These Modern Women - 1928 - Broadway Articles Page 4

Jim Dale got his big break at an audition after getting a big laugh from a big fall. From that moment on, he would use his physicality for laughs, making him part of a long line of artists unafraid of falling down on the job.

Now through June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center.

From today, May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, tonight, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

From May 22 - June 1, 2014 Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Jir?i? Kylia?n's comic and delightful Sechs Ta?nze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or 1-800-828-2787.

From May 22 - June 1, 2014, Houston Ballet offers up a mixed repertory program showcasing works by three of the twentieth century's greatest choreographers entitled Modern Masters. The program features the company premiere of Ji?i Kylian's comic and delightful Sechs Tanze (Six Dances), along with revivals of his playful and sexy work Petite Mort, William Forsythe's explosive In the middle, somewhat elevated and George Balanchine's complex and inventive The Four Temperaments. Houston Ballet will give six performances of the program in the Brown Theater at Wortham Theater Center. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling Houston Ballet box office at 713-227-2787, or1-800-828-2787.

Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, on Thursday, May 8, 2014, at 7:30 p.m.; Friday, May 9 at 8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.

On the heels of a highly successful run of George Balanchine's 'The Nutcracker', Oregon Ballet Theatre will show a multitude of facets with REVEAL at the Keller Auditorium, today, February 22 - March 1, 2014.

On the heels of a highly successful run of George Balanchine's “The Nutcracker”, Oregon Ballet Theatre will show a multitude of facets with REVEAL at the Keller Auditorium, February 22 – March 1, 2014. Four works will appear on the bill, three of which were or will be created on the dancers of OBT. Former Artistic Director Christopher Stowell returns to choreograph his first new work on the company since departing from that post a year ago. Returning to the OBT stage are James Kudelka's “Almost Mozart”, created for the company to much acclaim in 2006 and chosen for the ballet's most recent appearance at the Kennedy Center in the Ballet Across America festival last June, and Christopher Wheeldon's “Liturgy”, a profound meditation set to the music of Arvo Pa?rt which OBT first performed in 2012. Rounding out this feast of dance is Nicolo Fonte's daring and visually striking “Bolero”. Former Principal Dancer Artur Sultanov returns to the stage for only these performances to partner Principal Dancer Alison Roper in every show of this work, originally created on the duo in 2008.

Ted Sod: Where were you born and educated? How did you become a costume designer?

Ted Sod: What can you tell us about Sophie Treadwell's life and career as a playwright? like Mary Chase, she began as a journalist-correct?

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from today, September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

THE STORY OF FILM: AN ODYSSEY is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe.

Howard Hawks, the quintessential Hollywood director known for his mastery of many genres, will be the subject of a complete retrospective at Museum of the Moving Image from September 7 through November 10, 2013. The Museum will present 39 features. All of the films will be shown in 35mm-many in stunning restorations-except for Red Line 7000, which will be shown in 16mm.

Three world premieres, seven productions in all, are scheduled for the 10th season at the Douglas. The works range from a new rock musical to a sweeping new drama to a masterful interpretation of the works of Beckett, plus the bonus option of The Second City's one-of-a-kind Christmas show. In addition, three Los Angeles solo artists will be presented in the popular DouglasPlus program, and will represent CTG in the Radar L.A. festival.

THE STORY OF FILM: AN ODYSSEY is an unprecedented cinematic event, an epic journey through the history of world cinema that is a treat for movie lovers around the globe.

American Conservatory Theater (A.C.T.) Conservatory Director Melissa Smithannounced today that the A.C.T. Master of Fine Arts (M.F.A.) Program will present Andrew Lippa's The Wild Party, taking audiences back in time, capturing the edginess and excitement of the roaring '20s. With a book, music and lyrics by Andrew Lippa, the production is directed by Mark Rucker and will play a limited four show engagement. Performances are: December 13 and 14 at 7:30 p.m.; December 15 at 2 & 7:30 p.m. All performances take place at A.C.T.'s Costume Shop (1117 Market Street, San Francisco). Tickets are $15 and are available by calling the A.C.T. Box Office at 415.749.2228 or online at www.act-sf.org.

