So This is Love - 1928 - West End Articles Page 12

THE WILD PARTY is exactly what it says it is, and Moonbox Productions invites you to be a voyeur for the Michael John Lachiusa version of Joseph Moncure March's 1928 risque narrative poem, directed and choreographed by Rachel Bertone. Katie Anne Clark and Todd Yard anchor a crazy-good, talented ensemble and you will be immersed in the Roaring Twenties zeitgeist. It's a wild ride that you won't want to miss.

Renowned British actor/writer/director Steven Berkoff will direct a rare production of Eugene O'Neill's 1922 expressionist play The Hairy Ape, opening May 14 at West L.A.'s Odyssey Theatre.

You cannot beat the Old Globe Theatre for its audacity in mounting the challenging musical Rain, based on a short story by W. Somerset Maugham. Rain was made into three separate films, a silent in 1928 starring Gloria Swanson, and then in 1932 starring Joan Crawford as Miss Sadie Thompson, and finally in 1953 Rita Hayworth assumed the role of the prostitute stranded on the South Pacific Island of Pago, Pago in 1924. This much anticipated musical version with book by Sybille Pearson and music by Michael John LaChiusa is the second time Rain has been performed onstage, the first being a play in 1922. For the entire cast and creative team in San Diego this enterprise has been enormous. It is truly an outstanding ensemble headed by Eden Espinosa as Sadie, and the set designed by Mark Wendland is by itself worth the price of admission.

Writer Rachel Landon and Actress Alli Villines discuss SRO's SPEAKEASY, an immersive theatre experience featuring popular 1920's era music, roaring dance numbers and a glimpse into the end of Prohibition. SPEAKEASY is about Texas, the female owner of a Chicago speakeasy club during the Prohibition era - and the various characters that frequent the club.

"I'm a black woman in America; breathing is political," stated Natalie Douglas, wryly, early in her March 21 concert at Birdland to celebrate the release of her excellent new recording Human Heart. I felt myself inwardly fist pump-yes! Douglas dared to acknowledge the contemporary political circus-which I, for one, am completely obsessed with-on the cabaret stage! Okay, I can relax-I will make it through this show without listening to a political podcast or reading a David Brooks New York Times opinion column after all. Phew! I have not entered a purely escapist fantasyland, but surrendered to the capable musical ensemble on stage. Douglas wore a long white gown (chosen out of the pile when her husband made an approvingly bawdy comment as she tried it on for him) and her band-all six of whom appear on the record-wore all black. The appearance was a study in contrast, but the group, was most assuredly a cohesive instrument.

Once again the exciting young Gateway Opera company shows us that you don't need a massive budget to create wonderful opera.

Chicago is one of my favorite cities on the planet, so it goes that Chicago, the Tony Award- and Oscar-winning musical by John Kander and Fred Ebb, is also one of my favorite stage musicals. Brash, sassy, laugh-out-loud funny at one moment, and heart-tuggingly and sweetly sentimental at the next - with a musical score that's memorable and pitch-perfect in the skillful way it tells the story of wannabe vaudeville superstars Roxie Hart and Velma Kelly - Chicago has been a part of the musical theater vernacular for almost 40 years.

 The New York Musical Festival (NYMF), previously known as The New York Musical Theatre Festival, announced today the initial lineup for NYMF 2016. Among the shows announced in the lineup are the Next Link Project musical selections, as well as invited production selections, developmental reading selections, and concerts. Now in its thirteenth year, the 2016 Festival will take place in July at locations around midtown Manhattan in New York City. 

Coming off of an impressive five 2015 Broadway World awards, suburban-based Up And Coming Theatre stages one of its most ambitious theatrical events yet --Andrew Lippa's THE WILD PARTY--in an Elk Grove Village nightclub. For the most part, it pays off handsomely.

Fats Domino was one of the most popular rockers of the 1950s and early 60s. His achievements and record sales during that time were rivaled only by Elvis Presley.

Fats Domino was one of the most popular rockers of the 1950s and early 60s. His achievements and record sales during that time were rivaled only by Elvis Presley.

BULLETS OVER BROADWAY's national tour tour shot over to the Fox Performing Arts Center (PAC) in Riverside for a single performance on January 27th, after a run at the Pantages. The top-notch cast delivered a hilarious night of theatre at the Fox, with fabulous dancing and singing.

