Something More! - 1964 - Broadway Articles Page 13

The desire to see our current president out of office as soon as possible can be regarded as a bit of common ground between the five conservatives depicted on stage and the liberals who traditionally populate the vast majority of seats at non-profit Off-Broadway theatres.  The ground most likely collapses, however, when it comes to how they regard the prospect of a Mike Pence presidency.

Refreshing a cherished, old-time musical can be a daunting process and undertaking. You have to choose what directions you'd like to goa?? Should you keep the faith with longstanding traditions, or should you try something new and risky? If you want to go for some of both, how much of each should you incorporate? It's difficult to strike that perfect balance a?" it's almost like you're a fiddler on the roof.

Carnegie Hall today announced the launch of its new online Digital Collections, inviting the general public to search, explore, and download more than 80,000 recently digitized historic items from its archives for the very first time. This initial preview, drawn from the Hall's legacy collections, offers a window into the richly diverse history of events at the Hall since its opening in 1891, with an emphasis on the Hall's earliest decades. It includes Carnegie Hall concert programs from 1891–1925; flyers; photographs; correspondence; newspaper clippings; autographs; booking ledger pages; and a select number of promotional films. The goal of this digital initiative is to provide broader public access to the Hall's archival collections, providing a new way for people to engage with Carnegie Hall's history and share it with others.

After being in a show for over 300 times, how to do you keep it fresh? For Kelly Gabrielle Murphy in FIDDLER ON THE ROOF, it's all about the relationships built along the way a?" with the audience and her fellow performers.

Drawing tense parallels between Black Lives Matter and the Civil Rights Movement, Amiri Baraka's Dutchman asks how much change, if any, has occurred? Dutchman challenges the progress of racial equality in the last 50 years, revealing contemporary race relations.

For the first time ever, Travel Channel is exclusively reopening the case files of America's first ghost hunter, Hans Holzer, revealing the original recordings and documents from the paranormal pioneer's renowned studies. In “The Holzer Files,” premiering Thursday, October 3 at 10 p.m. ET/PT, a dedicated paranormal team – led by investigator Dave Schrader, psychic medium Cindy Kaza and equipment technician Shane Pittman – revisits Holzer's most captivating cases. With the help of Holzer's daughter, Alexandra Holzer, and researcher Gabe Roth, the team picks up where Holzer left off to re-examine the terrifying hauntings that he dedicated his life to researching.

Doubt: A Parable, a fitting title if ever there was one. Jesus used parables to teach as does Shanley. His message that even though stories like that of Sister Aloysius and Father Flynn did happen, it's up to us to make sure they do not happen again.

Mad Horse Theatre presents Radiant Vermin By Philip Ridley, directed by company member Jake Cote, September 26 - October 13, 2019 at Mad Horse Theatre, 24 Mosher Street, South Portland, ME.

In 1964, John Coltrane and his Classic Quartet went into Van Gelder Studios and, in an unprecedented move for Coltrane, recorded new versions of some of his most famous works. This never-before-heard recording, Blue World, will be released on 27 September via Impulse!

Legends come to Las Vegas with the kickoff of the 'Something Great From 68' tour with legendary Beach Boys co-founder Brian Wilson and Rock and Roll Hall of Fame inductees The Zombies. The tour will be a celebration of historical music, collaboration, and harmonies and will kick off at The Joint in the Hard Rock Hotel on Aug. 31.

In 1964, a young musician from the Dominican Republic by the name of Johnny Pacheco teamed up with ambitious Italian-American lawyer Jerry Masuccifor the creation of a record label in New York. Named Fania, the brand-new company captured the sheer excitement of Afro-Caribbean music as it was just beginning to incorporate elements of soul, R&B and jazz into a vibrant sonic stew known as salsa. 

The word tradition can mean a multitude of things to a variety of people. Some may associate it with a holiday while others may with a specific time of the year. It's a powerful word that can truly bring a multitude of emotions, both good and bad, for just about anyone. I think a majority of the time tradition is associated with happy memories and celebrating something. However what happens when traditions are challenged and they collide at the intersection of love, family, the changing times and faith? The Twin Cities saw it when the national tour of Fiddler on the Roof made their way to the Orpheum Theater. 

On his first new album in seven years, GRAMMY Award-winning conguero Poncho Sanchez celebrates the life and music of the iconic saxophonist John Coltrane. Due out September 20, 2019 via Concord Picante, Trane's Delight is a love letter from one musical pioneer to another, as the Latin Jazz legend pays homage to one of his earliest and most indelible influences. The joyous album arrives just in time for the late tenor titan's 93rd birthday on September 23.

