The Final Balance - 1928 - Broadway Articles Page 2

The Play About the Baby previews September 7-9 and runs through October 7 at Gough Street Playhouse.

The Harris Theater for Music and Dance today announced its full Harris Theater Presents 2011-2012 season, offering Chicago audiences a ground-breaking collection of innovative, culturally diverse programming by the world's finest musicians and dance companies, as well as Harris' signature collaborations with Chicago's leading dance and music institutions.

SpeakEasy Stage Company concludes its 20th anniversary season with regional premiere of 2006 Tony Award-winning musical within a comedy. Thanks to a who's who of local talent, it is one hour and forty minutes of entertainment that will make you anything but drowsy.

Executive Producer Lou Spisto today announced that The Old Globe will produce the World Premieres of four new plays and musicals in its 2011-12 Winter Season. The season will feature the World Premiere musicals Some Lovers by music legend Burt Bacharach and Tony Award winner Steven Sater and Nobody Loves You by Gaby Alter and Itamar Moses, as well as the West Coast Premiere of John Kander and Fred Ebb's The Scottsboro Boys, recently nominated for 12 Tony Awards including Best Musical, directed and choreographed by five-time Tony Award winner Susan Stroman. The two plays receiving World Premiere productions are Somewhere by Globe Playwright-in-Residence Matthew Lopez and The Recommendation by Jonathan Caren. The new season also includes revivals of Richard O'Brien's The Rocky Horror Show and the Eugene O'Neill classic Anna Christie directed by Pulitzer Prize and Tony Award winner David Auburn. Special events include the World Premiere of Odyssey by Todd Almond, a music theater event conceived and directed by Lear deBessonet celebrating the Globe's 75th Anniversary, The Old Globe/University of San Diego Graduate Theatre Program production of Twelfth Night and Dr. Seuss' How the Grinch Stole Christmas!, which returns for its 14th consecutive year.

Rising from the ruins and horror of World War I, European art and culture returned to the classical past, seeking tranquility, order, and enduring values. Artists turned away from prewar experimentalism and embraced the heroic human figure and rational organization.

Rising from the ruins and horror of World War I, European art and culture returned to the classical past, seeking tranquility, order, and enduring values. Artists turned away from prewar experimentalism and embraced the heroic human figure and rational organization.

Playwrights Horizons, under the leadership of Artistic Director Tim Sanford and Managing Director Leslie Marcus, is proud to announce four additional productions for its 2010/2011 40th Anniversary Season. The three World Premieres and one New York premiere join the previously-announced New York premiere of Edward Albee's ME, MYSELF & I.

Glorious! is based on the true story of Florence Foster Jenkins, the legendary New York heiress and socialite who wanted to be a great operatic diva despite having one of the worst singing voices in history.

Glorious! is based on the true story of Florence Foster Jenkins, the legendary New York heiress and socialite who wanted to be a great operatic diva despite having one of the worst singing voices in history.

Glorious! is based on the true story of Florence Foster Jenkins, the legendary New York heiress and socialite who wanted to be a great operatic diva despite having one of the worst singing voices in history.

Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.

Alan Gilbert will launch the New York Philharmonic's 168th season's subscription concerts in his new role as Music Director, conducting works that reflect his interest in creating programs that feature established repertoire and new and lesser-known music in innovative contexts.

American Conservatory Theater (A.C.T.) announces the final show of its 2008-09 season: Edward Albee's At Home at the Zoo, staged by acclaimed director Rebecca Bayla Taichman (world premieres of Theresa Rebeck's The Scene and Mauritius and Sarah Ruhl's Dead Man's Cell Phone). This new spellbinder by the master playwright who also penned Who's Afraid of Virginia Woolf? and A.C.T.'s The Goat, or Who is Sylvia?, is a meticulously calibrated and dangerously brutal look at relationships intimate and unexpected. The story opens with Peter, a tweedy book editor, and his wife, Ann, whose everyday conversation takes an unexpected turn into dangerously personal territory. It's the kind of conversation that can drive a husband out for a walk-to Central Park, where Jerry, a desperate outcast, awaits. An unforgettable pairing of Albee's original The Zoo Story with a freshly penned prequel, At Home at the Zoo (formerly titled Peter and Jerry) bares its teeth to threaten the delicately balanced world its characters inhabit. Artistic Director Carey Perloff has put together an all-star artistic team on this production, featuring Tony Award-nominated actor Manoel Felciano (Ragtime at The Kennedy Center, A.C.T.'s Rock 'n' Roll, and Sweeney Todd on Broadway) as Jerry and scenic designer Robert Brill, who received a Tony Award nomination last week for his work on Guys and Dolls on Broadway. Hailed by critics as 'a thoroughly satisfying package of jagged-edged provocation' (Newsday) and 'an essential and heartening experience' (The New York Times), Edward Albee's At Home at the Zoo plays at A.C.T. June 5-July 5, 2009. Opening night is Wednesday, June 10, 2009, at 8 p.m. Tickets-starting at $14-are available by calling A.C.T. Ticket Services at 415.749.2228, or at www.act-sf.org.

Sometimes, the most fascinating stories to unfold on stage are the ones that are true...