal convened in the third Peek Behind the Curtain panel discussion at the Curtis Memorial Library on July 27, 2016, to examine the phenomenon of the show that continues to mesmerize audiences fifty-two years after its Broadway debut. In response to moderator Carla Maria Verdino-Sullwold's observation that Fiddler is a show which - like its characters - survives, the participants discussed their individual perspectives on the show, their characters, and the universal themes that continue to speak powerfully to audiences.

As the characters Alfred Lunt and Lynn Fontanne, Mark Edward Lang and Alison J. Murphy seem to be a perfect fit in the play about the famous Broadway actors. Lang and Murphy are married in real life and have been performing together for many years. Recently visiting San Antonio, Texas, BWW had a chance to sit down and chat with them about their roles and about the show LUNT AND FONTANNE 'THE CELESTIALS OF BROADWAY.'

"I haven't specifically counted," the dynamic actress sitting opposite me replies. "Somewhere between 1000-2000 performances, I think. I've done the role with Theodore Bikel and Harvey Fierstein, on both national tours, and in regional and stock houses all over the country." Susan Cella is speaking of her signature portrayal of Golde, the vehicle which has brought her to the latest stop in her artistic journey, Maine State Music Theatre in a new production of the Bock-Harnick musical, Fiddler on the Roof, that opens July 20.

'It's all about growing and being willing to change…about people finding a way to look at things from both sides and learn to empathize.' The soft-spoken man sitting opposite me thoughtfully answers my question about the universality of the musical theatre piece in which he stars, Fiddler on the Roof. There is a gentle, heartfelt quality to all his comments, and one understands immediately why Bill Nolte makes an ideal Tevye. The Broadway actor, singer, and visual artist makes his Maine State Music Theatre debut on July 20 in a part he has played twice before, and he waxes eloquent about the experience in Maine and his reunion with director/choreographer Gary John LaRosa and many of the veteran cast members.

'This is like a real homecoming. The last time I worked at Maine State Music Theatre was in 1995, and it was also Fiddler on the Roof,' says nationally acclaimed director-choreographer Gary John LaRosa. La Rosa, who is widely considered one of the reigning authorities on the beloved 1964 Bock-Harnick bitter-sweet musical about Russian Jews confronting a changing world, has in his own words, 'literally done dozens' of Fiddler productions throughout his vibrant, busy career. 'I've actually stopped counting,' he says with a smile, though we note that among all these, he staged the 50th anniversary Fiddler gala on Broadway, as well as at least four of these won prestigious theatre awards and nominations. This month he finds himself in Brunswick, Maine, directing a thirty-six person cast in MSMT's third main stage show of the 2016 season.

'The flutist Marya Martin's festival brings an elite roster of chamber musicians to the ever-desirable vacation spot,' said The New Yorker of last year's Bridgehampton Chamber Music Festival. This summer, the 33rd season of Long Island's longest-running classical music festival comprises 14 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.

This summer, the 33rd season of Long Island's longest-running classical music festival comprises 13 concerts from July 31 to August 28, featuring the signature mix of renowned and up-and-coming artists and classic and new music that has made it one of the most noteworthy summer music festivals in the country.

The Man Who Shot Liberty Valance was originally a short story penned in 1953 by Dorothy M. Johnson (1905 - 1984), who wrote numerous articles and stories with Western themes. In 1962, Valance was adapted for motion pictures in a blockbuster film directed by John Ford and starring John Wayne, James Stewart, and Lee Marvin, in the title role of the sadistic gunslinger who is taken on by Stewart, who portrayed a tenderfoot attorney new to the dusty town of Shinbone. Jethro Compton's new stage play is based on the short story instead of the movie, getting its start in England in 2014. The Rubicon Theatre Company's new production marks the play's American debut, starring Gregory Harrison in the role of Bert Barricune, the equivalent of John Wayne's Tom Doniphon in the film. Reviews of the play have called it 'gripping drama' and 'consistently absorbing.' We spoke with Jenny Sullivan, who is directing Rubicon's production and she talked about the process of presenting a subject that has become much more famous through the film adaptation than for the original story.

INTIMATE APPAREL, a play described by Nottage as a 'quiet play' in which 'every scene takes place in some sort of boudoir,' is in it's heart about the private relationships between those close to us and those we wish were closer.

Newnan Theatre Company is ready to go back in time to a cafe in Paris in 1905, with Steve Martin's "Picasso at the Lapin Agile." The cafe is buzzing with customers, but two particular customers stand out in this comedy.

Before taking on the role of Anatevka's poor tailor, the actor explored the land of Sholem Aleichem.

Theatre Nova, Ann Arbor's professional playwrights' theater, is thrilled to announce its 2016 Season of Michigan and World Premieres in The Yellow Barn performance space at 416 West Huron, in downtown Ann Arbor. The season is made up of four World Premieres and three Michigan Premieres, and features another season of fun, funny, thought-provoking, and innovative new plays sourced both from around the country and right here in Michigan.

The New York Festival of Song marks its eleventh annual co-presentation with Juilliard's Ellen and James S. Marcus Institute for Vocal Arts with a new program titled HARRY, HOAGY, and HAROLD.

The Film Society of Lincoln Center and the Jewish Museum will present the 25th annual New York Jewish Film Festival (NYJFF) at the Film Society's Walter Reade Theater and Elinor Bunin Munroe Film Center, today, January 13-26, 2016.

The Douglas Morrisson Theatre is excited to announce the third show in our Revelations Season: the witty and provocative MRS. WARREN'S PROFESSION by George Bernard Shaw, the playwright of Pygmalion and Major Barbara.

The New York Festival of Song marks its eleventh annual co-presentation with Juilliard's Ellen and James S. Marcus Institute for Vocal Arts with a new program titled HARRY, HOAGY, and HAROLD.