The Major - 1881 - Broadway Articles Page 4

Internationally renowned concert organist and recording artist Gail Archer releases her eighth solo album A Russian Journey featuring works by 19th and 20th Century Russian composers including members of the Russian Five and their successors.

On September 24 at the Cultural Center of the Philippines (CCP) Main Theatre, winners of the National Music Competitions for Young Artists (NAMCYA), the country's most prestigious music competition for the youth for more than 40 years, will be performing with the Philippine Philharmonic Orchestra (PPO) to give a sampling of great works of some of the most prodigious composers who ever lived.

Andr s Schiff will return to the New York Philharmonic to conduct and perform J.S. Bach's Piano Concerto in A major, BWV 1055, and Schumann's Piano Concerto; he also conducts Haydn's Symphony No. 80 and Bart k's Divertimento for String Orchestra.

One of the nation's most innovative opera companies, Odyssey Opera, kicks off Trial by Fire: Joan of Arc and the Hundred Years' War, a season-long exploration of operatic works inspired by martyr, saint, and military leader Joan of Arc (1412-1431). 

Ocean Grove Camp Meeting Association (OGCMA) Presents 'ORCHESTRA LEGENDS AND ROMANCE'

???????In the world of classical music, few things pull on the heartstrings of musicians and music lovers as the sight and sound of a centuries-old violin - an instrument made by a master that has stood the test of time and has a history of being played by legendary musicians, particularly for the debuts of major pieces by esteemed composers.

Ocean Grove Camp Meeting Association (OGCMA) Presents 'ORCHESTRA LEGENDS AND ROMANCE'

Anna Netrebko reprises one of her most acclaimed roles as Tatiana, the naive heroine of Tchaikovsky's opera, adapted from Pushkin's classic verse novel.

Celebrity chamber music ensemble Ying Quartet stays in residency on Cape Cod in August, making its debut appearance during Cape Cod Chamber Music Festival's (CCCMF) 38th season with three diverse concert programs.  The final two performances feature the Festival's two artistic directors as instrumental guests.  The Ying Quartet performs on Monday, August 21 at 7:30 pm at the Church of the Holy Spirit, 204 Monument Road, Orleans.  The Art of Song is held on Wednesday, August 23, 7:30 pm is held at Chatham Congregational Church, 650 Main Street.  The season comes to a brilliant close with The Brahms Quintets on Friday, August 25, 7:30 pm at Wellfleet Congregational Church, 200 Main Street.

Cape Cod Chamber Music Festival (CCCMF), celebrating its 38th season as Cape Cod's premiere presenter of summer chamber music presents Strauss' Piano Quartet  featuring works by Strauss, Brahms and Enescu on Thursday, August 10, 7:30 pm at First Congregational Church, 650 Main Street, Chatham. 

Cape Cod Chamber Music Festival (CCCMF), celebrating its 38th season as Cape Cod's premiere presenter of summer chamber music presents The Virtuosic Quartet performed by Lydian String Quartet on Wednesday, August 2, 7:30 pm at The Church of the Holy Spirit, 204 Monument Road, Orleans. 

Dame Nellie Melba was the most celebrated singer of her generation. Lauded on more than three continents as a phenomenon, her life was the stuff that dreams are made of, but her journey to the top was not always untroubled.

For the final production of its 2016/17 season, Artists Repertory Theatre presents The Importance of Being Earnest by Oscar Wilde, directed by Resident Artist Michael Mendelson.  Previews run May 16 through May 19, the play opens May 20 and runs through June 11 on the Alder Stage.

Conducted by CSO Music Director Rossen Milanov, this exotic, multi-media program presents a sensuous mix of eastern and middle-eastern colors.

English Touring Opera's Spring 2017 season features the company's first ever Gilbert & Sullivan production, a Puccini favourite marking the opera debut of stage director Blanche McIntyre, and two new operas for young people:Silver Electra and Different.