Today we are talking to Patricia Kelly, the widow of one of the most iconic and influential performers in entertainment history, Gene Kelly, all about her husband's incomparable career on Broadway and in Hollywood, in honor of his centennial. Tracing Gene Kelly's journey from his theatre roots starring in Cole Porter's LEAVE IT TO ME!, Rodgers & Hart's PAL JOEY and William Saroyan's Pulitzer Prize-winning THE TIME OF YOUR LIFE on Broadway to his unforgettable screen appearances in many of the greatest movie musicals ever made - COVER GIRL, SINGIN' IN THE RAIN, THE PIRATE, AN AMERICAN IN PARIS and many more included - Mrs. Kelly gives us a look into the life of one of the most important artists of the twentieth century. In addition to behind-the-scenes stories involving Kelly's frequent collaborators - such as esteemed director Vincente Minnelli, songwriter and producer Arthur Freed, arranger Saul Chaplin and others - Mrs. Kelly also shares candid anecdotes involving her husband's involvement with directing Rodgers & Hammerstein's FLOWER DRUM SONG on Broadway, helming the feature film adaptation of HELLO, DOLLY! starring Barbra Streisand, as well as his appearing in two idiosyncratic movie musicals later in his life, LES DEMOISELLES DE ROCHEFORT (THE YOUNG GIRLS OF ROCHEFORT) for Jacques Demy, as well as his au revoir to movie musicals in form of the Olivia Newton-John roller disco starrer XANADU. Additionally, Mrs. Kelly fills us in on all the details about this weekend's two-night Gene Kelly retrospective celebration, which she leads and narrates, as part of GENE KELLY @ 100 and her future plans for the multimedia presentation - each evening titled AN EVENING OF GENE KELLY and CHANGING THE LOOK OF DANCE ON FILM, respective - as she begins to tour the show across the country. Plus, reflections on SINGIN' IN THE RAIN's 60th anniversary and the recent Fathom HD premiere presentation in theaters, the impact of Kelly's work behind the camera, his choreographic legacy, what a legend is like at home, memories of attending the opening night of THE PHANTOM OF THE OPERA (starring HELLO, DOLLY! lead Michael Crawford), what the master would say about GLEE, SMASH, BUNHEADS and today's movie musical renaissance, as well as much, much more!

It's officially summer come June and this summer season promises to be an active one at the Frist Center. Next month kicks off with the opening of Metamorphoses: Drawings by Erin Anfinson, Kristi Hargrove, Mark Hosford, and Chris Scarborough in the Conte Community Arts Gallery, and is shortly followed by the opening of Constable: Oil Sketches from the Victoria and Albert Museum on June 22. The Frist has collaborated with Watkins College on an quilting workshop with edgy quilter Ben Venom and the second installment of Frist Fridays on June 29th features Sam Bush with special guest Lera Lynn.

Berkshire Theatre Group and Artistic Director/CEO, Kate Maguire have just announced programming for Summer 2012. BTG's Summer of 2012 boasts a full assortment of theatrical productions, concerts, comedy, Friday Series play readings, Musical Mondays, Made in the Berkshires and more.

Following a successful season which brought Long Beach Opera (LBO) increased ticket sales, a 20% growth in its subscriber base, and an unprecedented number of sold out performances, LBO announces its plans for 2012. The ambitious 'Absurd-Bizarre- Surreal' season will include a double bill of one-acts and three full-length operas. Commenting on his selections, LBO's Artistic and General Director Andreas Mitisek says, 'I like to provide a diverse look into the world of rarely seen, little known masterworks. Each of the 2012 operas fits that category. Where most companies cozy up to composers of the 19th century, in the coming season, LBO will highlight composers of the 20th century (Francis Poulenc, Bohuslav Martinu, Astor Piazzolla) and the 21st (Osvaldo Golijov, Michael Nyman).

The Harris Theater for Music and Dance today announced its full Harris Theater Presents 2011-2012 season, offering Chicago audiences a ground-breaking collection of innovative, culturally diverse programming by the world's finest musicians and dance companies, as well as Harris' signature collaborations with Chicago's leading dance and music institutions.

CBS announced today its new 2011-2012 primetime schedule, ordering five new series and making key time-period moves for CSI and THE GOOD WIFE to strengthen its already top-rated primetime lineup. CBS will, once again, finish the season as America's most watched network, marking the eighth time it has done so in the last nine years.

As the Artistic Director of The Spirit of Broadway Theater, it is my job to find the very best in new musicals - not just in craft and construction, but also musicals that continue to redefine what musical theater can be. It is always a challenge and it is never easy.

As the Artistic Director of The Spirit of Broadway Theater, it is my job to find the very best in new musicals - not just in craft and construction, but also musicals that continue to redefine what musical theater can be. It is always a challenge and it is never easy.