The Least Problematic Woman in the World Review
8 / 10
There are some (though not enough) moments of genuine reflection in “The Least Problematic Woman in the World.” The show was called “Faghag” when it originated last year at (where else?) the Edinburgh Festival Fringe, but the new title is a bette fit, since Mulvaney mostly works hard to charm and amuse and entertain us. Much of it lands. It helps that she’s willing to make fun of herself, such as the final song of self-acceptance. It is supposed to be a stirring anthem with a refrain that the audience is asked to sing along with repeatedly. But it is almost impossible to sing, even when the words are projected on the screen with an old-fashioned sing-along dot riding along the top:
