Too Many Girls - 1939 - Broadway Articles Page 3

Every year, despite a litany of warnings they come to the Big Apple with big dreams. Warnings like: “You have to pay your dues.” “It's a tough business, kid.” “How are you going to survive?” There's no such thing as an overnight success, yet still they come to be at “the top of the heap,” as Kander and Ebb so eloquently put it. The four young performers featured here haven't yet vaulted to the top of the cabaret heap, but they've certainly made their marks with excellent shows during 2014, while exhibiting the potential to get there. The spotlight is already shining on Chrysten Peddie, Angela Dirksen, Rembert Block, and Kristoffer Lowe.

Below, check out quotables from THE TONIGHT SHOW STARRING JIMMY FALLON for the week of November 3 - November 7

The San Pedro Theatre Club presents CABARET, a musical based on a book written by Christopher Isherwood, with music by John Kander and lyrics by Fred Ebb. The production is directed by Drew Fitzsimmons and Victoria Miller, who also choreographed, with music directed by Leslie Sharp. The intimate 78-seat theater allows the actors to interact with the audience on several occasions, making it really feel as if we are inside the small German cabaret rather than watching a show about it.

Mixing love and politics is always a dicey business, even - or especially - on the stage. There's a challenge in portraying both with the kind of depth and authenticity they both deserve. World War One veteran and Pulitzer Prize-winning writer Robert Sherwood managed the mix beautifully in his award-winning work 'Idiot's Delight.'

Lyric Stage presents the premiere of the restored TOO MANY GIRLS April 26-May 5 in the Irving Arts Center's Carpenter Performance Hall. Performances are April 26, 27, May 2, 3 and 4 @ 8:00 PM and April 28 and May 5 @ 2:30 PM. Tickets are available online or by calling the box office @ 972-252-2787.

Berkeley Playhouse opens its fifth season with Rodgers and Hammerstein's beloved final collaboration, THE SOUND OF MUSIC. Berkeley Playhouse founding Artistic Director Elizabeth McKoy helms this endearing family classic, featuring a cast of 40, with musical direction by Greg Mason and choreography by Staci Arriaga. THE SOUND OF MUSIC plays tonight, October 27 through December 2 (Press opening: October 27) at the Julia Morgan Theatre in Berkeley.

Berkeley Playhouse opens its fifth season with Rodgers and Hammerstein's beloved final collaboration, THE SOUND OF MUSIC. Berkeley Playhouse founding Artistic Director Elizabeth McKoy helms this endearing family classic, featuring a cast of 40, with musical direction by Greg Mason and choreography by Staci Arriaga. THE SOUND OF MUSIC plays October 27 through December 2 (Press opening: October 27) at the Julia Morgan Theatre in Berkeley.

Wicked has triumphantly returned to Salt Lake City's Capitol Theatre with a cast as sparkling as its spectacle. If you've never seen Wicked before, now is the time to do everything in your power to procure tickets. Even if you have seen the show in the past, you will not regret seeing it again in this fresh incarnation.

It's going to be a 'Season of Firsts!' Nederlander Detroit today announced its 2009-2010 Broadway in Detroit Subscription Season along with several special shows -- and nearly every production will be making its Detroit debut!

'Oh, What A Season!' The Orpheum will be transformed into the most magical place in Memphis again this season. The Broadway Series starts with chorus dancers, European cirque-style acrobats, and munchkins and ends with a 1960s rock ?n roll quartet, World War II sailors, and musically talented murderesses.

OBERON THEATRE ENSEMBLE is pleased to announce Winter Rep 2009, celebrating the company?s 12th Anniversary Repertory Season. The company will be presenting William Shakespeare?s Much About Nothing in conjunction with the series called, American Rapture, which includes Hello Out There by William Saroyan and world premiere plays by Alex Dinelaris (nominated Lucile Lortel/Drama Desks).

OBERON THEATRE ENSEMBLE is pleased to announce Winter Rep 2009, celebrating the company?s 12th Anniversary Repertory Season. The company will be presenting William Shakespeare?s Much About Nothing in conjunction with the series called, American Rapture, which includes Hello Out There by William Saroyan and world premiere plays by Alex Dinelaris (nominated Lucile Lortel/Drama Desks).

Arena Stage presents the world premiere of Daniel Beaty's Resurrection, a drama with a unique blend of music, poetry and dance. A co-production with Connecticut's Hartford Stage, Resurrection explores the interwoven lives of six African-American men struggling to make a living and to make their lives worth living. Beaty dazzled Arena audiences last summer with sold-out performances of his award-winning solo show Emergency (formerly Emergence-SEE!). He now returns to Arena with his first ensemble production-a talented cast of six actors led by director Oz Scott (director of Broadway's original for colored girls... and the Goodman Theatre's recent premiere The Ballad of Emmett Till). The production harmonizes with an innovative score by Daniel Bernard Roumain (DBR), a Haitian-American composer who blends classical violin with piano and bass. To keep the interplay between text and score dynamic, Roumain's original score will be musically styled live each performance by his collaborator Elan Vytal a.k.a. DJ Scientific. Resurrection runs August 29-October 5, 2008 at Arena Stage in Crystal City. The press opening performance is Thursday, September 4 at 8:00pm.

Musical director and producer Brian J. Nash shares the diary that he wrote aboard Rosie's Family Cruise, which featured performances by Audra McDonald, Cyndi Lauper and more!

Casting has been announced for Manhattan Madcaps of 1924, which will play Symphony Space and open on July 13

Symphony Space's Summer Stock series will launch with The Manhattan Madcaps of 1924, featuring a score by Rodgers and Hart and a book by esteemed librettist Jerzy Turnpike

In the third in a series of Women's History Month profiles, Nugent talks about producing hits and flops, getting backers, making movies and leveling the playing field for women in theater.