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The Mother of Us All 1947 College/University (US) — Photo Coverage


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BWW Review: Arthur Miller's ALL MY SONS Examines Accepting Responsibility, Loss, Love

BWW Review: Arthur Miller's ALL MY SONS Examines Accepting Responsibility, Loss, Love and Hope for a Better Future

by Shari Barrett • Jan 15, 2020

Arthur Miller's electrifying family drama ALL MY SONS won the New York Drama Critics Circle Award for Best New Play and Miller his first Pulitzer Prize when it first opened in 1947, and went on to be a recipient of numerous Tony Awards. Inspired by a story from an Ohio Newspaper on an aircraft factory's troubled contracts during WWII, the tale remains as timely as it is timeless about pointing your finger at someone else rather than soil your own reputation by taking responsibility for your own actions, a personality trait all too evident in today's society.

Review: The Speakeasy Society Brilliantly Draws Audience Members into THE JOHNNY CYCL

Review: The Speakeasy Society Brilliantly Draws Audience Members into THE JOHNNY CYCLE at Mountain View Mausoleum

by Shari Barrett • Aug 25, 2019

Audience members traverse memories, dreams, emotional and real battlefields, coming in contact with a multitude of characters from Dalton Trumbo's life and novel, as we re-visit Johnny's childhood loves, family members, war room generals, soldiers, nurses, and even major religious figures, each performed to perfection while maintaining the ability to guide and interact with audience members who are often asked to participate and/or share comments during each scene. Soon it becomes apparent in THE JOHNNY CYCLE that each character, whether intentional or not, has sent Johnny to his destiny as he desperately struggles to be heard, trapped between the living and the dead without a voice. Immersive theater at its best!

Photo Flash: Daphne Rubin-Vega in La Jolla Playhouse MISS YOU LIKE HELL

Photo Flash: Daphne Rubin-Vega in La Jolla Playhouse MISS YOU LIKE HELL

by A.A. Cristi • Nov 1, 2016

La Jolla Playhouse presents the world-premiere production of Miss You Like Hell, book and lyrics by Pulitzer Prize winner Quiara Alegria Hudes (In the Heights, Water by the Spoonful), music and lyrics by acclaimed singer/songwriter Erin McKeown, directed by Lear deBessonet (Public Theatre's The Odyssey) and choreographed by Danny Mefford(Broadway's Fun Home).

BWW Interview:  Ricardo Khan and FLY at Crossroads Theatre

BWW Interview: Ricardo Khan and FLY at Crossroads Theatre

by Marina Kennedy • Mar 31, 2016

Broadwayworld.com interviewed Ricardo Kahn about his career and the play, 'Fly' that will be performed at Crossroads Theatre from April 7th to April 17th. 'Fly' is the soaring tale of the first African American Army Air Corps known as the Tuskegee Airmen. It is co-written by Ricardo Kahn and Trey Ellis and the Crossroads production is also directed by Kahn.

BWW Reviews: Theatre Memphis Spit-Polishes THE HEIRESS

BWW Reviews: Theatre Memphis Spit-Polishes THE HEIRESS

by Joseph Baker • Oct 24, 2014

THE HEIRESS, Ruth and Augustus Goetz's 1947 adaptation of Henry James' WASHINGTON SQUARE and currently occupying the Lohrey Stage at Theatre Memphis, has had a long and steady run on stages throughout the world - and why not? Tightly corseted, polite to a fault, and observing proprieties, this intelligently written script captures the essence of the James source material without the convoluted, complex sentences that, alas, repel many readers. As tautly drawn as the material on one of the samplers for which its heroine is noted, when one of the characters punctuates the prevailing politeness with a barbed or telling line of dialogue, it's as if a sharp and jagged blade suddenly ripped through the fabric of the needlework itself. All this play needs for a successful run is a handsome set, period costumes - and four or five gifted players.

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