The Desert Song - 1949 - Milburn, NJ (Regional) Articles Page 2

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'South Pacific' at the Marriott, two shows with Gene Kelly's vibe, cabarets from Porchlight, Brown Paper Box and Darrian Ford, 2014 premieres from Marc Blitzstein and Alan Schmuckler, lots of Doug Peck and more!

Berkeley Playhouse opens its fifth season with Rodgers and Hammerstein's beloved final collaboration, THE SOUND OF MUSIC. Berkeley Playhouse founding Artistic Director Elizabeth McKoy helms this endearing family classic, featuring a cast of 40, with musical direction by Greg Mason and choreography by Staci Arriaga. THE SOUND OF MUSIC plays tonight, October 27 through December 2 (Press opening: October 27) at the Julia Morgan Theatre in Berkeley.

BroadwayWorld.com, the largest theatre site on the Internet, is excited to announce a new feature to its comprehensive regional coverage - the Featured Regional Theater of the Week! Each week, BWW will introduce its readers to a regional theater located in one of our (over 130!) coverage cities. By exploring these different venues, their history and showcasing the production seasons, BWW continues its commitment to expand our presence in communities and cities across the United States. This Week's Featured Regional Theater: Kansas City Starlight Theatre, Kansas City, MO

Berkeley Playhouse opens its fifth season with Rodgers and Hammerstein's beloved final collaboration, THE SOUND OF MUSIC. Berkeley Playhouse founding Artistic Director Elizabeth McKoy helms this endearing family classic, featuring a cast of 40, with musical direction by Greg Mason and choreography by Staci Arriaga. THE SOUND OF MUSIC plays October 27 through December 2 (Press opening: October 27) at the Julia Morgan Theatre in Berkeley.

Rodgers and Hammerstein designed the ending to reduce you to tears, and they knew what they were doing. Resist, even at this excellent revival,and think about the conundrums of race, class and gender that that lie just beneath the surface.

The 2011-2012 season of Metropolitan Museum Concerts combines the return of acclaimed ensemble series - Pacifica Quartet, New York Philharmonic CONTACT!, and Metropolitan Museum Artists in Concert - with unique programs conceived to complement the Met's collection and galleries by a distinguished roster of world-renowned artists.

The 2011-2012 season of Metropolitan Museum Concerts combines the return of acclaimed ensemble series - Pacifica Quartet, New York Philharmonic CONTACT!, and Metropolitan Museum Artists in Concert - with unique programs conceived to complement the Met's collection and galleries by a distinguished roster of world-renowned artists.

The Relevant Stage presents the Broadway classic 'Kiss Me, Kate' choreographed by Marisa Martinez and Keenon Hooks, with costume design by Kara McLeod, February 17 - 28 runs Thursdays and Fridays at 8 p.m., Saturdays at 2:30 and 8:00 p.m. and Sundays at 2:30 and 7:00 p.m. at The Warner Grand Theatre 478 West Sixth Street, San Pedro. General admission tickets are: $20 adult, $15 senior (55+)/college student, and $5 18 and under; prestige seating (first five rows, reserved seat) $30 adult, $25 senior/college student, and $10, 18 and under. Tickets are available at Williams Book Store in Downtown San Pedro, or online at therelevantstage.com or 1-800-838-3006.

American Stage Theatre Company has announced the continuation of its play reading series, HOT OFF THE PRESS, of new plays by local playwrights.

American Stage Theatre Company has announced the continuation of its play reading series, HOT OFF THE PRESS, of new plays by local playwrights.

American Stage Theatre Company has announced the continuation of its play reading series, HOT OFF THE PRESS, of new plays by local playwrights.

Today we are taking a listen to the new Sony Masterworks & Arkiv Music re-release of Marc Blitzstein's half-musical/half-opera REGINA, based on THE LITTLE FOXES by Lillian Hellman. A little bit like Adam Guettel's THE LIGHT IN THE PIAZZA or Michael John LaChiusa's MARIE CHRISTINE in that it defies any traditional definition or classification, it is a true masterpiece and a marvel of craftsmanship and creativity, whatever it is. Leonard Bernstein once called REGINA his favorite theatre score of all time and perhaps no other score of the period comes closest to the classical aspirations - actual accomplishment, actually - as much as Bernstein's own CANDIDE which he wrote with Lillian Hellman and John LaTouche seven years later, inspired by this show. This score virtually has it all: opera, jazz, Dixieland, blues, gospel spirituals, Victorian parlour songs, stirring symphonic sequences, stunning arias, glorious choral swell-ups, biting satirical anthems, cakewalks, recitative and some serious - seriously innovative - dialogue/song centerpiece scenes to all three acts of this operamusical. Whatever you want to call it: a triple-decker treat awaits!