Sweet Charity - 1998 - Regional (UK) Articles Page 12

The Public Theater (Artistic Director Oskar Eustis, Executive Director Andrew D. Hamingson) announced complete casting today for the concert version of Paul Simon's THE CAPEMAN, running August 14-16 at the Delacorte Theater in Central Park. Ivan Hernandez completes the cast as Salvador Agrón. All performances for the three night concert version of THE CAPEMAN will be at 8 p.m. Free tickets will be distributed the day of the show.

The Public Theater (Artistic Director Oskar Eustis, Executive Director Andrew D. Hamingson) announced initial casting today for the concert version of Paul Simon's THE CAPEMAN, running August 14-16 at the Delacorte Theater in Central Park. All performances for the three night concert version of THE CAPEMAN will be at 8 p.m. Free tickets will be distributed the day of the show.

Broadway Tony-Award winning star Donna McKechnie enjoyed one of her greatesttriumphs as Sally, in the acclaimed revival of the Stephen Sondheim - James Goldman musical, Follies, in the spring of 1998.

Broadway Tony-Award winning star Donna McKechnie enjoyed one of her greatest triumphs as Sally, in the acclaimed revival of the Stephen Sondheim - James Goldman musical, Follies, in the spring of 1998. "She defined the art of torch singing with 'Losing My Mind,' raved Variety, joining the New York Times and other critics in unstintingly praising her performance. She is now coming to Australia for the first time in a new show directed by Richard Jay-Alexander.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.

Broadway Tony-Award winning star Donna McKechnie enjoyed one of her greatesttriumphs as Sally, in the acclaimed revival of the Stephen Sondheim - James Goldman musical, Follies, in the spring of 1998.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice. Mozart's music proves it; God had broken their pact. Salieri now makes a terrible new vow: to block God on earth and teach Him a lesson, using Mozart as the means to that end.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice.

Broadway Tony-Award winning star Donna McKechnie enjoyed one of her greatest triumphs as Sally, in the acclaimed revival of the Stephen Sondheim - James Goldman musical, Follies, in the spring of 1998. "She defined the art of torch singing with 'Losing My Mind,' raved Variety, joining the New York Times and other critics in unstintingly praising her performance. She is now coming to Australia for the first time in a new show directed by Richard Jay-Alexander.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

Richard Stevens presents two staged readings of Stephen Calmson's new play GOOD PEOPLE on Wednesday April 21 (4-6pm) and Thursday April 22 (5-7pm) at St. Luke's Theatre (308 W. 46th St.).

Richard Stevens presents two staged readings of Stephen Calmson's new play GOOD PEOPLE on Wednesday April 21 (4-6pm) and Thursday April 22 (5-7pm) at St. Luke's Theatre (308 W. 46th St.).

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

Richard Stevens presents two staged readings of Stephen Calmson's new play GOOD PEOPLE on Wednesday April 21 (4-6pm) and Thursday April 22 (5-7pm) at St. Luke's Theatre (308 W. 46th St.).

The ghosts who have taken up residence with The Production Company are a restless lot, filled with a crackling, questing vitality rarely found even among the living. As embodied with disquieting fierceness by Sara Lilly, David Ross Paterson, and Skip Pipo in COPENHAGEN, this endlessly fascinating play by Michael Frayn is directed with surgical exactitude by August Viveirto to a fever pitch. These spectral presences just won't stop haunting one another with their questions and revisions and caveats. Give them the courtesy of your full attention, and you'll find them taking possession of your own imagination as well, probably raising your blood pressure in the process. They prove themselves electrifying companions.

Appearing together again after their Tony Award® winning performances in Evita, Patti LuPone joins Mandy Patinkin onstage for An Evening with Patti LuPone and Mandy Patinkin. These Broadway legends will bring their critically acclaimed theatre concert to the Joe R. and Theresa Lozano Long Center for the Performing Arts for one performance only on Thursday, March 25th, 2010 at 8 p.m.

The Best Of The Performing Arts Close To Home Brings You A GREAT VARIETY OF ENTERTAINMENT IS COMING YOUR WAY

Alley Theatre's world premiere of the new musical Wonderland will close on Sunday, February 14.

Finally appearing together again after their Tony Award® winning performances in Evita, Patti LuPone and Mandy Patinkin bring their critically acclaimed theatre concert to The Royal Alexandra Theatre for 6 performances only, from February 9 through 14. Tickets are now on sale.

From the moment she stepped onto the Broadway stage and gave us her iconic portrait of the singer/dancer 'Cassie' in Michael Bennett's history-making A Chorus Line Donna McKechnie has been a star.

Alley Theatre presents the world premiere of the new musical Wonderland about Alice, a children's book writer in Manhattan who is suffering through a creative block, estranged from her husband and alienated from her daughter. It takes a trip to a strange-yet-familiar Wonderland for her to regain her life's balance and again find the love and everyday magic that reside in us all - if we know how to look. With a book by Alley Theatre Artistic Director Gregory Boyd and Jack Murphy (The Civil War), lyrics by Jack Murphy, music by Frank Wildhorn (Jekyll & Hyde, The Scarlett Pimpernel, The Civil War), and directed by Gregory Boyd, Wonderland begins previews Friday, January 15, opens officially Wednesday, January 20 and runs through Sunday, February 14.

Fred Applegate, George Hearn, David Patrick Kelly, Michael McCormick, Rondi Reed, Elena Shaddow, James Snyder and Ted Sutherland have been cast in Fanny, the 50th Encores! musical produced by New York City Center since 1994 and the second Encores! production of the season. Fanny, running February 4 - 7, has music and lyrics by Harold Rome and book by S.N. Behrman and Joshua Logan, and is based on Marcel Pagnol's trilogy Marius, Fanny and Cesar. Fanny will be directed by Mark Bruni and choreographed by Lorin Latarro with music direction by Rob Berman.