The Comforter 1964

As the 21st Century chugs along toward completing its first decade, perhaps Broadway's new role in American theatre with emerge as the place where talented composers and lyricists with interesting projects will premiere their less-inspired shows while their exciting, adventurous and better-written work continues to hide in the under-publicized shadows of Off- and Off-Off Broadway, festivals and the occasional cabaret appearance.  Just as Legally Blonde, the Broadway debut of composer/lyricists Lawrence O'Keefe (Bat Boy, Sarah, Plain and Tall) and Nell Benjamin (Pirates!, Sarah, Plain and Tall) doesn't match the quality of their Off-Broadway and regional work, last season composer Tom Kitt made his first main stem appearance with the catchy-tuned and enjoyable, but not especially notable, High Fidelity while musical theatre lovers in the know were anxiously awaiting a production of Feeling Electric, his substantially superior collaboration with bookwriter/lyricist Brian Yorkey, first seen at the 2005 New York Musical Theatre Festival.