by Stephi Wild
- Feb 27, 2026
Live at Arley will return this spring – and extra acts for the special music event have been revealed. This year's event takes place from 15-17 May in the grounds of historic Arley Hall, offering three nights of live music for the first time.
by Valerie-Jean Miller
- Mar 6, 2020
We are first introduced to a young girl, a very assertive, opinionated young girl, definitely with a strong sense of identity, and self worth. She is heard speaking, which we come to find out is us hearing her inner thoughts and feelings, through her a?oeMind's Eye,a?? her vocally taped diary, into a recorder.
The time is 1968.
We first view her as she runs, into, outside ~ an elderly man who has fallen in their garden, helping him up and, concerned, guides him inside her home, where she spends much of her sheltered life. Patty, played quite brilliantly by Peyton Kirkner, is both honest and earnest in her connection with her new and only friend, Calhoon (played wonderfully and with much heart by Lloyd Pedersen). They were instant friends; and even though Patty is legally blind they easily shared conversation. The actors totally conveyed that feeling, so it was all the more heart-wrenching when her mom, Lola Henderson, played determinedly by Maria Kress, who, understandably, is ultra protective, comes home and just couldn't fathom this new connection ~ having been the caretaker-mom all of Patty's life, this was a concern she had not yet encountered. Flash forward, and back and forth, throughout the rest of the play, this played out and developed one of the underlying themes while at the same time we were fast-forwarded to Patty (aka now renamed by herself, Trish) as a school teacher in 1981.
by Tyler Peterson
- Jun 27, 2013
Feel like a little time traveling? For its second Schiller Park production of the season, Actors' Theatre of Columbus is offering up Twelfth Night, set not in the 17th century, when it was written, but in the 1980s, nearly 400 years later. Check out a first look below!
by Gabrielle Sierra
- Nov 11, 2009
Italy's Dario D'Ambrosi, a radical innovator of the theater and founder of the movement called Teatro Patologico (Pathological Theater), will stage a novel version of 'Romeo and Juliet' at La MaMa December 3 to 13. His interpretation is meant to contrast the marvel of love with the fragility of life, the shock of the moment of total loss, and what he calls a 'schizophrenia of the world.'