Today - 1913 - Broadway Articles Page 13

The Houston Symphony and Music Director Andrés Orozco-Estrada are teaming up with media artist, director and composer Klaus Obermaier and Ars Electronica Futurelab for an innovative and visual performance of The Rite of Spring May 18-19 at 8 p.m. and May 20 at 2:30 p.m. Renowned pianist Emanuel Ax is also featured in this last classical subscription concert of the 2017-18 season.

In Broadway by Design, BroadwayWorld is shining a spotlight on the stellar designs of this Broadway season, show by show. Today, we continue the series with Michael Yeargan, Catherine Zuber, Donald Holder and Marc Salzberg, who acted as scenic, costume, lighting and sound designers for Lincoln Center Theater's classic revival, My Fair Lady.

The Bowdoin College Museum of Art (BCMA) today announced the gift of two major collections of artworks that will significantly expand its holdings: nearly 350 works from the estate of Marion Boulton "Kippy" Stroud (1939-2015), and the entire personal collection of artist Walter Pach (1883-1958). Totaling over 1,500 objects, the Pach and Stroud Collections will greatly enhance the encyclopedic collection, with the addition of new works that complement the Museum's existing holdings or by artists who are not currently represented.

The Houston Symphony and Music Director Andres Orozco-Estrada welcome back violin virtuoso Augustin Hadelich May 10 and 11 at 8 p.m. and May 13 at 2:30 p.m. at Jones Hall. Hadelich will be featured in the program Brahms and Sibelius; the orchestra's penultimate classical subscription concert of the 2017-18 season.

The Houston Symphony and Houston Symphony League announced today the 10 semifinalists of the 43rd annual Houston Symphony Ima Hogg Competition, one of the few nationwide competitions open to all standard orchestral instruments and piano. The semifinalists will compete for the $25,000 Grace Woodson Memorial Award, which includes the opportunity to perform with the Houston Symphony.

Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.

The Vancouver Art Gallery announces a new exhibition uniting the works of two women artists practicing in British Columbia in the early twentieth century in Emily Carr in Dialogue with Mattie Gunterman, on view at the Gallery from April 28 to September 3, 2018. Home to the world's finest collection of Emily Carr works, the Gallery pairs a selection of paintings by Emily Carr (1871-1945) from its permanent collection with forty-eight photographs by US-born photographer Mattie Gunterman (1872-1945). Gunterman's photos are on loan from the private collection of Vancouver photographer and writer Henri Robideau.

Houston Symphony Principal Clarinet Mark Nuccio takes center stage in his solo debut May 4-5 at 8 p.m. and May 6 at 2:30 p.m. at Jones Hall to perform Mozart's illustrious Clarinet Concerto. Nuccio will be featured in Mozart Plus A German Requiem.

Italo Montemezzi's L'AMORE DEI TRE RE, which played four performances at City Opera's Rose Theate this weekend, was greeted as a masterpiece when it premiered at La Scala in 1913 proved popular for years at the Met. Today, I'm not sure that even Anna Netrebko and Jonas Kaufmann as the lovers could keep it afloat.

The Houston Symphony announced today the addition of Classical Mystery Tour: A Tribute to the Beatles and Distant Worlds: music from FINAL FANTASY to the 2018 Summer Series at Jones Hall.

A new season of The History of the World in 100 Performances with Adam Gopnik begins on Monday, April 30, with a look at the 1956 original Broadway premiere of My Fair Lady. The season continues with explorations of the scandalous 1913 premiere of The Rite of Spring and the evolution of Hamilton. With discussion led by New Yorker essayist and best-selling author Adam Gopnik, these free events include live performance alongside audio and video clips as each panel explores these landmark moments in the performing arts. 

Actors' Equity Association announced today the launch of a new national campaign to create two new Tony Award categories, Best Chorus in a Musical or Play and Best Ensemble in a Musical or Play. The inclusion of these categories would recognize all Equity performers who appear on a Broadway stage.

A new season of The History of the World in 100 Performances with Adam Gopnik begins on Monday, April 30, with a look at the 1956 original Broadway premiere of My Fair Lady. The season continues with explorations of the scandalous 1913 premiere of The Rite of Spring and the evolution of Hamilton. With discussion led by New Yorker essayist and best-selling author Adam Gopnik, these free events include live performance alongside audio and video clips as each panel explores these landmark moments in the performing arts. 

Slovak conductor Juraj Valcuha returns to Houston to lead the Houston Symphony and pianist Evgeni Bozhanov in Chopin's poetic Piano Concerto No. 2 April 26 and 28 at 8 p.m. and April 29 at 2:30 p.m. at Jones Hall.

The Sam Houston Math, Science and Technology Center Mariachi and the Crockett Elementary Folklorico Dance Ensembles will make their Houston Symphony debuts Saturday April 21 in ¡Fiesta!, a concert celebrating the diverse music of Latin America.

The Houston Symphony welcomes back former Principal POPS Conductor Michael Krajewski to Jones Hall for The Best of John Williams on April 20-21 at 8 p.m. and April 22 at 2:30 p.m. and 7:30 p.m.

The Houston Symphony welcomes award-winning actor and comedian Bill Murray to Jones Hall for a must-see live performance, New Worlds: Bill Murray, Jan Vogler & Friends, at 7:30 p.m. April 16, 2018, featuring music and literature. 

The Houston Symphony announced today that concert tickets for the remaining 2018-19 Summer Series at Jones Hall is now on sale to the general public.

Prodigious artist Benjamin Beilman joins the Houston Symphony on stage for his debut in the program Tchaikovsky's Sleeping Beauty on April 6-7 at 8 p.m. and April 8 at 2:30 p.m. in Jones Hall.

The Houston Symphony welcomes famed conductor Bramwell Tovey, Grammy winner and Music Director of the Vancouver Symphony Orchestra, as he makes his Houston debut in Stravinsky's Firebird on March 29-31 at 8 p.m. in Jones Hall.

Houston Symphony Principal POPS Conductor Steven Reineke welcomes back Grammy Award-winning trumpeter Chris Botti for the jazz-inspired program Chris Botti Returns on March 24 at 8 p.m. and March 25 at 2:30 p.m. and 7:30 p.m. in Jones Hall.

The Houston Symphony and Music Director Andres Orozco-Estrada performed the sixth concert in their multicity European tour Saturday, March 17, in front of a sold-out crowd at the state-of-the-art Elbphilharmonie in Hamburg, Germany.

RESCUE: a captivating maritime concert, chronicles over 150 years of lifesaving on the Great Lakes. You've never heard history come to life like this before!

American Repertory Ballet returns to New York City on April 6 and 7 at 8 p.m. with "Generations: Influences from the Modern Age," a triple bill of critically acclaimed works by Jose Limon, Gerald Arpino and Artistic Director Douglas Martin, at The Kaye Playhouse at Hunter College East, 68th Street between Park & Lexington Avenues.   

The Houston Symphony and Music Director Andres Orozco-Estrada continued their eight-city European tour Sunday, March 11, in Essen, Germany, performing in front of an enthusiastic crowd of more than 1,300 at the Philharmonie Essen.