On the heels of the 60th Anniversary of Motown Records, two of the greatest R&B groups of all time a?" The Temptations and The Four Tops a?" will perform on stage at the Washington Pavilion in Sioux Falls on Thursday, September 26, at 7:30 p.m.

The whole world is getting hip to Bobby Rush.  After decades of tearing up the chitlin' circuit on a nightly basis with his sweaty, no-holds-barred funkfests, Bobby has thoroughly broken through to the mainstream. He won a long-overdue 2017 Grammy Award for his spectacular album Porcupine Meat and consistently tours the globe as a headliner. What's more, Bobby's brand-new album Sitting on Top of the Blues on his own Deep Rush imprint (distributed by Thirty Tigers), due out August 16, 2019, promises to further spread the news that this revered legend, well past 80 years of age even if his stratospheric energy level belies the calendar, is bigger and badder and bolder than ever.

The whole world is getting hip to Bobby Rush.  After decades of tearing up the chitlin' circuit on a nightly basis with his sweaty, no-holds-barred funkfests, Bobby has thoroughly broken through to the mainstream. He won a long-overdue 2017 Grammy Award for his spectacular album Porcupine Meat and consistently tours the globe as a headliner. What's more, Bobby's brand-new album Sitting on Top of the Blues on his own Deep Rush imprint (distributed by Thirty Tigers), due out August 16, 2019, promises to further spread the news that this revered legend, well past 80 years of age even if his stratospheric energy level belies the calendar, is bigger and badder and bolder than ever.

The impetus behind ROCK AND ROLL MAN: THE ALAN FREED STORY was not the Freed family. Gary Kupper was approached by Larry Marshak, with whom he had worked for many years, about a third party's desire to do a story about Alan Freed as a 'jukebox musical'. The intention was that Kupper might be able to write a couple of songs for the piece. Kupper realized that Freed's story is a classic one. A rise and fall and then redemption story that can't be told as a jukebox musical because Alan Freed wasn't a singer. He feels that a jukebox musical would have cheated the story. This is the story of this man, and the story of Rock-and-Roll. That notion gave birth to the 'book musical'. In 2011, Kupper started writing original songs and sometime later, the team started writing the script. Freed's son, Lance, stepped-in and helped to secure the rights to the Rock-and-Roll classics. They have combined the music of the era with storytelling. They admit it's both risky and tricky and has never really been done to the extent that it is in this show. Thirty to thirty-five original songs were written, most of which were thrown out. A little more than a dozen are in the current iteration of the show.

A Tony Award-nominated musical with folk, bluegrass and gospel influences will come to the southeast Michigan for two weekends when the Croswell Opera House presents VIOLET.

Violinist Itzhak Perlman, one of the reigning artists of our day, will make a rare appearance for a recital to inaugurate the Younes and Soraya Nazarian Center for the Performing Arts' 2019-2020 Season on September 19 at 7pm.  Perlman is accompanied by Rohan De Silva, piano.

Fiddler on the Roof first debuted on Broadway in 1964 and in the intervening 55 years, it's become a beloved standard in the Broadway musical canon, being revived many times and performed on stages all over the world in productions both professional and amateur. The heartwarming tale of the world-weary dairyman Tevye, his long-suffering wife Golde, their five(!) daughters and their suitors and all of the other inhabitants of the Russian village of Anatevka has been delighting audiences ever since that initial mounting and rather than growing old and rather precious over time, Fiddler on the Roof instead has become even more relevant, particularly in the current socio-political climate in which immigrants have become political pawns and in which change is constant.

Charlie Bucket has been found and he has a Golden Ticket! Producers John Frost, Craig Donnell, Warner Bros Theatre Ventures, Langley Park Productions and Neal Street Productions today announced the five boys who will play the role of Charlie in the Melbourne season of the Helpmann Award nominated spectacular new musical Roald Dahl's Charlie and the Chocolate Factory. Roald Dahl's delicious tale will begin at Melbourne's Her Majesty's Theatre on 9 August following an outstanding six-month season at Sydney's Capitol Theatre.

Jazzmobile Inc. and Harlem Jazz Enterprises have entered into a new partnership to present live music at the iconic Minton's Playhouse jazz club, 206 West 118th Street, in Harlem. This open-ended residency will begin on Independence Day with pianist Nat Adderley, Jr. and will continue every Thursday evening with a world-class jazz band. The Summer lineup will be announced at the opening celebration on July 4.

The Eugene O'Neill Theater Center announces casting and creative teams for the summer season of new musicals and plays selected for development at the National Music Theater Conference and National Playwrights Conference.