Inspired by 'Laudato Si,' Pope Francis's unprecedented 2015 encyclical about the environment, Sacred Music in a Sacred Space (SMSS), with co-producer New York Opera Society, presents 'Upon this Handful of Earth,' a world premiere chamber opera from Norwegian composer Gisle Kverndokk and librettist Aksel-Otto Bull.

The Boston Pops Esplande Orchestra comes to Jacksonville's Times-Union Center today, February 4, 2017 at 8 p.m. for one performance only.

Music Director Alan Gilbert will conduct the New York Philharmonic in the World Premiere-New York Philharmonic Commission of Lera Auerbach's NYx: Fractured Dreams (Violin Concerto No. 4).

Conducted by CSO Music Director Rossen Milanov and featuring the CSO Chorus, the second and final installment of the CSO's Russian Winter Festival offers three pillars of Russian classical music and one chorus-only Russian Orthodox hymn.

Conceived, curated, and conducted by Semyon Bychkov, the New York Philharmonic presents Beloved Friend - Tchaikovsky and His World: A Philharmonic Festival, a three-week festival featuring orchestral, chamber, and vocal programs that explore music by Tchaikovsky and composers who influenced or were influenced by him, from January 24 to February 11. Beloved Friend continues the Philharmonic's recent tradition of annual, multi-week festivals, with Mr. Bychkov focusing this year's festival on Tchaikovsky as part of his international, multi-season Tchaikovsky project, Beloved Friend, which also includes recordings and additional concert series.

On January 6 and 7 at 7:30 PM, Music Director Thierry Fischer conducts the first Utah Symphony performance of 2017 with Tchaikovsky, Ives, and Webern. Tchaikovsky's famous violin concerto will be performed by guest artist Noah Bendix-Balgley in his Utah Symphony debut. Utah Symphony's performance cycle of Charles Ives' symphonies continues with Symphony No.2, joining Brahms and Beethoven as three complete composer cycles programmed on the O.C. Tanner Company Masterworks Series this season. Webern's Variations for Orchestra rounds out the program with a later work inspired by nature. Tickets start at $21 ($15 for students), and can be purchased at www.utahsymphony.org or by calling (801) 533-6683.

Chamber music enthusiasts will want to mark their calendars for the start of Music Mountain's 88thSeason! Music Mountain President, Nicholar Gordon announced America's oldest continuing summer chamber music festival will kick off on June 11th with a summer featuring Beethoven and favorite Piano Quintets! The Chamber Music Series will also welcome Music Mountain premieres, first time guests, and returning favorites! Concerts are scheduled through September 17th. (see full chamber music schedule below)

On January 6 and 7 at 7:30 PM, Music Director Thierry Fischer conducts the first Utah Symphony performance of 2017 with Tchaikovsky, Ives, and Webern. Tchaikovsky's famous violin concerto will be performed by guest artist Noah Bendix-Balgley in his Utah Symphony debut. Utah Symphony's performance cycle of Charles Ives' symphonies continues with Symphony No.2, joining Brahms and Beethoven as three complete composer cycles programmed on the O.C. Tanner Company Masterworks Series this season. Webern's Variations for Orchestra rounds out the program with a later work inspired by nature. Tickets start at $21 ($15 for students), and can be purchased at www.utahsymphony.org or by calling (801) 533-6683.

The performance schedule has been changed for 'Light Up The Night,' a theatrical concert of rediscovered and restored Yiddish theater songs by Ellstein, Goldfaden, Olshanetsky, Rumshinsky, and Secunda, to be presented by National Yiddish Theatre Folksbiene (NYTF) January 1 in Edmond J. Safra Hall at Museum of Jewish Heritage, 36 Battery Place, Manhattan.  Originally two shows were planned, at 2:00 PM and 6:00 PM.  The 2:00 PM performance continues as scheduled but the 6:00 PM performance has been canceled.

Now celebrating their 40th anniversary season, the Emerson String Quartet was already a marquee attraction when I first encountered them in live concert during the summer of 2002 at the Aspen Music Festival. That was about the time when members of the quartet, except for the cellist sitting on a riser, began to perform standing up. It was an oblique acknowledgement that, in their realm, they were rock stars.