The 68th season of the Festival d'Aix-en-Provence, under the leadership of General Manager Bernard Foccroulle, will present an international roster of artists in six major vocal productions plus an opera-in-concert from June 30 - July 20. New Festival productions this year are Mozart's Cosi fan tutte directed by Christophe Honore and conducted by Louis Langree with the Freiburger Barockorchester; Debussy's Pelleas et Melisande led by Esa-Pekka Salonen with the Philharmonia Orchestra; and completing the Festival's Handel Cycle, Il Trionfo del tempo e del disinganno conducted by Emmanuelle Haimwith Le Concert d'Astree. In addition, the 2016 season will feature a concert version of Rameau's Zoroastre with Raphael Pichon leading the orchestra and choir of the Ensemble Pygmalion.

As BroadwayWorld reported this morning, Bette Midler will indeed return to Broadway in one of the most cherished shows in musical theater history when she takes on the role of Dolly Gallagher Levi in Michael Stewart's (book) and Jerry Herman's (music and lyrics) masterpiece, Hello, Dolly!. Directed by four-time Tony Award® winner Jerry Zaks, Hello, Dolly! will begin performances on Broadway on March 13, 2017, with an official opening night of April 20, 2017. Rehearsals begin one year from today. This new production of Hello, Dolly!, the first new production of this classic musical to appear on Broadway since it opened more than fifty years ago, will have at its helm Jerry Zaks as its director, and will feature choreography by Tony Award-winner Warren Carlyle. The new Dolly! will pay tribute to the original work of legendary director/choreographer Gower Champion, which has been hailed both then and now as one of the greatest stagings in musical theater history. Below, reacquaint yourself with the creative team, old and new!

BULLETS OVER BROADWAY became a screwball Broadway musical comedy in 2014, written by Woody Allen (adapted from his film) and directed and choreographed by Susan Stroman. The production, which consists of songs adapted from those popular in the Roaring Twenties, was nominated for six Tony awards. The BULLETS national tour will stop at Riverside's Fox Performing Arts Center for one show on the evening of Wednesday, January 27, 2016. BWW spoke to Jemma Jane, who plays Olive.

The Alden in McLean announces its winter-spring 2016 season offerings of national and international touring artists. Professional artists from the worlds of comedy, dance, theatre, music, magic, children's theatre and more will visit the 383-seat performing arts venue located inside the Beltway and minutes from downtown DC. Tickets for all season performances are on sale online at the Alden's website www.aldentheatre.org and by phone through OvationTix at 1-866-811-4111. The Alden is located at 1234 Ingleside Avenue, inside the McLean Community Center. 

Pasadena Symphony's annual Holiday Candlelight concert returns to All Saints Church today, December 19, 2015. Having sold out the past four years in a row, the concert will offer two performances to meet community demand at 4:00 pm & 7:00 pm.

Below, BroadwayWorld brings you a look at all of the upcoming plays from Roundabout, Manhattan Theatre Club, and more, currently slated to bow on the Great White Way in 2016!

Sometimes a flop Broadway show is better appreciated after closing, and may even return as a hit!

Pasadena Symphony's annual Holiday Candlelight concert returns to All Saints Church on December 19, 2015. Having sold out the past four years in a row, the concert will offer two performances to meet community demand at 4:00 pm & 7:00 pm.

Fourteen years since his debut at Don't Tell Mama, Marcus Simeone has evolved into a fearless singer who is able to climb inside any song and deliver it home with ease. Aside from eclectic solo work, he has also partnered with others over the years with mixed results. Currently, he has joined forces with two cabaret artists in two totally unrelated songwriter showcases running simultaneously in two different clubs. One salutes a controversial folk pioneer and the other pays homage to three Broadway icons.

Sierra Repertory takes its audiences to the glamorous and nostalgic world of Tony Award winning musical The Drowsy Chaperone October 16 to November 22 at the East Sonora Theatre on Mono Way. The comedy begins when a die-hard musical fan, feeling blue, dusts off his favorite cast album, a fictitious 1928 hit called The Drowsy Chaperone. The show comes to life - showy, glitzy, colorful life - in his drab living room as he wryly comments on the lush music, the thin plot and the personal lives of the actors.

Quintessence Theatre, Philadelphia's only all-classical repertory theatre, announces its sixth season of progressive classics.

Staged by the Department of Drama (SU Drama) in Syracuse University's College of Visual and Performing Arts (SU: VPA), Kiss Me, Kate performs October 2-10 in the Archbold Theater at the Syracuse Stage/Drama Theater Complex, 820 East Genesee Street. Tickets range $17-$19 and can be purchased at vpa.syr.edu/drama, by phone at 315-443-3275, or in person at the box office, Monday through Friday, 10 a.m.-5 p.m.

This autumn Kneehigh return to Birmingham Repertory Theatre following their sell-out run of Rebecca earlier this year, with their critically acclaimed radical new reworking of the Beggar's Opera, Dead Dog In A Suitcase (And Other Love Songs).