BWW Review: Blank Canvas Challenges Audience Sensibilities with SILENCE! THE MUSICAL
Pat Ciamacco, the curmudgeon of glee and horror, is at it again. While it seems almost by chance, the artistic director of Blank Canvas selects the likes of OUR TOWN, TWELVE ANGRY MEN and OF MICE AND MEN. But most often Ciamacco digs up such scripts as THE WILD PARTY (a play about decadence and uninhibited sexual behavior), REEFER MADNESS (the 'truth' about using marijuana), BAT BOY THE MUSICAL (the tale of a large-eyed fanged human child), TRIASSIC PARQ THE MUSICAL (a songfest 65-million years in the making), DEBBIE DOES DALLAS (a stage version of the 1978 pornographic film), and TEXAS CHAINSAW MUSICAL (the story of a handsome serial killer and his overly affectionate momma, staged complete with a 'blood zone,' where members of the audience chose, if they desired, to be bathed in fake blood!)
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